The Final Star Wars: The Rise Of Skywalker Trailer

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Okay, I know what you’re here for, so here’s the final Star Wars trailer ever…

Yeah, well, I lied, obviously. This isn’t the final Star Wars trailer ever, Disney have way too much invested into George Lucas’s baby for that, but it is the final trailer for the nine films which will comprise the Skywalker saga.

And in customary J J Abrams style, it looks beautiful, with some really stunning ‘trailer moments’. Let’s just hope he and the crew are able to pull this together for a satisfying film – it comes with rather a lot of baggage, of course, not least the ire of a lot of entitled man-babies who shed copious fanboy blood and fury blood over Rian Johnson’s The Last Jedi.

Personally, I’m rather excited to see how this all wraps up, and now we’ll find out – after forty two years and eight previous movies. I guess I’ll see you in the queue for Star Wars: The Rise of Skywalker on December 20th…

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Riddle Me This… Paul Dano To Play Which Bat-Villain?

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The answer, of course, is that Warner Bros have just announced Paul Dano will play The Riddler, in Matt Reeves’ The Batman.

We couldn’t be happier about this at Out of Dave’s Head towers, as Dano is a superb actor and a smart choice.

In a departure from the comic books, Dano’s character will be named Edward Nashton, as opposed to the rather too on-the-nose Edward Nigma, and will be part of a Rogues’ Gallery of villains squaring off against the Caped Crusader, joining (so far) Zoe Kravitz as Catwoman (see here for more).

Jonah Hill was in talks for the film, reportedly to play either The Riddler or The Penguin, but it seems negotiations broke down, swiftly followed by Dano’s announcement.

Created by Bill Finger and Dick Sprang in Detective Comics 140, published in 1948, the Riddler has previously appeared onscreen portrayed by Frank Gorshin and John Astin (in the 1960s Batman film and TV series) and Jim Carrey (in the 1995 film, Batman Forever).

Dano’s credits include Love and MercyPrisoners12 Years a SlaveThere Will Be BloodYouth and Okja, and he was recently nominated for an Emmy for his role in Escape at Dannemora.

Dano and Kravitz join Jeffrey Wright as Comissioner Gordon and Robert Pattinson as Batman. Warner Bros will release The Batman on June 25, 2021.

Photo: Paul Archuleta/WireImage

Rogue One Writer For Disney Plus Star Wars Show

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Tony Gilroy, co-writer of Rogue One: A Star Wars Story, has jumped aboard the Disney Plus series based on that film’s central character, Cassian Andor.

Variety just dropped an exclusive report, stating that Gilroy would write and direct several episodes for the forthcoming, as yet untitled, live action show for Disney’s streaming channel.

The series will star Diego Luna, reprising his role from Rogue One, and follows Rebel agent Andor in adventures set before the events of that film, in the early days of the Rebellion against the Empire. Alan Tudyk will also return as K-2SO, Andor’s droll droid sidekick.

Gilroy was originally an uncredited writer on Rogue One, and came onto the production to handle extensive reshoots on the film, earning a screenwriting credit in the process. After the reshoots, he is also said to have worked closely with director Gareth Edwards to supervise the editing of the film.

No air date has been set for the show, but previous reports suggest it will launch in 2021. Disney Plus launches in the US and other markets (but not here in Norway, curse you Disney) on November 12th.

Send In The Frowns – Joker Review

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So I’m very late to the game with this one, but much of Joker is, of course, amazing.

I’m sure I don’t need to explain that Joker is a step away from the fairly disastrous DC Extended Universe. It’s a standalone tale, starring Joaquin Phoenix, that explores the background of Batman’s arch-nemesis, containing nods to films from Network (he’s mad as hell and he’s not going to take it anymore, indeed), Taxi Driver (you almost expect Phoenix to snarl “You talkin’ to me?”), The King of Comedy (with both elements of the plot and the perhaps too on-the-nose casting of Robert De Niro) to The French Connection (particularly in one of the shootings that takes place on a subway stairway).

But away from the greatest hits of the Easy Riders, Raging Bull generation, Joker centers around a truly mesmerising, heartbreaking and ultimately repulsive performance from Joaquin Phoenix, who thoroughly deserves every award bound to be thrown at him.

It’s absolutely Phoenix’s movie, as he dominates every inch of the screen, ably abetted by Lawrence Sher’s gorgeous cinematography, and further supported by Mark Friedberg’s bold and beautiful production design, bringing to life Gotham City by way of 1970s New York.

