Rogue One Writer For Disney Plus Star Wars Show

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Tony Gilroy, co-writer of Rogue One: A Star Wars Story, has jumped aboard the Disney Plus series based on that film’s central character, Cassian Andor.

Variety just dropped an exclusive report, stating that Gilroy would write and direct several episodes for the forthcoming, as yet untitled, live action show for Disney’s streaming channel.

The series will star Diego Luna, reprising his role from Rogue One, and follows Rebel agent Andor in adventures set before the events of that film, in the early days of the Rebellion against the Empire. Alan Tudyk will also return as K-2SO, Andor’s droll droid sidekick.

Gilroy was originally an uncredited writer on Rogue One, and came onto the production to handle extensive reshoots on the film, earning a screenwriting credit in the process. After the reshoots, he is also said to have worked closely with director Gareth Edwards to supervise the editing of the film.

No air date has been set for the show, but previous reports suggest it will launch in 2021. Disney Plus launches in the US and other markets (but not here in Norway, curse you Disney) on November 12th.

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Send In The Frowns – Joker Review

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So I’m very late to the game with this one, but much of Joker is, of course, amazing.

I’m sure I don’t need to explain that Joker is a step away from the fairly disastrous DC Extended Universe. It’s a standalone tale, starring Joaquin Phoenix, that explores the background of Batman’s arch-nemesis, containing nods to films from Network (he’s mad as hell and he’s not going to take it anymore, indeed), Taxi Driver (you almost expect Phoenix to snarl “You talkin’ to me?”), The King of Comedy (with both elements of the plot and the perhaps too on-the-nose casting of Robert De Niro) to The French Connection (particularly in one of the shootings that takes place on a subway stairway).

But away from the greatest hits of the Easy Riders, Raging Bull generation, Joker centers around a truly mesmerising, heartbreaking and ultimately repulsive performance from Joaquin Phoenix, who thoroughly deserves every award bound to be thrown at him.

It’s absolutely Phoenix’s movie, as he dominates every inch of the screen, ably abetted by Lawrence Sher’s gorgeous cinematography, and further supported by Mark Friedberg’s bold and beautiful production design, bringing to life Gotham City by way of 1970s New York.

Director Todd Phillip’s surprises (in fact, shocks) with his ability to allow his lead actor to fully explore the fragility, pain and brutality which punctuates this journey into mental illness. It’s also a surprisingly sharp commentary of the selfish, unfeeling world we’ve allowed to fester around us, resulting in the likes of Trump and Johnson.

However…

I can’t help but feel the film is something of an exercise in futility, as it takes so much care to explain away a character who ultimately doesn’t need to be explained. Heath Ledger’s multiple Joker “origins” in Christopher Nolan’s The Dark Knight were as intriguing and satisfying as everything Philips and Phoenix put their character through (taking two discomforting hours instead of a few pages of dialogue).

I came away almost wishing they hadn’t hooked their story to Bill Finger, Bob Kane and Jerry Robinson’s character, but instead created their own. Is this too much of a comic book geek’s complaint?

Perhaps, but when as storytellers you attempt to give a voice to the too-often neglected corners of society in such painfully gritty terms, it then feels almost like you want to have your cake and eat it too by connecting this to a psychotic comic book villain. It’s almost as if the film is daring itself to give voice to the toxic parts of our culture likely to hold the four-colour character of the Joker aloft as an anti-hero.

I’m honestly not certain where the film stands on this, but it is undeniably deserving of greater contemplation than an immediate post-screening collection of thoughts such as these, and it’s certainly one I am curious to see again.

Regardless of these caveats, while I don’t think anything in the film (beyond Phoenix’s performance) raises it to the level of genius that’s been heaped upon it, Joker is a powerful and bold, utterly nihilistic, shattered funhouse reflection of the world around us. And that’s no laughing matter. 

Meow! Zoe Kravitz Is Your New Catwoman!

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Big Little Lies star Zoe Kravitz has been confirmed as Catwoman for new movie, The Batman.

The actor reportedly pipped the likes of Zazie Beetz, Eiza Gonzalez and Oscar winner Alicia Vikander for the role of Bruce Wayne/Batman’s nemesis/love interest in Matt Reeves’ soon-to-begin filming new take on the Caped Crusader, starring Robert Pattinson in the title role.

Pattinson was chosen by Reeves and Warner Bros when previous Batman, Ben Affleck, departed the role after than the less-than-satisfactory Justice League.

