Black Panther – The Revolution Will Be Televised!

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You know how some days are – non-stop work, no time to think, you come home exhausted and… there’s a new trailer for Marvel’s Black Panther waiting for you. Result!

Feast your eyes on this and we’ll talk more after…

Well, that looks cool as heck, right!? Ryan Coogler’s take on the hidden nation of Wakanda is spectacular, and looks ready to open up a whole, new corner of the Marvel Cinematic Universe. And with that truly amazing cast Black Panther is shaping up to be another in the increasingly refreshing run of Marvel movies led by Scott Derrickson’s Doctor Strange, James Gunn’s Guardians of the Galaxy vol. 2 and Taika Waititi’s Thor: Ragnarok.

As a bonus you can ogle the lovely new poster, below.

Black Panther opens on February 16th and that date can’t arrive quickly enough.

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The New Mutants Trailer – Fox/Marvel Go Full-On Horror

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After the success Fox have had with more individual writer/director projects, Deadpool and Logan, it seems the studio is forging ahead with this gameplan, seeing Josh Boone lurch into full-on horror with The New Mutants.

It doesn’t look like there’ll be much room for blue/black and yellow leotards in the movie, coming April 13th 2018, but the film suggests it will make up for that in scares. It certainly has a different feel to the main run of X-Men movies.

With an great cast including Maisie Williams (Game of Thrones) and the increasingly wonderful Anya Taylor-Joy (The Witch), the film promises a “Stephen King meets John Hughes” vibe while bringing in the Demon Bear character from the highly regarded run of New Mutants comics by Bill Sienkiewicz and Chris Claremont.

The New Mutants becomes more intriguing the more I hear about it. What are your thoughts…?

Star Wars – The Last Jedi Trailer

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Let’s face it, I could pretty much be writing my shopping list here but you’ll be skipping past my no-doubt exciting consumer needs to take a look at the final trailer for Star Wars – The Last Jedi. Okay, off you go…

Well, there’s certainly a lot to unpack, with a great deal more of the story hinted at than in previous trailers. Personally, I’m rather excited to see what Rian Johnson has in store for us at Christmas, to the point where I’m actually rather disappointed that Disney/Lucasfilm decided to go with J J Abrams again for the final episode of this trilogy in the latest round of Hire-And-Fire-The-Director.

Will this be a simple nostalgia retread, like The Force Awakens, or will we get some real development in the saga this time? I guess we’ll see soon enough…

Star Wars – The Last Jedi opens on December 13th (at least, here in Norway, your country’s mileage may vary). Book your tickets now.

Okay, so… cereal, two pints of milk, brunost…

Can They Be Heroes…? Justice League Trailer

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And so the latest (in a seemingly long, long line) of Justice League trailers hits.

Each trailer has shown a marked improvement and the greater reliance on character has been showing through more each time. What does this mean for the movie with Joss Whedon taking over after director Zack Snyder’s departure due to a terrible family loss? That remains to be seen, of course, but at least the trailers have been getting better.

Not much else to say at this point. Let’s hope Justice League can continue the rehabilitation of the DC Extended Universe after the promise shown by Wonder Woman.

More Human Than… Blade Runner 2049

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Let’s get this out of the way first: Blade Runner 2049 has not resulted in the kind of film I feared it would be when I first heard that this belated sequel would happen and thought: “That has to be the worst idea in the history of bad ideas.”

Quite the opposite, in fact. Director Denis Villeneuve, screenwriters Hampton Fancher (also partly responsible for the original) & Michael Green, executive producer Ridley Scott and their crew have offered up one of the most powerful science fiction films of the new millennium. It’s been a long time, in fact, since we’ve been given a cinematic experience as pure as this.

Set 30 years after Scott’s classic, the sequel sees a mystery set in place when Ryan Gosling’s Blade Runner retires a Replicant-in-hiding who has been guarding a secret which could change the course of the world forever.

