Arriving almost stealthily but just in time to prove 2020 isn’t all bad, The Queen’s Gambit on Netflix is a riveting story of loss, genius, addiction and chess.
Smartly and economically written, gorgeously designed and shot, and with an excellent score (by Carlos Rafael Rivera) the series however, is owned lock, stock and barrel by Anya Taylor-Joy (The Witch, Emma).
The actor plays orphan Beth Harmon and the seven episodes detail her meteoric rise through the world chess rankings. Director/writer Scott Frank (Godless) makes full use of Taylor-Joy’s eyes throughout, which seem to sometimes threaten to burn right through the screen. It’s a frequently astonishing performance, one that starts from those eyes and manifests a dark and fascinating inner life for her character. This was clearly a rather special collaboration between the two.
Based on a 1983 thriller novel by Walter Tevis (who also wrote The Hustler, The Colour of Money and The Man Who Fell To Earth), the story moves forward propulsively but never less than thoughtfully and also highlights a complicated but tender relationship between Beth and her adoptive mother, played by Marielle Heller.
The cast is uniformly good, featuring superb turns from the likes of Isla Johnston (as young Beth), Bill Camp (the care home janitor who spark’s Beth’s nascent talent) and Moses Ingram (as Beth’s closest friend, a character we should definitely have seen more of in the narrative).
But this is Taylor-Joy’s show and a great showcase for the young actor. Frank and Taylor-Joy give us a fascinating, magnetic character in Beth, and mostly avoid making her talent magical by highlighting her obsessive and destructive traits.
The Queen’s Gambit feels very much like a piece of classic Hollywood storytelling, yet rises above that with a cool boldness that feels utterly compelling.
The series brings a wonderful, stylish slice of viewing joy (sorry, not sorry) to a pretty awful year.
The music video has been released for Billie Eilish singing the theme song from the forthcoming 25th entry in the James Bond franchise, No Time To Die.
While the song was originally released back in February, the official music video has been held back until now, due to the film’s Covid-19 related delay.
Now, with the film hitting cinemas in just a few short weeks (you can view the latest trailer here), we can see Eilish being sultry all over clips from the film, highlighting the troubled relationship between Bond and Dr. Madeleine Swann.
No Time To Die, Daniel Craig’s final outing in the tailored Tom Ford suits as 007, directed by Cary Joi Fukunaga from a screenplay by Neal Purvis, Robert Wade, Fukunaga and Phoebe Waller-Bridge, with a score by Hans Zimmer, and co-starring Léa Seydoux, Jeffrey Wright, Christoph Waltz, Lashana Lynch and Rami Malek, will be with us on 12 November (in the UK and Australia) and the 20th November (for the USA).
Deadline just dropped the news that Marvel have found their Kamala Khan, AKA Ms. Marvel. Newcomer Iman Vellani will play the character in a new series for Disney Plus.
Created by editors Sana Amanat and Stephen Wacker, writer G. Willow Wilson, and artists Adrian Alphona and Jamie McKelvie, Khan is Marvel’s first Muslim character to headline her own comic book.
The new series for the streaming channel will be written by Bisha K. Ali and centers on Khan, a Pakistani-American teen based in New Jersey. It will mark Vellani’s first big role in the film and television industry.
The news follows on swiftly from the recent announcement that Tatiana Maslany has been cast in the title role of a She-Hulk series, and this week’s announcement that the studio is developing a Nick Fury series, to star Samuel L. Jackson.
We’ll bring you more word on Ms. Marvel as the show moves into production, but this is exciting news for fans of the character.
The trailer for the highly anticipated second season of The Mandalorian has just dropped and, well, it’s rather good…
This first teaser doesn’t reveal any new characters known to be appearing, such as Boba Fett or Ahsoka Tano, but we do see greater involvement from the Empire and a clear sense of Din Djarin’s mission from The Armourer, to reunite The Child with his own kind.
The Mandalorian is really shaping up to be some of the best Star Wars coming out of the franchise since Disney came on board (though that’s not necessarily a high bar after The Rise of Skywalker), and I’ll be glued to Disney Plus when this begins streaming on October 30th (especially now the channel has launched here in Norway).
Will you be tuning in, or are you done with Star Wars? Drop a comment below…
We haven’t spoken before about the forthcoming film adaptation of Dune here at Out of Dave’s Head, so let’s rectify that with the arrival of the first trailer.
The road to the screen (and the planet Arrakis) has been a long one for this production but it looks like the wait will have been worth it.
The director, Denis Villeneuve, has a pretty impressive track record with films including Sicario, Arrival and Blade Runner 2049 under his belt, and that cast is simply phenomenal, including Timothée Chalamet, Zendaya, Oscar Issac, Josh Brolin, Javier Bardem, Dave Bautista, Charlotte Rampling, Stellan Skarsgård and Rebecca Ferguson (in case you weren’t paying attention to that trailer).
But Dune is a notoriously tough nut to crack in transporting author Frank Herbert’s 1965 novel to the screen. Just ask David Lynch. It’s certainly a good omen that the director recognised the world of Dune was too complex for a single film and insisted on splitting the first book into two parts.
