Christoph Waltz Back As Blofeld For Bond 25. Probably.

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In news unlikely to be a huge shock to the system of anyone paying close attention to the development of the still officially untitled Bond 25 (I’m still laying cards on Shatterhand), it seems that Christoph Waltz will break with Bond tradition by returning as arch-nemesis, Ernst Stavro Blofeld for Daniel Craig’s final stint behind the wheel of the Aston Martin.

Daily Mail journo (but don’t let that put you off, he’s usually pretty on the ball with Bond) Baz Bamigboye reports that a visitor to Pinewood spotted Waltz on the Bond set, only to be told by the actor, “You haven’t seen me.”

This would be an unusual move for the Bond series, which has never seen a return appearance by any actor playing Blofeld (at least one whose face is seen). But industry scuttlebutt suggests Bond’s adoptive brother (…ugh) won’t be the main villain, with that honour falling instead to Bohemian Rhapsody‘s Rami Malek.

True Detective Season One’s Cary Fukunaga is directing whatever Bond 25 will be called. Did I say Shatterhand already…!?

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Balanced Web-Spinner – Spider-Man: Far From Home

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Following up the successful first collaboration between Columbia/Sony and Marvel (Spider-Man: Homecoming), the cosmic hugeness of Avengers: Endgame  and the culmination of Phase Three of the Marvel Cinematic Universe always promised to be a tricky task, but returning director Jon Watts and returning scriptwriters Chris McKenna & Eric Sommers have managed a pretty balanced movie that nicely answers all those demands.

Set eight months after half of humanity was restored to existence in Avengers: Endgame (now referred to as The Blip), the film wastes no time showing us some of the ramifications of this but also throws us headlong into a plot which, by necessity, has to stretch out more broadly than Homecoming’s friendly neighbourhood feel.

Terrifying giant creatures, Elementals, have seemingly crossed over into our world from another reality and, while attempting to enjoy a summer class vacation through Europe and engage with a blossoming relationship with MJ, Peter Parker is pulled into battling these monsters by a heroic newcomer, soon named Mysterio.

With Tony Stark no longer around, Mysterio becomes a mentor figure to Peter, but all is not quite as it first appears and events soon spiral out of our young hero’s control – both in and out of his webby mask.

Jake Gyllenhall’s Quentin Beck (a.k.a. Mysterio) works well against Tom Holland’s Peter Parker, in an arc which nicely defines Peter coming to terms with loss, while underlining his constant struggles with responsibility from a fresh angle. And while the resolution of this arc might be one of the film’s weaker moments, there is still a great deal to savour.

In terms of character development, the high-point of the film is undoubtedly Peter and MJ’s romance. Zendaya’s MJ is a real treat; snarky, goofy and vulnerable, and I could happily watch an entire movie of her and Holland just playing off against each other.

Holland is, it almost goes without saying, a pretty much perfect Peter Parker, beautifully playing the push and pull the character feels between his heroic responsibilities and his teenage life, continuing to make him highly relatable.

The actions sequences are excellent, the climax in the centre of London is one of the best Spider-man set pieces since Spider-Man 2’s train battle ( I saw the film in 3D, which really enhanced this sequence), and the film balances action, drama and (a great deal of) humour deftly, giving it a distinct feel while still integrating it firmly into the MCU.

It’s a superb summer movie, and a lot of fun (often mischievously so), even if a certain amount of Homecoming’s down to earth charm has been sacrificed.

Do make sure you stay through the end credits, as one of the two stings brings not only a wonderful cameo (particularly for long-time Spider-Man movie fans) but a pretty seismic cliffhanger for Spider-Man’s status quo.

The best thing about the film is that it makes you want to spend more time caught up in Spider-Man’s web and in the company of these characters, so bring on Spider-Man: Home From Home, Home Run, Home Sweet Home, or even Don’t Try This At Home

Well… That’s Brave. The Doctor Sleep Trailer Is Here,

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Warner Bros. have just dropped the trailer for Doctor Sleep, the sequel to The Shining and, well, it’s quite something…

You can’t fault the studio’s bravery here, choosing to lean so much into Stanley Kubrick’s classic 1980 film by reusing footage and recreating sets. If nothing else it’s a bold statement of intent.

