This Is The End – Avengers: Infinity War * spoiler free review

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The Marvel films have always struggled with villains, it’s a frequently heard complaint that few villains beyond Loki and, arguably, Erik Killmonger, have left too much of an impression. So let’s get this right out there – not only was Thanos worth waiting for, but he instantly ranks at the top of the hall of infamy.

There was concern that the Mad Titan would be a let down, that he couldn’t possibly live up to the almost ten-year build which has led us to this point. But the combination of a wonderfully layered performance from Josh Brolin and superlative animation effects work brings Jim Starlin’s deranged creation to full, terrifying life in Marvel’s Avengers: Infinity War.

This feat is even more impressive in a film which (as I’m sure you know from the hype) brings together all the expected characters from the Marvel Cinematic Universe (and perhaps even some unexpected ones).

Directors Anthony and Joe Russo (and screenwriters Christopher Markus and Stephen McFeely) do a splendid job of pulling together an increasingly active number of franchises, giving most characters a neat arc and/or several great moments, though there are exceptions, inevitable even with a two-hour forty minute running time, and a certain amount of shorthand is definitely at play. That they manage this without spending an hour on exposition is a minor miracle, and a testament to deft storytelling (and the good will engendered by eighteen previous films).

There’s an undeniable frisson of excitement (especially for a Marvel geek like me) to see new combinations of characters, having Spider-Man and Doctor Strange interact left me with the biggest grin on my face, but the filmmakers know they need more than just a Marvel Team-Up to make a satisfying film.

There are real stakes here, literally the fate of the universe (or half of it… you’ll see…) hangs in the balance, with a number of different strands occurring in different locations on different worlds, and the action feels all the more vital because Marvel have taken the time to build these worlds and make us care for the characters. And it’s no spoiler to say your emotions will really be put through the wringer – I wept a solitary, manly tear on more than one occasion.

But don’t think the threat of the universe coming to an end or talk of tears means it’s all doom and gloom: this is a thrill-a-minute adventure that hits the ground running and barely lets up on the action, but as usual it’s mixed in with some fabulous and funny character interplay – Thor with Peter Quill and Doctor Strange with Tony Stark bring unexpected delights.

There’s also a distinct feel here of the beginning of a changing of the guard – the first ten years of Marvel movies has seen a very definite roster of characters and Infinity War shows us that the company’s willingness to shake things up is part of what makes them so successful, and which lends even more weight to the story, of course. Even the obligatory post-credit scene nods in that direction (it’s a nod that literally made me whoop in the cinema).

Is there a downside to all this? I suspect that a casual filmgoer would be rather lost but y’know in that case, get with the Marvel game like the rest of the population, I guess.

Avengers: Infinity War is a huge, and hugely exciting, comic book, sci-fi epic that really sees the gutsy long-game approach taken by Marvel pay off, giving us the Empire Strikes Back of their bold, long form narrative, and finally giving the Marvel Cinematic Universe its own Darth Vader, a cosmic villain with a welcome emotional core.

And really, so as not to wander into the spoiler zone, that’s about all I can say, except that this is the huge Marvel adventure we’ve been waiting for.

This is the end*… but bring on May 3, 2019 and Avengers 4 as soon as possible please, I only have so many fingernails left to chew through.

*Speaking of the end, you KNOW to stay right through to the very end of the credits, right…!?

Epic! The Avengers: Infinity War Trailer Is Here…

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The trailer for Avengers: Infinity War has landed and, wow… you need to see this:

I know, right!?

It’s not the same trailer that wowed audiences at this summer’s San Diego Comic-Con (yes, yes, I peaked at the leaked version) but if anything it feels even more epic.

Rumours are running rife that this may be the last time we see some of these characters (at least in their present forms), so better make the most of… hm, well, that would be telling, right!? In the meantime, we can look forward to the ultimate Marvel Cinematic Universe mash-up of The Avengers, Spider-Man, Doctor Strange, Black Panther and the Guardians of the Galaxy as they face up against the Josh Brolin-shaped cosmic might of Thanos.

Avengers: Infinity War arrives May 8th, 2018. The hype starts here…

Captain Marvel Gets Law. Jude Law.

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Here at Out of Dave’s Head Towers, we’re major fans of Jude Law and pretty much go by the rule of thumb which states that most movies can be improved with a bit of Jude.

So it’s great news to hear that Variety is reporting the actor is in negotiations to climb aboard Marvel’s forthcoming Captain Marvel, as “a mentor of sorts” to Brie Larson’s Carol Danvers while she “tries to figure out her new powers” as the title hero.