From just that plot description it’s clear this is no mere retread of the first movie, which had a fairly contained hunter versus hunted narrative.

Villeneuve and company paint on a much broader canvas, and this time the questions seem to revolve around not what it is to be human, but what it is to be more than human. It has an utterly palpable mood of tense gloom, giving you the constant feeling that something big and awful is about to happen, but it does this by widening the scope of Scott’s world, which is quite an act to pull off.

The music (by Hans Zimmer and Benjamin Wallfisch, with plenty of nods to Vangelis) is bold and wonderful, the sound design by Theo Green and Mark Mangini is overwhelming and the cinematography by the cinematic god that is Roger Deakins is dazzling and beautiful, all of which work together to produce something that absolutely demands to be seen on the big screen. As big a screen as possible.

Gosling is great in the lead (as ‘K’), and while it’s a little difficult to go into depth on his role while avoiding spoilers, he finds just the right balance of what must have been a tricky character to get right. The rest of the cast is filled out by superb actors who know how to make the best of smaller roles, but the film really belongs to Gosling and, of course, Harrison Ford.

Ford returns as Blade Runner, Deckard, and I honestly can’t recall when I last saw him so fully engaged and fully immersed in a role. He is magnificent, Deakins’ camera loving every deep crag and crevice on his sandblasted face, and is a full-on the movie star of the old guard. I hope this is the beginning of a renaissance for the actor, because I’ve missed seeing him do great work onscreen.

There is a slight thorn in this rose, however. An unfortunate element that stands out is that the future as presented here is very much patriarchal: street-walkers roam in packs, artificial women are everywhere, as companions and toys for men, their sole aim to pleasure. And there’s a great deal of violence towards women (four female characters are brutally murdered). This troublesome theme pushes to the forefront of the story with Jared Leto’s Wallace, as he casually kills one of the synthetics his company has just given birth to. It’s a (deliberately) horrific scene, and I’m still trying to decide whether this is a deliberate part of the texturing, a barbed comment on misogyny in society and even if so, whether it was a necessary choice for the film. I’m not so sure.

I love the original with a vengeance, and while I’m glad they didn’t attempt to replicate (…sorry…) that film, what results is a somewhat colder effort than Scott’s remarkable and enduring tone poem, and only time will tell whether this will similarly work its way into my affections.

It’s rather like hearing  a new track by Led Zeppelin, riffing on one of your favourite Beatles songs, you know you’re getting something astonishing but you’re not sure if you’ll grow to love it.

However, against all the odds, Blade Runner 2049 is a towering achievement, a smart, powerful juggernaut of a movie which ultimately suggests something akin to hope for mankind. In an era of cookie cutter sequels that we’ve been given a sequel to a great movie that forges it’s own unique path is close to a miracle, which means that, much like the original, it’s a film which comments on its own premise (you’ll need to see the film to fully understand that).

Movies like this don’t come along too often and when they do we should celebrate them. Go to a cinema and experience it.

 

Netflix and King – 1922

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Netflix appear to be getting into the Stephen King business in a big way.

With their film of Gerald’s Game dropping this week and looking as kinky, creepy and gnarly as King’s book, the channel has now released a trailer for 1922, based on a novella taken from his 2010 collection, Full Dark, No Stars.

Starring the always watchable Thomas Jane as a farmer who manipulates his son into murdering his wfe, the Netflix film looks like it will fully embrace the ghastly goings-on as Jane’s wife (played by the equally watchable Molly Parker) comes back to torment him along with a plague of rats.

With the success of IT and these two new productions from Netflix, it’s good to see a rash of King adaptations that might just help us to forget 2017 was the year Sony made a trainwreck from The Dark Tower.

1922 arrives on Netflix on October 20.

Anna and the Apocalypse – The Scottish Teenage Zombie High School Musical We’ve Been Waiting For…?