Meanwhile, Kravitz’s credits include the Divergent series and Mad Max: Fury Road, and she will stalk the streets of Gotham alongside Jeffrey Wright as Commissioner Gordon and Jonah Hill, who is in talks for an unspecified villain role.

“It’s very much a point of view-driven, noir Batman tale,” Reeves said of his take, to the Hollywood Reporter earlier this year. “It’s told very squarely on his shoulders, and I hope it’s going to be a story that will be thrilling but also emotional. It’s more Batman in his detective mode than we’ve seen in the films. The comics have a history of that. He’s supposed to be the world’s greatest detective, and that’s not necessarily been a part of what the movies have been.

Pre-production on the Warner Bros./DC Comics pic is expected to start this summer. No official start date has been set, but industry rumours have suggested that filming could start late this year or early in 2020.

The Batman is scheduled to hit cinemas on June 25th, 2021.

Harley Quinn Dominates In Birds Of Prey Trailer

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Warner Bros/DC have just dropped the full trailer for Birds of Prey (And The Fantabulous Emancipation of One Harley Quinn), so here it is…

I mean, it at least looks pretty and cohesive, in a way that even the trailers for Suicide Squad weren’t, and that cast is certainly to die for: Margot Robbie, Mary Elizabeth Winstead, Jurnee Smollett-Bell, Chris Messina, Rosie Perez, Ella Jay Basco, and Ewan McGregor, but I can’t help but feel it all comes across as a little… flat.

Maybe I’m just in a mood, but I was hoping for something a little more off-kilter, a little more dangerous (though a Harley Quinn song and dance number would definitely be a step in the right direction)…

But okay, if Robbie is at the centre of this (and the trailer certainly suggests that,as her Harley Quinn character positively dominates the narrative) then I’m in for the ride, as I think she’s a seriously undervalued actor and might just have the star power to pull this off. And if nothing else, it looks like it will be Jared Leto-free…

Birds of Prey (And The Fantabulous Emancipation of One Harley Quinn) – and that might be the last time I’ll type out that mouthful, directed by Cathy Yan, hits our local screens on February 7th, 2020.

Spider-Man: Sony and Marvel Stick Together (For Now)

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In news that, while not entirely shocking, is most certainly welcome, Sony and Marvel have come to an agreement to continue working together on Spider-Man.

Variety announced today that Sony Pictures chief Tom Rothman, Marvel’s Kevin Feige and Walt Disney Studios’ head Alan Horn have been involved in top-level negotiations to allow their successful working relationship to move forward.

Right now that means the third film in the “home” trilogy (after Homecoming and Far From Home) will fall under the deal, as well as the option for Spider-Man/Peter Parker to appear in one future film in the Marvel Cinematic Universe.

“I am thrilled that Spidey’s journey in the MCU will continue, and I and all of us at Marvel Studios are very excited that we get to keep working on it,” said Feige in a statement. “Spider-Man is a powerful icon and hero whose story crosses all ages and audiences around the globe. He also happens to be the only hero with the superpower to cross cinematic universes, so as Sony continues to develop their own Spidey-verse you never know what surprises the future might hold.”

This is much better news than fans of this iteration of Marvel’s famous web-slinger could have hoped for in recent weeks, given the very public rift between the two companies, which was based on movie profits and merchandise rights.

Thankfully, level web-heads have saved the day and Spider-Man will swing where he belongs. At least for now.

Criterion Release Trailer for Awesome Godzilla Collection Box Set

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The Criterion Collection, a boutique company which releases “important classic and contemporary” films to home video has just released the trailer for their forthcoming 1000th set:

Godzilla: The Showa Era Films, 1954 – 1975, will collect in one glorious-looking box, the first fifteen movies from Toho’s long-running kaiju eiga series:

Godzilla (1954), Godzilla Raids Again (1955), King Kong vs. Godzilla (1963), Mothra vs. Godzilla (1964), Ghidorah, the Three-Headed Monster (1964), Invasion of Astro-Monster (1965), Ebirah, Horror of the Deep (1966), Son of Godzilla (1967), Destroy All Monsters (1968), All Monsters Attack (1969), Godzilla vs. Hedorah (1971), Godzilla vs. Gigan (1972), Godzilla vs. Megalon (1973), Godzilla vs. Mechagodzilla (1974), and Terror of Mechagodzilla (1975).

