Here Comes Thanos! The Final Avengers: Infinity Wars Is Rather Exciting.


There’s really not a heck of a lot I can say about this trailer. If you’re not down for Marvel’s All-Star Mash Up by now then there’s probably nothing more here to convince you. You are hopelessly wrong, of course.

For the rest of us, April 27th really can’t arrive quickly enough as Avengers: Infinity War is the beginning of the culmination of ten years of narrative and the chance to see all of Marvel’s flagship characters facing off against the big, bad and purple cosmic Trump, Thanos (as played by Josh Brolin). And seen here? Spider-Man and Dr.Strange, together on screen for the first time! Oh boy! Captain America going mano y mano with Thanos! Gosh!

Marvel have gotten particularly adept and not blowing their wads in trailers and this still feels mighty restrained to me. What do you think? Are Marvel still playing their cards close to their chests?

I’ll see you in the theater in just over a month. I’ll be the one hyper-ventilating.


Tom Hardy IS Venom… Just Not In This Teaser Trailer


Sony’s forthcoming film Venom is the damnedest thing: a Spider-Man-less (probably) spin-off from the Spider-Man universe, featuring a none-more-90s villain. With that description I’d have very little interest in seeing this film.

But then they went and cast Tom Hardy in the title role along with Michelle Williams and Riz Ahmed in support and frankly, my interest began to rise. That’s an intriguing group of actors.

Now the studio has released the first teaser trailer from the film and it’s, well, see for yourselves…

I know, right!? It’s all pretty generic and very Venom-free, not even a hint of the titular character. It doesn’t so much tease as just glide by. Maybe the film will be good? There’s certainly no way to tell from this.

If we’re really lucky Hardy will decide to use his Bane voice at the last moment and mess with everyone’s heads.

Venom, directed by Ruben Fleischer, arrives on October 5th.

Back With A Punch – Jessica Jones Season 2 Trailer


So it’s not really any great incite to say that while Marvel’s cinematic output has hit a lot of home runs, its TV offerings have been of far more variable quality. From the great (Daredevil Season 2) to the not-so-great (hello, Iron Fist). Jessica Jones fell firmly within the former camp and now we have the first, full trailer for season two.

Thankfully the trailer shows a great deal of promise, as we are teased the secret origin of Jessica Jones (without all the tedious world-building that usually has to be done with origin stories).

Of course, this is a just a trailer and the Netflix show is still thirteen episodes – the bane of many of the Marvel/Netflix shows to date… what’s wrong with shorter seasons anyway!? But let’s hold our collective breath and hope this a return to form.

Jessica Jones season two drops March 8th on Netflix, if we’re lucky it will be bingeworthy.

“You in…?” Disney Finally Proves Solo Is An Actual Movie


With all the industry scuttlebutt that’s been hanging over the production of Solo – A Star Wars Story (Miller and Lord being fired from directorial duties at the eleventh hour, incoming director Ron Howard seemingly reshooting swathes of material) , and with so little little visible evidence of the actual film (we’re just three months from this sucker arriving at our local multiplexes, for goodness’ sake) it was beginning to feel like we were being sold a fake bill of goods.

But now, just to prove cynical old naysayers like myself wrong, here’s an actual trailer and proof that Solo is a film and really exists. See for yourself…

See? Alden Ehrenreich really is playing Young Harrison Ford and Donald Glover really is Young Billy Dee Williams. Woody Harrelson is playing Grizzled Old Career Criminal and Emilia Clarke is The Woman (hopefully her role will be better than that but not judging from this first trailer).

Difficult to tell from this whether this actually real movie will be any good after all the backstage shenanigans, but Howard is – at the very least – a steady pair of hands.

We’ll be able to judge for ourselves when the film really does hit cinemas in just over 90 days…



Ant-Man & The Wasp Trailer – Little Heroes, Big Fun


Considering its incredibly troubled production history (Edgar Wright and Joe Cornish bailing on Marvel due to those pesky creative differences after they’d completed huge amounts of work on the project) 2015’s Ant-Man turned out to be way more fun than it had any right to be.

Now the sequel, again helmed by Peyton Reed, looks set to continue in the same vein, if the newly released trailer is anything to go by.