Supposedly, the film will be set in the ’90s, before the Avengers first assembled, and will also feature the ever-wonderful Ben Mendelsohn as the as-yet unnamed villain, while Samuel L. Jackson is expected to reprise his role as Nick Fury, possibly pre-eyepatch.

The film is directed by “Half Nelson” helmers Anna Boden and Ryan Fleck, with Kevin Feige producing.

Jude Law joining the Marvel Cinematic Universe!? March 8, 2019 can’t get here soon enough.

UPDATE: Variety have confirmed that Law will play Dr. Walter Lawson/Kree warrior Mar-Vell and the original Captain Marvel.

Photo credit: Getty Images

Have You Heard The One About Thor: Ragnarok?

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Thor: Ragnarok has laughs. Plenty of them. Perhaps too many. Allow me to explain…

I’ll start by saying there is a huge amount to love about Marvel’s third solo outing for the God of Thunder. First of all it’s the most fully rounded vision of Stan Lee, Larry Lieber and Jack Kirby’s four-colour hero to date, Kirby’s cosmic visuals are like a roadmap for Thor: Ragnarok. It’s also yet another step forward for both the Thor solo franchise and indeed the Marvel Cinematic Universe in embracing its comic book roots.

There’s little desire to coddle non-comic book fans with grounded scenes set on Earth (and the whistle-stop moments we do get on our home planet actually push things into even geekier comic books realms, particularly in one cameo sequence, teased at the end of a previous movie). Within the first twenty minutes or so we’ve been taken to Hell (or the Norse equivalent), Asgard (including another couple of genuinely jaw-dropping cameos), Earth and then into the vast reaches of outer space. It’s all colourful, exciting and breathtaking, and the pace doesn’t really let up, cutting between Thor’s adventures in space and events back on Asgard.

We’re also given the best version of the onscreen Hulk yet, realised by Mark Ruffalo along with state of the art mo-cap, animation and fine attention to detail with character so he now has full Hulk-speak dialogue scenes (and jokes) with other characters. Special mention to Tessa Thompson too, for giving us a delightful, kick ass version of a much-loved Marvel character. I really hope we see more of her in future movies. Idris Alba is given a little more screen time as Heimdall but still feels wasted. Director Waititi features as another comic character, alien stone man Korg, engaging and pretty much played for laughs.

The film also mostly succeeds in breaking the curse of the underwhelming Marvel villains by giving us several of them, all in various hues and shades of villainy. Cate Blanchett is obviously having a bad guy ball as Hela, Queen of the Underworld, Karl Urban crops up to reaffirm his geek cred as Skurge, The Executioner, there’s the ever mercurial Loki brilliantly essayed by Tom Hiddleston, of course, plus we have Jeff Goldblum doing his best Jeff Goldblum thing as The Grandmaster. They’re all layered, interesting and fun.

Ah yes, then we get to the laughs. Ragnarok might best be described as Marvel’s first comedy, so far do Waititi and his team push the humour of the film. I’m all about seeing Marvel broaden their canvas, playing with expectations and giving each film a fresh tone,  an approach that’s paid dividends with the likes of James Gunn and it mostly pays off here as this is most definitely a Taiki Waititi film. It’s an approach which should help the longevity of Marvel movies and keep audiences on their toes (and anyone who thinks of Marvel films as being cookie cutter affairs really needs to open their eyes to the palettes of movies as far apart as Captain America: The Winter Soldier, Ant-Man, Guardians of the Galaxy Vol. 2 and now Thor: Ragnarok).

So far, so Marvel dandy. However, we’re also here for the drama, and occasionally the jokes are laid on so relentlessly in Thor: Ragnarok that they frequently end up severely undercutting the drama.

A major event, foreshadowed all the way through, actually comes to pass near the end of the movie. It should be quite the dramatic moment, as it affects most of the characters and shakes up some of the status quo of the Marvel Cinematic Universe. So, a big deal. There’s a nice, humorous set up to the moment, then straight after it happens any drama arising from the scene is wiped out with a not particularly firing-on-all-cylinders quip. It’s unnecessary, and damaging to our empathy for the characters we’ve been following for six years since Kenneth Branagh’s first Thor movie. That’s quite an investment, and one that takes a hit for the sake of a throwaway gag.

I should reiterate, Waititi and Marvel have produced a top-notch film which will undoubtedly leave you with a smile on your face and the knowledge you’ve spent a good night out at the cinema. But finding that sweet spot between drama and humour takes a careful aim, and this time it feels like Thor’s hammer missed the target by a few inches.