The Criterion set is the first such collection released in the West, tracking Godzilla’s journey from the wrath of atomic power through to kooky world-saving hero, and also features Japanese and U.S. versions of both Godzilla and King Kong vs. Godzilla, audio commentaries, audio essays, new translations, new and archival interviews with the casts and crews and a deluxe hardcover book full of notes on the films and a slew of gorgeous new illustrations, along with much more.

If that trailer has your radioactive breath set to full blast, you’ll be pleased to know Criterion’s Godzilla box set will be released on October 29th.

Marvel Finds Its Kate Bishop For Hawkeye TV Show – Hailee Steinfeld!

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Variety are reporting that Marvel are close to signing Hailee Steinfeld to play Kate Bishop, in their new Disney Plus limited series, Hawkeye.

Jeremy Renner will move across from the movies to play Hawkeye, and Steinfeld will play Kate Bishop, a character who took on the mantle of the Hawkeye name, while Clint Barton was off doing dark deeds as Ronin (as seen in Avengers: Endgame).

We’re big fans of Steinfeld, here at Out Of Dave’s Head Towers, from her breakthrough role in the Cohen Brothers’ 2010 remake of True Grit, through to her superb turns in films including The Edge of Seventeen and the Transformers film it’s okay to like, Bumblebee.

Since these series on Disney Plus will be more directly linked to the Marvel Cinematic Universe (unlike the ABC and Netflix shows, which drifted further away from the MCU over time), it will be intriguing to see whether Steinfeld as Bishop will eventually cross over into future films.

Hawkeye will string his bow on Disney Plus in autumn 2021.

Terrance Dicks 1935 – 2019

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Terrance Dicks passed away today and I’m not even sure where to begin when it comes to talking about the importance of his work to me.

Dicks was the script editor on Doctor Who, from 1968 to 1974 (and a writer on the show for much longer), seeing the torch of the lead actor passed from Patrick Troughton to Jon Pertwee, and standing down with the arrival of Tom Baker (for whom he wrote the first story). Important years for the show and for this young mind, as this period saw me transformed from an avid, regular viewer into a full-blown fan.

But his work weaved an even greater magic, as he would become the most prolific writer of novelizations for Target Books’ Doctor Who range, penning more than sixty of these books which helped to expand my vocabulary and excite my imagination – particularly in the days before blu-rays, DVDs or even VHS tapes.

Dicks’ punchy novels are often highlighted for their relative brevity, but his economy of style also showed a flair for vivid descriptiveness and a beautiful, dry wit, which never spoke down to its audience.

Dicks’ ideas and words helped to form the pages of my own creativity. For that and for so many adventures with the Doctor through space and time, I’ll always be grateful.

“No point in being a grown-up if you can’t be childish.” 
― Terrance Dicks, Doctor Who and the Giant Robot

Stranger Things – What To Watch Next

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Ante K. Lundberg guides you through a personal list of films that inspired and informed Stranger Things, plus some his own choices, just for fun. 

So you’ve finished the latest season of Stranger Things, and you’re looking to fill that hole in your heart it’s left you? Well, you’re not alone. As a child of the 1980s, I find myself in the middle of a resurgence of film, television, video games and music made by my generation that is inspired by the 80’s. And it’s beautiful.

I was born in 1985, the year of a certain summer in the town of Hawkins, as seen in Stranger Things 3. Notable cinema releases that year included true classics such as Back to the Future, The Breakfast Club, Day of the Dead, Weird Science – and many more.

As requested by the ancient editor of Out of Dave’s Head, I’ve gathered a list of recommended films for viewing if you, like me, just can’t get enough of the ‘80s love that is happening right now. Some of the films on here have inspired the Duffer Brothers in creating and writing Stranger Things, others are just perfect examples of wonderful ‘80s cinema. These are the real deal, friends, so put on your Walkman, rewind that tape, and let’s get to it!

Stand by Me, director Rob Reiner, 1986

A group of young friends discovering who they are, the meaning of friendship, and life lessons? Check. Walking along a railway? Check. Small town thugs terrorizing our teen heroes? Check. While set in the 1950s, Stand By Me is an ‘80s film through and through, with a cast including young Wil Wheaton, River Phoenix, Corey Feldman, John Cusack and Kiefer Sutherland! Based on a novella (The Body) by legendary author Stephen King, Stand By Me is a genuine, grade A classic, full of character, fun and heart.

The Lost Boys, director Joel Schumacher, 1987

There’s hardly a more ‘80s-looking and sounding film than The Lost Boys. This is the whole package; the music, the costumes, the hair. It also has Tim Capello shaking his sweaty, muscular hips and saxophone, and a healthy dose of teenage vampires living forever, led by (there he is again) a young, menacing Kiefer Sutherland, the hilariously bad vampire hunters the Frog Brothers (featuring that other ‘80s Corey… Haim), and a cracking, fast pace. Trust me, you won’t be bored by this one.