Nicely picking up the story of Scott Lang (Paul Rudd) as left dangling in Captain America: Civil War, Ant Man & The Wasp now sees the diminutive (sometimes not-so-diminutive) hero partnered with, as the title suggests, Evangeline Lily’s Hope van Dyne, A.K.A. The Wasp.

The trailer is incredibly breezy and suggests the producers have retained the previous film’s smart move to keep things more (sorry) small scale.

Ant-Man & The Wasp opens July 6th, not long after the studio’s much anticipated double-punch of Black Panther, followed by Avengers: Infinity War.

There’s Something Happening Here – The Handmaid’s Tale Season 2 Trailer


If you haven’t yet caught Hulu’s adaptation of Margaret Atwood’s The Handmaid’s Tale, starring the brilliant Elisabeth Moss, you’ve missed out on one of the finest TV dramas of 2017.

Now would be a good time to catch up with this harrowing story, as Hulu have dropped the trailer for the second season and announced an airdate of April 25th.

This timely series takes place in a brutal, dystopian future of gender politics and the new season steps into new territory as it expands the storyline past Atwood’s novel. Thankfully, the author is very much involved and if season two is even half as good as the original then the TV landscape for 2018 will be shaping up very nicely.

Meanwhile, here’s the trailer to whet your appetite…

Franco’s Film Is No Disaster – The Disaster Artist


When talking about James Franco’s The Disaster Artist it’s probably best to get the elephant in the room (no pun intended) out of the way first.

Franco has had a number of troubling accusations leveled against him, and while trial by social media is a dangerous arena you’re going to have to put them aside if you want to enjoy this film as it’s the Franco show all the way.

Still with me? Okay, well this recent news is made all the more sad and frustrating because Franco has made one hell of a film. Telling the story of the unlikely friendship of Tommy Wiseau and Greg Sestero, and their even unlikelier journey to making one of the truly great cult movies of all time, The Room.

If you’ve ever seen that remarkable creation, or have knowledge of the bizarre circumstances of the film’s production, you’ll understand that it would have been all too easy to make The Disaster Artist from a position of sneering at its subject. Instead, Franco and co have crafted something which not only gets as close to finding the man beneath the enigma that is Wiseau (who lies about both his age and background) as we’re ever likely to get, but does so with a surprising amount of heart and frailty. More importantly we’re allowed to see the sheer force of will it took Wiseau to self-finance and write, produce, direct and star in his own movie. Fans of The Room will not be disappointed at the lovingly recreated sections of that most bizarre of movies (and stick around until the end of the credits for a typically gonzo appearance from Wiseau himself).

Anybody who has ever attempted an act of creativity will empathise with Wiseau and marvel at the true story of something that became derided but loved by millions of moviegoers. Much like Tim Burton’s Ed Wood, this is a film about the outsider and one which celebrates and exalts that position.

It’s possible Franco is about to get firsthand experience of being a Hollywood outsider, and if the allegations against him are proved true then that will be deservedly so, but until we know more I’m going to judge the film on its own merits, and this is a warts-and-all look at a true individual and is one of the most enjoyable movies I’ve seen in a long time. Highly recommended.

“This Is Not Going To Go… The Way You Think!” – Star Wars: The Last Jedi (Spoiler Free Review)


“This is not going to go… the way you think!”

Luke Skywalker’s ominous words, highlighted in the trailer for Star Wars: The Last Jedi, could easily stand as the film’s throughline.

The overwhelming message of Star Wars: The Last Jedi is that families are complicated and move in unexpected directions. It also has a lot to say about being screwed up by our fathers.

Overwhelming also accurately describes what I felt about the film at the end of its two and a half hour journey. It’s somewhat overlong but it features some astonishing action sequences, is one of the visually richest Star Wars films and contains what might be my single favourite moment from the entire franchise.

In many ways, The Last Jedi mirrors both the darkness and structure of the Original Trilogy’s middle film, The Empire Strikes Back, but writer and director Rian Johnson is smart enough to take off into some truly wild new directions during the final third.

Picking up right where The Force Awakens left us, this new installment hits the ground running and the pace barely lets up. The expanding group of characters, old and new are pretty successfully juggled so that everyone is given satisfying arcs, this particularly benefits Oscar Issac’s Poe Dameron, and Carrie Fisher and Mark Hamill as Leia and Luke. Daisy Ridley continues to command the screen, especially in her dealings with Adam Driver, their interactions are electric.