Black Panther – The Revolution Will Be Televised!

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You know how some days are – non-stop work, no time to think, you come home exhausted and… there’s a new trailer for Marvel’s Black Panther waiting for you. Result!

Feast your eyes on this and we’ll talk more after…

Well, that looks cool as heck, right!? Ryan Coogler’s take on the hidden nation of Wakanda is spectacular, and looks ready to open up a whole, new corner of the Marvel Cinematic Universe. And with that truly amazing cast Black Panther is shaping up to be another in the increasingly refreshing run of Marvel movies led by Scott Derrickson’s Doctor Strange, James Gunn’s Guardians of the Galaxy vol. 2 and Taika Waititi’s Thor: Ragnarok.

As a bonus you can ogle the lovely new poster, below.

Black Panther opens on February 16th and that date can’t arrive quickly enough.

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New Thor: Ragnarok Trailer Rocks! Plus Marvel News…

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Thor: Ragnarok, the third solo outing for the Thunder God, looks like it will be taking its cue from James Gunn’s Guardians of the Galaxy films by letting director Taika Waititi up both the humour levels and the outer space weirdness. It will also feature Thor and the Hulk going medieval on each other, of course.

 

Meanwhile, some titbits were revealed concering other forthcoming Marvel movies:

From Ant-Man & The Wasp, the big new casting news is that Michelle Pfieffer will play the first iteration of the Wasp (and Michael Douglas’s wife), Janet Van Dyne.

Laurence Fishburne will play Dr. Bill Foster (aka Goliath)

In Captain Marvel (played by Brie Larson), the villains will be infamous alien shapechangers, the Skrulls, and the film will be set in the 1990s!

Nick Fury (Samuel L Jackson, of course) will appear, and with both eyes!

Thor: Ragnarok goes into battle on October 25th, Ant-Man and the Wasp fly on July 6, 2018, and Captain Marvel saves the day on March 8, 2019.

UPDATE: Marvel have just released this madly beautiful poster for Thor: Ragnarok which looks like it ate ALL the e-numbers…

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“Coffee For Spider-Man…”

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Perhaps to make up for the recent slew of quite dreadful posters for Spider-Man: Homecoming (I won’t link to them, but they’re out there and easily found if you have a taste for really bad Photoshop), Sony have released this amazingly (sorry, not sorry) cute piece of viral marketing to trumpet the imminent release of their first co-production with Marvel Studios.

It weirdly captures the friendly, neighbourhood aspect of the character which seemed largely absent from the last two ‘Amazing Spider-Man’ Sony productions, so let’s hope this approach is something Marvel have managed to filter through into the new movie, released in just a few short weeks, on July 7th.

In the meantime, watch out for stray webs in your cup the next time you order a coffee…

 

Guardians 2 – Galaxy 0 – Gunn Scores Again!

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When James Gunn hit with the original Guardians of the Galaxy, back in 2014, the film took many by surprise. For those of us who had been following both Marvel’s careful universe-building gameplan (up to that point) and Gunn’s career – starting with his days at Troma, through projects such as PG-Porn and onto the low to mid-budget gems, Super and Slither, the tone of Guardians was less of a surprise. More surprising, perhaps, was the fact that so much of Gunn’s off-kilter sensibility shone through the Marvel house style.

Happily, that sensibility has been allowed full reign for the sequel, Guardians of the Galaxy Vol. 2, perfectly encapsulated by the opening sequence which involves the already in-situ Guardians battling a tentacled space beast accompanied by the glorious harmonies of E.L.O.’s Mr. Blue Sky. Gunn being Gunn, the focus of the battle is kept to the background while we follow Baby Groot dancing along to Jeff Lynne’s most famous tune.

It’s this kind of oddball choice that gives both volumes their charm, and that’s added to by a cast now fitting snugly into their roles. Chris Pratt, Zoe Salanda, Bradley Cooper, Vin Diesel and Karen Gillan are all clearly having a ball, and Michael Rooker and Pom Klementieff grab their expanded and new roles respectively with relish.

The stand out star of Vol 2 for me however, was Dave Bautista. His Drax is an immensly likeable character and Bautista kills every single line and beat with expert comic timing. Vol 2 has several great laugh out loud moments and Bautista is at the heart of many of them.

Newcomers (to the MCU) Kurt Russell and Sylvester Stallone provide welcome gravitas and there are several fun and surprising cameos for both casual viewers and Marvel geeks (like me). Russell in particular plays well against Pratt and it’s something of a clash of the charmers whenever they share screentime.