Director Todd Phillips surprises (in fact, shocks) with his ability to allow his lead actor to fully explore the fragility, pain and brutality which punctuates this journey into mental illness. It’s also a surprisingly sharp commentary of the selfish, unfeeling world we’ve allowed to fester around us, resulting in the likes of Trump and Johnson.

However…

I can’t help but feel the film is something of an exercise in futility, as it takes so much care to explain away a character who ultimately doesn’t need to be explained. Heath Ledger’s multiple Joker “origins” in Christopher Nolan’s The Dark Knight were as intriguing and satisfying as everything Phillips and Phoenix put their character through (taking two discomforting hours instead of a few pages of dialogue).

I came away almost wishing they hadn’t hooked their story to Bill Finger, Bob Kane and Jerry Robinson’s character, but instead created their own. Is this too much of a comic book geek’s complaint?

Perhaps, but when as storytellers you attempt to give a voice to the too-often neglected corners of society in such painfully gritty terms, it then feels almost like you want to have your cake and eat it too by connecting this to a psychotic comic book villain. It’s almost as if the film is daring itself to give voice to the toxic parts of our culture likely to hold the four-colour character of the Joker aloft as an anti-hero.

I’m honestly not certain where the film stands on this, but it is undeniably deserving of greater contemplation than an immediate post-screening collection of thoughts such as these, and it’s certainly one I am curious to see again.

Regardless of these caveats, while I don’t think anything in the film (beyond Phoenix’s performance) raises it to the level of genius that’s been heaped upon it, Joker is a powerful and bold, utterly nihilistic, shattered funhouse reflection of the world around us. And that’s no laughing matter.

Meow! Zoe Kravitz Is Your New Catwoman!

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Big Little Lies star Zoe Kravitz has been confirmed as Catwoman for new movie, The Batman.

The actor reportedly pipped the likes of Zazie Beetz, Eiza Gonzalez and Oscar winner Alicia Vikander for the role of Bruce Wayne/Batman’s nemesis/love interest in Matt Reeves’ soon-to-begin filming new take on the Caped Crusader, starring Robert Pattinson in the title role.

Pattinson was chosen by Reeves and Warner Bros when previous Batman, Ben Affleck, departed the role after than the less-than-satisfactory Justice League.

Meanwhile, Kravitz’s credits include the Divergent series and Mad Max: Fury Road, and she will stalk the streets of Gotham alongside Jeffrey Wright as Commissioner Gordon and Jonah Hill, who is in talks for an unspecified villain role.

“It’s very much a point of view-driven, noir Batman tale,” Reeves said of his take, to the Hollywood Reporter earlier this year. “It’s told very squarely on his shoulders, and I hope it’s going to be a story that will be thrilling but also emotional. It’s more Batman in his detective mode than we’ve seen in the films. The comics have a history of that. He’s supposed to be the world’s greatest detective, and that’s not necessarily been a part of what the movies have been.

Pre-production on the Warner Bros./DC Comics pic is expected to start this summer. No official start date has been set, but industry rumours have suggested that filming could start late this year or early in 2020.

The Batman is scheduled to hit cinemas on June 25th, 2021.

Harley Quinn Dominates In Birds Of Prey Trailer

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Warner Bros/DC have just dropped the full trailer for Birds of Prey (And The Fantabulous Emancipation of One Harley Quinn), so here it is…

I mean, it at least looks pretty and cohesive, in a way that even the trailers for Suicide Squad weren’t, and that cast is certainly to die for: Margot Robbie, Mary Elizabeth Winstead, Jurnee Smollett-Bell, Chris Messina, Rosie Perez, Ella Jay Basco, and Ewan McGregor, but I can’t help but feel it all comes across as a little… flat.

Maybe I’m just in a mood, but I was hoping for something a little more off-kilter, a little more dangerous (though a Harley Quinn song and dance number would definitely be a step in the right direction)…

But okay, if Robbie is at the centre of this (and the trailer certainly suggests that,as her Harley Quinn character positively dominates the narrative) then I’m in for the ride, as I think she’s a seriously undervalued actor and might just have the star power to pull this off. And if nothing else, it looks like it will be Jared Leto-free…

Birds of Prey (And The Fantabulous Emancipation of One Harley Quinn) – and that might be the last time I’ll type out that mouthful, directed by Cathy Yan, hits our local screens on February 7th, 2020.

Spider-Man: Sony and Marvel Stick Together (For Now)

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In news that, while not entirely shocking, is most certainly welcome, Sony and Marvel have come to an agreement to continue working together on Spider-Man.

Variety announced today that Sony Pictures chief Tom Rothman, Marvel’s Kevin Feige and Walt Disney Studios’ head Alan Horn have been involved in top-level negotiations to allow their successful working relationship to move forward.