Evil Dead 2: Dead By Dawn, director Sam Raimi, 1987

I’m not in any way saying you shouldn’t see the original Evil Dead, but the sequel not only (kinda sorta) recreated the first film in the intro, it went way beyond the original with a fantastic combination of fear, blood and laughs. If you’re looking for one of the most hilariously over-the-top splatter comedies out there, Evil Dead 2 simply set the bar. Bruce Campbell’s performance is one for the ages, with some of the most amazing physical comedy ever put on film. It’s not without reason his wonderfully awkward-yet-badass leading chin Ash Williams got more films and recently a series, Ash vs Evil Dead – which is also well worth a watch! In addition, fans of Stranger Things 3 will find the cabin-under-siege setting nicely familiar!

Aliens, director James Cameron, 1986

James Cameron has made two of the finest sequels ever in Aliens and Terminator 2 Judgment Day (and I haven’t even mentioned Stranger Things 3’s HUGE homage to The Terminator… oh wait, I just did). It’s common knowledge that in Aliens, the tight spaceship corridors first established in Ridley Scott’s masterpiece Alien are expanded to play host to some of the best action sequences put to film.

Aliens is a perfect mix made up of one part great production design, one part a superb cast of character actors playing a ragtag group of soldiers (including Bill Paxton and Michael Biehn – who would be a great addition to the Stranger Things cast!), one part body horror and huge parts action, all flavoured with a beautiful mother/adopted daughter relationship.

Add to that mix a scheming Paul Reiser (none other than Stranger Things 2’s Dr. Sam Owens), on great form as the company man more ruthless than the titular Aliens could ever hope to be, you’ll be hooked before you can say “game over”.

The Thing, director John Carpenter, 1982

I mean, really, John Carpenter in general, but in particular….

One of my favourite films is John Carpenter’s The Thing. Another claustrophobic body horror, set in an isolated location the characters can’t escape (see also Aliens, above), the mood in The Thing is unrivaled thanks to Carpenter’s direction and Rob Bottin’s incredible, practical animatronic work on the title creature.

Another great contribution from Carpenter, too often overlooked, is In the Mouth of Madness (1994 – yes, I’m cheating to include this, I know!), a horrifying Lovecraft-inspired film with lots of potential friends for Stranger Things’ Demogorgon.

In fact I would bet several films in Carpenter’s catalogue have inspired the Duffer Brothers in some way, as his body of work is chock-full of classics that I implore you to seek out and watch, including Escape from New York, Halloween, The Fog, Christine, Prince of Darkness and more.

Carpenter’s scores, often written and performed by the man himself, are also a huge inspiration for the Stranger Things soundtrack composers, Kyle Dixon and Michael Stein.

Pretty much everything John Hughes had a hand in during the 80’s

Yeah, you heard me. John Hughes had an incredibly creative output, and most of his stuff really is the beating pulse of ‘80s cinema. Writing and/or directing classics like The Breakfast Club, Sixteen Candles, Ferris Bueller’s Day Off, Weird Science and Pretty in Pink, he leaves us quite the legacy of movies that nicely illustrate the trials and tribulations of the teen years.

Although time has not been perfectly kind to all these films (especially in the female characters department), the look and feel are true ‘80s, unbeatably so. I recommended starting with The Breakfast Club, where you will at least have seen the gif of a totally ’80s tough guy raising his fist victoriously in the air, from one of the film’s many classic moments. “Don’t you forget about me” indeed…

Day of the Dead, director George A. Romero, 1985

George A. Romero pretty much invented the modern zombie (sans the running) with his slow, lumbering packs of dread in Night of the Living Dead (1968), Dawn of the Dead (1978) and Day of the Dead. All three should be considered classics in their own right and can be watched separately or as part of a saga where – not really spoiler alert – things do not bode well for mankind.

In Day of the Dead, odds are not in our favour, as the zombies outnumber us and the remaining human population hide in shelters, trying to find a way to survive. Romero’s zombie films are part visceral horror, part social commentary (stop teasing the zombies, really!) and, as usual, it seems our biggest threat is each other. Day’s opening sequence also plays a big part in the opening episode of Stranger Things 3.