King’s sequel novel has proven to be highly divisive, eliciting equal amounts of love and scorn (nothing unusual there, of course, when tampering with a property so firmly lodged in the public psyche), but director Mike Flanagan has some serious scare chops as the writer/director of Netflix’s big hit series, The Haunting of Hill House (as well as the adaptation of King’s “unfilmable,” Gerald’s Game.

That’s certainly an intriguing trailer, and for those of you unfamiliar with the book, here the official synopsis for the movie:

Struggling with alcoholism, Danny Torrance remains traumatized by the sinister events that occurred at the Overlook Hotel when he was a child. He soon finds a new purpose when he forms a psychic connection with a girl who shares his shining ability.

Doctor Sleep will open on November 8th when we’ll all get the opportunity to love it or hate it. Which side do you think you’ll come down on?

For The Love Of Godzilla – King Of The Monsters Review

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There has been a great deal of bad press surrounding Godzilla – King of the Monsters. Ignore it. If you’re a Godzilla fan, ignore it more vehemently.

In 2014, Legendary Pictures and Warner Bros unleashed Gareth Edwards’ Godzilla into cinemas, to good box office and mixed reviews. Time seems to have revealed it very much as a love it or hate it affair – I fall squarely into the former camp (despite acknowledging some big issues with it).

Now comes Michael Dougherty (director of Trick ‘R’ Treat) with his sequel (and third film in Legendary’s Monsterverse, after Kong – Skull Island), and what an awesome movie he brings with him.

Unashamedly, unabashedly pulpy fun, Dougherty throws just about everything he can into the demented plot-line: secret underground bases, mad scientists, aliens, lost undersea civilizations, and moves things along at such a breathless pace that you have to submit to the gleeful, everything AND the kitchen sink approach. And that’s even before we get to the monsters!

And you’d better believe we get monsters – Mothra, Rodan, King Ghidorah (all beautifully adapted from their Japanese movie origins) and a whole slew of new beasties. Plus, the title star himself, the King of the Monsters (with a fabulous and hilarious reveal as to why we should grant him that title).

And if you’re looking for monster battles, you’ve definitely come to the right place. Toho’s Kaiju do massive battle with each other in a number of locales, from the Antarctic to Boston, and Dougherty and co. present them with the enthusiasm of someone who has all the toys to play with.

So, what haven’t we mentioned yet? The humans in this monstrous toybox. The performers (including Kyle Chandler, Vera Farmiga, Millie Bobby Brown, Bradley Whitford, Sally Hawkins, Charles Dance, David Strathairn, Ken Watanabe, and Zhang Ziyi) give their all, and play with just the right amount of tongue in cheek, but character arcs take a firm third place to plot and action. But who cares when the action is this much fun!?

And for long-time Godzilla fans there are a ton of extra treats, Easter eggs and references both sly and unsubtle, to a treasure trove of past Godzilla movies, none of which I intend to spoil here (but do stay all the way through the titles for a lovely touch just before the obligatory post-credits scene). It’s already widely known that composer Bear McCreary has used some classic Toho monster themes, and those are the icing on the Kaiju Eiga cake.

In fact, the further you progress into this film, the more it becomes clear how much of a Godzilla and Kaiju fan Dougherty must be, his love for Japan’s biggest export shines through every frame. The whole thing has the feel of some of Toho’s maddest entries for Godzilla, with the same freewheeling approach as films such as 1972’s Godzilla vs Gigan or 1973’s Godzilla vs Megalon.

Godzilla – King of the Monsters is quite obviously Dougherty and co.’s love letter to all things Godzilla, a gift from Godzilla fans to Godzilla fans.

 

Robert Pattinson Is Officially Your New Batman

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Warner Bros. have now officially announced that Robert Pattinson will star as the Caped Crusader in Matt Reeves’ forthcoming, The Batman.

Rumours flew out earlier this week that Pattinson and Nicholas Hoult were both duking it out in final negotiations as Reeves and Warner’s final choices, and now it looks like Pattinson punched that bit harder, as Deadline have revealed him as the victor.

Little is known about Reeves’ long-in-gestation movie, except that it will focus on the early days of Bruce Wayne as Batman, highlight more of the detective angle of the character (yay!) and that the central villains could be Penguin and Catwoman (again… boo!).