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If the above description of forthcoming movie, Anna and the Apocalypse (a Scottish, teenage zombie, high school musical for those who can’t remember anything above the header photo), doesn’t grab your attention as much as it does mine, then you’re probably reading the wrong blog. Oh, it’s also set at Christmas, but at this time I can’t confirm the involvement of either Tim Burton or Shane Black.

The film is directed by John McPhail, and stars Ella Hunt, Mark Benton, Paul Kaye and includes up-and-comers Malcolm Cumming, Sarah Swire, Christopher Leveaux, Ben Wiggins and Marli Siu.

Beyond its screening at this week’s Fantastic Fest in Austin, release details seem a little sketchy, but frankly the sooner this apocalypse is released upon the world the better.

We All Float Down Here – IT Trailer Delivers The Scares

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Yes, yes, we all know no one can ever truly replace Tim Curry’s underpants-worrying Pennywise, but damn, folks, this trailer promises mighty creepy things!

Based on one of Stephen King’s best books, this new version of IT is directed by Andy Muschietti and is promised as the first of two films (the second dealing with, well, whichever characters survive their encounter with Pennywise the clown in this installment).

I love Tommy Lee Wallace’s 1990 mini-series fiercely (even despite the deficincies with its ending… yeah, yeah, that spider…) and Tim Curry has given so many people clown-induced nightmares – not to mention provided the scariest internet memes – but I’m totally down with what Warner Bros seem to be serving up here.

IT opens on September 8th in the U.S. and is pretty much guaranteed to make you scared of clowns forever. If, like me, you aren’t already…

New Thor: Ragnarok Trailer Rocks! Plus Marvel News…

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Thor: Ragnarok, the third solo outing for the Thunder God, looks like it will be taking its cue from James Gunn’s Guardians of the Galaxy films by letting director Taika Waititi up both the humour levels and the outer space weirdness. It will also feature Thor and the Hulk going medieval on each other, of course.

 

Meanwhile, some titbits were revealed concering other forthcoming Marvel movies:

From Ant-Man & The Wasp, the big new casting news is that Michelle Pfieffer will play the first iteration of the Wasp (and Michael Douglas’s wife), Janet Van Dyne.

Laurence Fishburne will play Dr. Bill Foster (aka Goliath)

In Captain Marvel (played by Brie Larson), the villains will be infamous alien shapechangers, the Skrulls, and the film will be set in the 1990s!

Nick Fury (Samuel L Jackson, of course) will appear, and with both eyes!

Thor: Ragnarok goes into battle on October 25th, Ant-Man and the Wasp fly on July 6, 2018, and Captain Marvel saves the day on March 8, 2019.

UPDATE: Marvel have just released this madly beautiful poster for Thor: Ragnarok which looks like it ate ALL the e-numbers…

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New Justice League Trailer Hits Comic-Con!

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As expected, the brand new Justice League trailer dropped at Hall H at the San Diego Comic-Con today and I’m happy to bring it to you in all its glory.

The film, the first to bring together DC Comics’ heavy-hitter characters (Batman, Superman, Wonder Woman, The Flash, Aquaman and Cyborg) recently took a sad hit in production when director Zack Snyder had to step down from the director’s chair, following a tragic family loss earlier this year.

Joss Whedon, already hard at work on the Warner Bros. lot developing the new Batgirl movie, has stepped in to bring the League across the finishing line. Whedon, with The Avengers and Avengers: Age of Ultron under his belt, has a little experience of delivering mildly successful superhero team movies, of course.

Ben Affleck took to the stage at SDCC, prior to the trailer’s screening, to debunk yesterday’s rumours which suggested Warner Bros. were looking to transition him out of The Batman role, ready for a re-cast. I’m happy to hear this, as his take on the Caped Crusader was one of the few genuine highlights of Batman vs Superman: Dawn of the Franchise.*

Justice League will unite in cinemas on November 16. And I have to say, I dug the heck out out of this trailer. Here’s hoping DC have finally learned how to handle their characters in the right way…

*I know, I know…