However, this is a huge undertaking and that sequel is not yet a certainty. Production company Legendary have not officially greenlit it, so if you want to see the conclusion get out there, buy tickets and see this film at a cinema (observing safe social distancing, naturally).
Fingers crossed that Villeneuve and company succeed, and we can all find out when Dune opens in December.
Out of Dave’s Head went into lockdown over the past few months, with Hollywood basically doing the same. But now we’re back with a blast.
The second trailer for No Time To Die looks the business and offers some intriguing teases, but will it overcome audience’s fears of returning to the cinema and will it allow Daniel Craig to go out in style?
These questions and more will be answered when the twenty fifth entry in the long-running James Bond franchise opens in November.
Will you join James Bond in the cinema…?
Start your engines! The Batman director Matt Reeves has just revealed his version of the Batmobile. And, well, here it is…
There’s not much more to say at this point, except that it looks nicely slimmed down from recent chunky cinematic Batmobiles, and to this old Bat Fan’s eyes, it has something of the feel of both the 1970s comic book sports car versions designed by the likes of Bob Brown, Irv Novick and Dick Giordano and the sleek number designed by the late, great artist Norm Breyfogle, for his excellent run in the 1980s. And that’s a good thing.
Meanwhile, The Batman stars Robert Pattinson as Bruce Wayne/Batman. The cast also includes Zoe Kravtiz as Catwoman, Paul Dano as Riddler, Colin Farrell as the Penguin, John Turturro as crime boss Carmine Falcone, Jeffrey Wright as Commissioner Gordon, Andy Serkis as Alfred and Peter Sarsgaard as Gotham City DA Gil Colson.
The film will be released June 25th, 2021.
Last month, it was revealed that Billie Eilish would be the youngest-ever person to record a theme song for a James Bond movie, No Time To Die, the 25th in the franchise. And now, seemingly faster than a bullet fired from a Walther PPK, here it is…
“We’ve always wanted to write a James Bond theme song,” Eilish’s brother and co-writer, Finneas told the Billboard Pop Shop Podcast after news of the song was announced. “And you know, it’s a legendary franchise, so we had to convince a lot of people that we were the right choice. And then we had to write a song that everybody liked. So it was a hard-won process.”
Will this hit the target with Bond fans and join classics such as Goldfinger, by Shirley Bassey, or Thunderball, by Tom Jones, and highly regarded modern efforts by the likes of Chris Cornell (You Know My Name, from Casino Royale) or Adele (Skyfall, from, uh… Skyfall) or will it be relegated to the exploding volcano bases of history alongside Alicia Keys & Jack White’s Another Way To Die (from Quantum of Solace) or Sam Smith’s beyond dreary Writing’s On The Wall (from SPECTRE)…!?
I guess you’ll know your answer to that by now. As for me, I love it.
No Time To Die (the movie) is released in April (date according to country).
Director of Warner Bros.’ forthcoming reboot of The Batman, Matt Reeves has revealed the first look at incoming Bruce Wayne, Robert Pattinson, in costume as the Dark Knight…
The short, atmospheric video is part of a camera test for the film, so this may not be the final costume, but there’s no doubt that Pattinson looks good in the cape and cowl.
The cast for The Batman also includes Zoe Kravitz as Catwoman, Paul Dano as Riddler, Colin Farrell as the Penguin, John Turturro as crime boss Carmine Falcone, Jeffrey Wright as Commissioner Gordon, Andy Serkis as Alfred, and Peter Sarsgaard in an as-yet unrevealed role.
The Batman hits our screens on June 25, 2021.
UPDATE: Apparently that IS the Bat Suit and also the music is from Michael Giacchino, who’s scoring the film. That makes this clip a whole lot more intriguing.
Those of you who unsubscribed to Disney + at the end of The Mandalorian: get ready to re-subscribe:
There are your Super Bowl teasers for forthcoming Marvel TV shows: WandaVision, Loki, and Falcon And The Winter Soldier. Well, Disney +, you have my attention.
All featuring the actors from the Marvel Cinematic Universe (Elizabeth Olsen and Paul Bettany, Tom Hiddleston, and Anthony Mackie & Sebastian Stan), joined by the likes of Kat Denning and Owen Wilson, these look set to be intriguing expansions of the first ten years of Marvel, ready to lead us into the next phase.
The first show up will be Falcon And The Winter Soldier (autumn 2020), which looks like it will deal head on with the space left by Steve Rogers (oh, the whole world has seen Avengers: Endgame by now, right!?).
WandaVision (following soon after) looks especially bizarre, seemingly taking visual cues from the likes of I Love Lucy and Roseanne. It’s great to see these shows might take some creative risks.
And I feel sure Mr Hiddleston will bring a fan or two into the Disney streaming service with Loki, in 2021. Also expect this show to tie-in heavily with cinema sequel, Doctor Strange and the Multiverse of Madness, sadly without director, Scott Derrickson, who recently departed the production due to those pesky “creative differences.”.
Now, where’s that TV remote? I have some planning to do…