While many still think of Pattinson as “the Twilight guy,” the actor has steadily been turning out a number of critically-acclaimed roles in the past few years in films such as Good Time, Cosmopolis, High Life and The Lighthouse, and has also been cast in Christopher Nolan’s new movie, Tenet.

And director Reeves certainly did sterling work revitalising Fox’s revamp of the Planet of the Apes saga, so there’s much to be intrigued by here.

Shooting is rumoured to take place in the UK this autumn but no release date has been announced for The Batman, so I’ll be sure to light the Bat-Signal as soon as Warner Bros. give the word.


Photo by Paul Archuleta

Netflix Launches Dark Crystal Trailer

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Netflix has just dropped the first full trailer for their sequel to the late Jim Henson’s 1982 movie, The Dark Crystal, Age of Resistance. Check out the trailer here:

While I’m a huge admirer of Henson and of the artistry behind his amazingly creative films such as The Dark Crystal, I’m also not the world’s biggest fantasy fan – despite my myriad of other geek credentials – so I’m approaching this with some wariness.

But I have to say the trailer looks ravishing and has piqued my interest. I’m sure I’ll be catching the first episodes of this ten episode series from the increasingly world-dominating Netflix (at least until Disney launch their rival channel later this year).

Directed by Louis Leterrier (Marvel’s The Incredible Hulk), and featuring the voices of Taron Egerton and Anya Taylor-Joy, The Dark Crystal Age of Resistance launches on August 30th, 2019.

Marvel Phase 4 – Black Widow Begins Filming In Norway (English Language Exclusive)

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Blue Bayou – the shooting title adopted by Marvel for the production of the first movie in Phase 4 of the Marvel Cinematic Universe, Black Widow, has begun filming here in Norway.

The unit production base has established itself in the small village of Sæbø, in Sunnmøre on the western coast of Norway. The Sagafjord Hotel was overrun with a fleet of trucks as rumours first exploded locally that this was filming for the latest James Bond film (which is actually also shooting here, not too far away on The Atlantic Road and in Rauma, slightly further north in the region).

Per Henry Borch, line producer for Truenorth, the production and service company, confirmed to NRK that the film wasn’t Bond 25 in an effort to stop interested fans swarming to the site, obviously not considering that there might also be plenty of Johansson or Marvel fans ready to make the trip.

But your roving reporter can confirm that trucks, equipment and local signs are festooned with the legend Blue Bayou, revealed back in February as the shooting title for Scarlett Johansson’s first solo outing as Natasha Romanoff, Black Widow.

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Local newspapers are suggesting that Sæbø and nearby Bondalen (oh, the irony) are standing in for Romanoff’s childhood home in Russia.

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Shooting titles are often used to deter curious onlookers for location shooting and Marvel Studios productions have recently used covers including Mary Lou (Avengers: Infinity War/Avengers: Endgame), Open World (Captain Marvel), and Bosco (Spider-Man: Far From Home).

Crewmembers at the base remained tight-lipped and impervious to my requests for the movie’s entire plot-line, but filming will continue throughout the week. Production of the film is based at Pinewood Studios in the UK (as seen in the exclusive photos here), while the film is being directed by Cate Shortland from a script by Jac Schaeffer (Captain Marvel, the forthcoming Vision & Scarlet Witch TV series).

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No official release date has been given for Black Widow, but you can be sure you’ll be updated on these pages.

Stop Everything! It’s The Brilliant New Trailer For Once Upon A Time In Hollywood.

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First of all, stop what you’re doing and watch this wonderful new trailer for Quentin Tarantino’s new movie (debuting ahead of its premiere at Cannes)…

Regular followers of this site will already know I’m full-blown down for anything that comes from the mind of Tarantino, and that I’m super vibed for Once Upon A Time In Hollywood (as we’ve been following its production here from those initial casting announcements).

And this features one heckuva cast, including  Leonardo DiCaprio, Brad Pitt, Margot Robbie, Kurt Russell, Timothy Olyphant, Dakota Fanning, Luke Perry, Margaret Qualley, Bruce Dern, Emile Hirsch, Lena Dunham, Damian Lewis and Al Pacino (HOO-HAH!). I mean, come on…! Who doesn’t want to watch, well… anything… that stars this bunch!?