John Boyega gets to play off new-to-the-franchise Kelly Marie Tran – both of who are great value but unfortunately shuffled into the film’s weakest thread – a trip to a casino world that’s given a decent barbed comment on the social structure of the Star Wars galaxy but feels rather unnecessary, structurally, and also, dare I say it, feels rather like an outtake from the dreaded Prequels. Indeed, this thread also manages to waste the always welcome presence of Benecio Del Toro.

While Johnson’s generosity to give everyone breathing room is commendable it does also see The Last Jedi surrender some of Empire’s structural elegance in favour of a more scattershot approach that leaves the film feeling a little overstuffed.

Still, this is a film with more on its mind than just rehashing the franchise for a new generation or showing off special effects. The relationship dynamics established are nicely developed, and not all in ways you might be expecting, Johnson keeps things surprising, and manages that to the very last frames. The Last Jedi is drenched in darkness but garnished with light and hope.

The consequences of familial actions, in particular those of fathers, is a deep running vein through the film, but it also suggests that family finds its own shape and can be forged in new ways.

Alongside all the drama Johnson gives us breathless action and some of the most gorgeous filmmaking and visuals of the series, using the colour red to particularly strong effect. An opening space battle and a dizzying lightsabre battle are among the highlights.

There are lots of callbacks (visually and thematically) to both Empire and Return of the Jedi, and a beautiful closing moment for one character which returns us right to the heart of Star Wars (Episode IV). To say any more would involve spoilers, but suffice to say there are some big emotional pay-offs.

As I mentioned before, The Last Jedi also features a sequence, possibly my favourite of the franchise, so balls-out audacious that it more than makes up for any deficiencies the film might have. You’ll know it when it arrives, a moment so glorious and exciting it will leave you very happy that Johnson is forging the future of Star Wars with his upcoming new trilogy.

I’m not certain The Last Jedi is quite the masterpiece many have been proclaiming, it’s too inelegant for that, but it’s eager to please and will leave you exhausted as you emerge from the cinema. It’s a shot of pure Star Wars adrenaline.

Like family, The Last Jedi is messy and doesn’t go the way you think. Ultimately though, you can’t help but love it.

Miles Morales: Spider-Man Is Here!


Comic book fans know that in the Marvel Universe more than one person wears the mask of Spider-Man, and now Sony Pictures is getting ready to launch Miles Morales onto the big screen.

The character was created in 2011 by writer Brian Michael Bendis and artist Sara Pichelli, with Bendis and Marvel editor-in-chief  Axel Alonso drawing inspiration from both then-U.S. President Barack Obama and American actor Donald Glover (who made a tongue-in-cheek cameo in Spider-Man: Homecoming)

The son of an African American father and a Puerto Rican mother, Alonso has described Morales as an intelligent nerd with an aptitude for science similar to his predecessor, Peter Parker. Originally existing in a separate reality from ¨ours¨, Morales has now crossed over and exists alongside Parker.

Now Sony has unveiled a brief teaser of its upcoming  animated feature “Spider-Man: Into the Spider-Verse” with a first look at the teenage Morales, as well as introducing audiences to the concept of the Spider-Verse (a conceit from the comics where Spider-Man exists in differing personas and forms across multiple realities).

The film is directed by Bo Persichetti, Peter Ramsey and Rodney Rothman, with the screenplay by Phil Lord, and is due to be released on December 14, 2018.

Look out, Spider-Man, here comes, uh… Spider-Man!

Jurassic World: Fallen Kingdom Trailer


Look, I know a lot of you liked Jurassic World, the box office numbers signal that clearly enough, but I’m afraid we must beg to differ on that one. Personally I felt it lacked not only the charm of Spielberg’s original but, perhaps more importantly, also the smarts.

Well, if that film was your bag, Jurassic World: Fallen Kingdom (…oh boy, that title) looks to be right up your Jurassic alley. Here’s the trailer:

Sure it’s got plenty of thrilling looking visuals (and added Jeff Goldblum, which is always a good thing) but, y’know, they’re going back to an island to save Chris Pratt’s pet puppy, uh, sorry, man-eating Velociraptor, and to save a species which… ahh… they manufactured and can presumably manufacture elsewhere, from an island that suddenly – after four previous movies with no mention of it whatsoever – has a volcano! Where they built a multi-billion dollar theme park.

Oh, why am I bothering? You’ll go see this. Enjoy…