Right now that means the third film in the “home” trilogy (after Homecoming and Far From Home) will fall under the deal, as well as the option for Spider-Man/Peter Parker to appear in one future film in the Marvel Cinematic Universe.

“I am thrilled that Spidey’s journey in the MCU will continue, and I and all of us at Marvel Studios are very excited that we get to keep working on it,” said Feige in a statement. “Spider-Man is a powerful icon and hero whose story crosses all ages and audiences around the globe. He also happens to be the only hero with the superpower to cross cinematic universes, so as Sony continues to develop their own Spidey-verse you never know what surprises the future might hold.”

This is much better news than fans of this iteration of Marvel’s famous web-slinger could have hoped for in recent weeks, given the very public rift between the two companies, which was based on movie profits and merchandise rights.

Thankfully, level web-heads have saved the day and Spider-Man will swing where he belongs. At least for now.

Criterion Release Trailer for Awesome Godzilla Collection Box Set

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The Criterion Collection, a boutique company which releases “important classic and contemporary” films to home video has just released the trailer for their forthcoming 1000th set:

Godzilla: The Showa Era Films, 1954 – 1975, will collect in one glorious-looking box, the first fifteen movies from Toho’s long-running kaiju eiga series:

Godzilla (1954), Godzilla Raids Again (1955), King Kong vs. Godzilla (1963), Mothra vs. Godzilla (1964), Ghidorah, the Three-Headed Monster (1964), Invasion of Astro-Monster (1965), Ebirah, Horror of the Deep (1966), Son of Godzilla (1967), Destroy All Monsters (1968), All Monsters Attack (1969), Godzilla vs. Hedorah (1971), Godzilla vs. Gigan (1972), Godzilla vs. Megalon (1973), Godzilla vs. Mechagodzilla (1974), and Terror of Mechagodzilla (1975).

The Criterion set is the first such collection released in the West, tracking Godzilla’s journey from the wrath of atomic power through to kooky world-saving hero, and also features Japanese and U.S. versions of both Godzilla and King Kong vs. Godzilla, audio commentaries, audio essays, new translations, new and archival interviews with the casts and crews and a deluxe hardcover book full of notes on the films and a slew of gorgeous new illustrations, along with much more.

If that trailer has your radioactive breath set to full blast, you’ll be pleased to know Criterion’s Godzilla box set will be released on October 29th.

Marvel Finds Its Kate Bishop For Hawkeye TV Show – Hailee Steinfeld!

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Variety are reporting that Marvel are close to signing Hailee Steinfeld to play Kate Bishop, in their new Disney Plus limited series, Hawkeye.

Jeremy Renner will move across from the movies to play Hawkeye, and Steinfeld will play Kate Bishop, a character who took on the mantle of the Hawkeye name, while Clint Barton was off doing dark deeds as Ronin (as seen in Avengers: Endgame).

We’re big fans of Steinfeld, here at Out Of Dave’s Head Towers, from her breakthrough role in the Cohen Brothers’ 2010 remake of True Grit, through to her superb turns in films including The Edge of Seventeen and the Transformers film it’s okay to like, Bumblebee.

Since these series on Disney Plus will be more directly linked to the Marvel Cinematic Universe (unlike the ABC and Netflix shows, which drifted further away from the MCU over time), it will be intriguing to see whether Steinfeld as Bishop will eventually cross over into future films.

Hawkeye will string his bow on Disney Plus in autumn 2021.

Terrance Dicks 1935 – 2019

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Terrance Dicks passed away today and I’m not even sure where to begin when it comes to talking about the importance of his work to me.

Dicks was the script editor on Doctor Who, from 1968 to 1974 (and a writer on the show for much longer), seeing the torch of the lead actor passed from Patrick Troughton to Jon Pertwee, and standing down with the arrival of Tom Baker (for whom he wrote the first story). Important years for the show and for this young mind, as this period saw me transformed from an avid, regular viewer into a full-blown fan.

But his work weaved an even greater magic, as he would become the most prolific writer of novelizations for Target Books’ Doctor Who range, penning more than sixty of these books which helped to expand my vocabulary and excite my imagination – particularly in the days before blu-rays, DVDs or even VHS tapes.

Dicks’ punchy novels are often highlighted for their relative brevity, but his economy of style also showed a flair for vivid descriptiveness and a beautiful, dry wit, which never spoke down to its audience.

Dicks’ ideas and words helped to form the pages of my own creativity. For that and for so many adventures with the Doctor through space and time, I’ll always be grateful.

“No point in being a grown-up if you can’t be childish.” 
― Terrance Dicks, Doctor Who and the Giant Robot