The teaser trailer was great, but this first full trailer, in all its Neil Diamond-glory, literally makes me want to wish away the days until July 26th (but that would mean missing Godzilla: King of the Monsters, so I’ll have to curb my enthusiasm).

Featuring the first proper reveal of Charles Manson (as played by Damon Herriman) and his family on the Spahn Ranch, and the first sense of how this story might play out, it certainly seems that this will be as thrilling (and probably divisive) a ride as we might expect from one of my favourite cinematic provocateurs!

Let’s not even get started on the flame-grilled Nazis…

Pennywise Is Back – Here’s Your Super Creepy Trailer for It: Chapter Two

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First of all, let’s get your goosebumps raised with this…

Well, if that doesn’t get you excited for Andy Muschietti’s It: Chapter Two then it’s possible you’re as dead as the old lady in that super-creepy sequence at the beginning of the trailer.

It: Chapter One took pretty much everyone by surprise when it became a box-office smash in 2017, and now the same director is back with a fabulous cast of all-grown-up Derry Losers Club kids including Jessica Chastain, James McAvoy and Bill Hader. Along with the return of Bill Skarsgård’s Pennywise the Clown, of course.

It is a particular favourite book of many Stephen King fans (including me) so we can only hope Muschietti does the same good work on this second chapter. The trailer certainly bodes well, as that sequence between grown-up Beverly and the not-what-she-seems Mrs Kersh got my skin all kinds of crawling.

Let’s get ready to float down here again when It: Chapter Two opens on September 6.

Avengers: Endgame Makes ALL The Money With A $1.2 Billion Weekend

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As predicted here on Out Of Dave’s Head (though I’ll grant you I didn’t really need a crystal ball), Avengers: Endgame has blasted off with a record-breaking $1.2 billion opening weekend take at the worldwide box office.

Marvel’s astonishing experiment in long-form storytelling has smashed the year-old Avengers: Infinity War records by nearly $100 million in the U.S. and a jaw-dropping $560 million worldwide.

The 22nd movie in the Marvel Cinematic Universe, which launched in 2008 with Iron Man, has seen the linked multi-franchises bring home more than $19 billion in worldwide box office to date, and with a whole slate of films lined up for the forthcoming Phase 4, that figure seems likely to grow.

The much-discussed “superhero fatigue” that critics love to load onto these films seems to be pretty non-existent when it comes to Marvel movies, possibly because their release plans are carefully thought out and almost certainly because the films are far from the cookie-cutter exercises those same, lazy critics write them off as.

Long-form cinematic storytelling is certainly nothing new, of course, having been around since at least 1912, with Edison’s What Happened to Mary, before finding huge popularity in the 1930s and 1940s with the likes of Flash Gordon, Spy Smasher and The Adventures of Captain Marvel (or Shazam! as he’s now known). 

And movie sequels have been around forever, but were generally regarded as poor relations to the source material and usually awarded declining budgets and box office receipts (the original Planet of the Apes films, for example).

Star Wars and its subsequent offerings have done much to pave the way for this latest iteration, with the linked trilogies of the Skywalker saga we’ve had since 1977. But Marvel have taken this to a truly intriguing new level, launching a number of different franchises which link to form one longer narrative. Story strands, character arcs and thematic resolutions occur in Avengers: Endgame which have carried through from that first Iron Man movie in 2008. Carrying these elements across a franchise is one thing, but to test audiences with knowledge needed across multiple franchises really is quite brave for a studio, and something Marvel should be lauded for.

And while Spider-Man: Far From Home, released in July, sees Marvel’s Phase 3 come to a conclusion, the as-yet unannounced slate of Phase 4 films is likely to include Black Panther 2, Doctor Strange 2, Guardians of the Galaxy 3 (happily with James Gunn reinstated), the long-promised Black Widow movie, a likely return for Captain Marvel and debuts for Shang-Chi: Master of Kung Fu (directed by Destin Daniel Cretton) and The Eternals (helmed by The Rider‘s Chloe Zhao, and rumoured to be starring Angelina Jolie). And those are just the productions we know of, Marvel are sure to have some surprises up their sleeves.

So as Marvel sit back and prepare to work their accountants hard in the coming weeks, rest assured that we’ll likely be giving our hard-earned money to the company for some time to come.

And personally, if they continue to make films as engaging, enjoyable and emotional as these have been, I’ll be very happy to do so.