Vol 2 is bold in style and is easily Marvel’s most colourful production to date – in fact the film generally resembles a particularly fine LSD trip, with shining rainbow colours splashed around gleefully. It’s a welcome expansion to Marvel’s usual colour palette, and one which the forthcoming Thor Ragnarok looks set to continue.

Also welcome is the greater emphasis on family relationships – a theme layered across several different sets of characters and one which even manages to colour the McGuffin that drives the plot. If this McGuffin feels a little underwhelming at first (even though it involves the end of the galaxy as we know it) a little reflection reveals surprising depth at the ostensible villain’s plans (I’m being deliberately circumspect here to avoid spoilers).

This emphasis makes for quite an emotional ride too, and you shouldn’t be surprised if your heartstrings aren’t well and truly tugged upon by the film’s climax.

If Vol 2 outstays its welcome by ten minutes or so, and wanders a little too amiably here and there (hello, extended sojourn on the Ravagers’ ship), that’s a small price to pay to spend two hours in the company of such superb characters. Honestly, I’d happily spend two hours with Drax, just revelling in his blunt as a brick one-liners.

This e-number fuelled adventure is a full on funhouse ride and as much of a good time as can be had without losing your underwear, and Gunn has definitely hit two for two. Bring on the promised Vol 3, I say.

*** Oh, and in the tradition of Marvel’s post-credit scenes, Vol 2 features no less than five, and viewers are advised to stay until the very, very end…

Thor: Ragnarok Wins Battle of the Led Zeppelin Trailers!

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In the last week or so we’ve been treated to two trailers for forthcoming big, studio tentpole movies, both of which rely on the trusty wailing, axe slashery (as in guitars, though there are plenty of real axes in the trailers themselves) and drum pounding of the mighty Led Zeppelin!

First out of the gate came Guy Ritchie’s King Arthur: Legend of the Sword, accompanied by Babe I’m Gonna Leave You (from the Zepp’s 1969 debut album). It’s all very blokey and muddy and grey with a bunch of Ritchie’s usual tics (speed ramping, etc) and ultimately, for me at least, didn’t feel in any way unique (and it has some very big boots to fill against John Boorman’s mad and operatic, Excalibur). The Arthur story appears to have been given the Game of Thrones/Sherlock Holmes treatment and if you’re up for that, then I guess I know where you’ll be spending your movie cash this summer.

Next up comes Taika Waititi’s first crack at the Marvel Cinematic Universe and, well, take a look for yourself:

The Thor films have frequently felt like the poor relations of the Marvel movies, neither quite reaching the targets they were aiming for (though I still find them both very enjoyable… Dark World in particular only really misses its mark due to the now frequent Marvel trope of the underdeveloped villain, with poor Christopher Eccleston doing his best under heavy make up).

A trailer is no proof of the finished product, of course, but judging from what we see here Marvel have let the Flight of the Conchords/What We Do In The Shadows director have his head of steam.

Already we see something lighter, brighter and far more cosmically ‘out there’ than the previous entries in this franchise, and certainly allowing Chris Hemsworth’s comedy chops to shine is a stroke of genius. Plus of course, there’s *that* guest appearance… it’s no trade secret that Thor: Ragnarok borrows from a certain set of well- loved stories from the comic books and the sight of those two characters (I’ll avoid spoilers here in case you’re the only person on the planet unaware of this) facing off against each other is just too delicious. Additionally, everyone knows Jeff Golblum automatically improves any movie he’s in.

Finally, we have the use of Led Zeppelin’s Immigrant Song, from 1970’s Led Zeppelin III. Now you might want to subtract a point or two after the song’s spellbinding use in the trailer for David Fincher’s slightly less spellbinding The Girl With The Dragon Tattoo, but really that would feel somewhat churlish in light of its perfect use here.

Imprisoned on the other side of the universe, the mighty Thor (Chris Hemsworth) finds himself in a deadly gladiatorial contest that pits him against the Hulk (Mark Ruffalo), his former ally and fellow Avenger. Thor’s quest for survival leads him in a race against time to prevent the all-powerful Hela (Cate Blanchett) from destroying his home world and the Asgardian civilization.

If this official synopsis above for Thor: Ragnarok doesn’t get you vibed (along with Spider-Man: Homecoming and Guardians of the Galaxy, vol. 2), well, there’s always King Arthur for you to look forward to. I’ll be gleefully diving into Waititi’s gloriously colourful immigrant song…