The Goonies, director Richard Donner, 1985

Personally, I’m not a big fan of The Goonies but it’s considered by many as an essential watch, and certainly is a Duffer Brothers touchstone for their Netflix show. If you’re after a “kids on a mission” film filled with adventure, treasure and danger, then look no further, and it features Sean Astin, Stranger Things’ lovable Bob, years before he was a Hobbit for Peter Jackson.

E.T. – The Extra-Terrestrial, director Steven Spielberg, 1982

Tonally, Stranger Things owes a lot to Steven Spielberg’s lovable ET. The little guy is stuck somewhere he doesn’t belong, and is just trying to get home, despite the government suits doing their best to stop him. Cue the brilliant and inventive 80’s kids (see an ongoing motif here?) doing their damndest with what they have by hand. The film also includes that legendary bike sequence, glaringly referenced in the first season of Stranger Things.

The Deadly Spawn, director Douglas MacKeown, 1983

A fabulous and fun creature feature starring young Charles George Hildenbrandt (the son of one of the Hildenbrandt Brothers, who painted the legendary fantasy-style poster for Star Wars in 1977, as well as the poster for this movie).

The plot concerns a crash-landed alien that finds refuge in the basement of a house and grows to monstrous proportions, and the plucky band of teenagers who do battle with it. The many ghastly teeth of the monster here sure do look a whole lot like the ghastly teeth of the Mind Flayer from Stranger Things 3.

Altered States, director Ken Russell, 1980

All Ken Russell films are worth your time, but Altered States, Russell’s adaptation of the Paddy Chayefsky novel, will particularly resonate with fans of Stranger Things 3, as it runs with the idea that sensory deprivation tanks (as used by Eleven in the show) can activate hidden parts of the brain. But boy, Russell takes things in a totally wild direction that will blow your mind.

Ghostbusters, director Ivan Reitman, 1984

I don’t really need to over-explain this one, right…!? Bill Murray, Dan Ackroyd, Sigourney Weaver, proton packs, bustin’ makes me feel good, Zuul! Stranger Things 2 crosses them streams.

A Nightmare on Elm Street, director Wes Craven, 1984

I can only imagine the feeling of seeing this particular nightmare in a cinema in the 80’s (Editor’s Note: It was pretty darn good!). The now iconic Freddy Krueger was an inescapable foe, terrorizing the dreams of poor teens with knives-for-fingers and a serious case of bad skin day.

I was late to the Elm Street party and, seeing it at an older age, I found myself really digging the over-the-top scenery chewing performance from Robert Englund as Freddy. Definitely worth a watch, even though “you’ll never sleep again!”

IT, 1990

I can’t really recommend Tommy Lee Wallace’s IT miniseries from 1990, which time hasn’t treated well. The acting is wooden (Tim Curry not included, he is great), the pacing is slow and the effects are completely outdated (Editor’s Note: this calls for fisticuffs in the pub later, Lundberg). But it does have the loser’s club camaraderie seen in Stranger Things and, I’m willing to bet, was a childhood watch for the Duffer Brothers.

Rather, DO give the book a read, even if it is a long one, or see Andy Muschietti’s new two-film version that is in turn set in the ’80s and inspired by the same palette as Stranger Things. You can watch the trailer for IT Chapter Two here.

Mullets, big-haired teens in pastel and neon clothes, muscle cars and BIG songs might have defined the decade, but the ‘80s have so much more going for them in terms of entertainment. And if Stranger Things has left you with a hankering to revisit those years, this list will be a good place to begin!

About the author

Ante K. Lundberg is a movie and music buff from the fjords of western Norway. Living with his wife and two small children, he longs for the day when he yet again will be able to binge watch a series.

He wrote this essay on a straight regime of pitch black coffee, Meteor and Gunship on vinyl, and several (imaginary) training montages.

Send In The Joker – New Trailer

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Just ahead of its premiere at the Venice Film Festival, here’s the final trailer for Todd Phillips’ Joker, starring Joaquin Phoenix.

What to make of this? It looks pretty intense and Phoenix is clearly pulling out all the stops, but frankly Phillips’ track record (The Hangover movies… oy!) causes a little pause for breath and despite the clearly well-intentioned decision to basically makes this a riff of Scorsese’s King Of Comedy I’m concerned it all feels a little too familiar, that its narrative arc may be a path already too well-trodden.

Frankly, I hope I’m wrong, I hope this film absolutely knocks it out of the park and I’ll be first in line on opening day, but I can’t help think this might not be a joke funny enough to repeat.

Joker opens on October 4th.