Spider-Man: Sony and Marvel Stick Together (For Now)

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In news that, while not entirely shocking, is most certainly welcome, Sony and Marvel have come to an agreement to continue working together on Spider-Man.

Variety announced today that Sony Pictures chief Tom Rothman, Marvel’s Kevin Feige and Walt Disney Studios’ head Alan Horn have been involved in top-level negotiations to allow their successful working relationship to move forward.

Right now that means the third film in the “home” trilogy (after Homecoming and Far From Home) will fall under the deal, as well as the option for Spider-Man/Peter Parker to appear in one future film in the Marvel Cinematic Universe.

“I am thrilled that Spidey’s journey in the MCU will continue, and I and all of us at Marvel Studios are very excited that we get to keep working on it,” said Feige in a statement. “Spider-Man is a powerful icon and hero whose story crosses all ages and audiences around the globe. He also happens to be the only hero with the superpower to cross cinematic universes, so as Sony continues to develop their own Spidey-verse you never know what surprises the future might hold.”

This is much better news than fans of this iteration of Marvel’s famous web-slinger could have hoped for in recent weeks, given the very public rift between the two companies, which was based on movie profits and merchandise rights.

Thankfully, level web-heads have saved the day and Spider-Man will swing where he belongs. At least for now.

Criterion Release Trailer for Awesome Godzilla Collection Box Set

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The Criterion Collection, a boutique company which releases “important classic and contemporary” films to home video has just released the trailer for their forthcoming 1000th set:

Godzilla: The Showa Era Films, 1954 – 1975, will collect in one glorious-looking box, the first fifteen movies from Toho’s long-running kaiju eiga series:

Godzilla (1954), Godzilla Raids Again (1955), King Kong vs. Godzilla (1963), Mothra vs. Godzilla (1964), Ghidorah, the Three-Headed Monster (1964), Invasion of Astro-Monster (1965), Ebirah, Horror of the Deep (1966), Son of Godzilla (1967), Destroy All Monsters (1968), All Monsters Attack (1969), Godzilla vs. Hedorah (1971), Godzilla vs. Gigan (1972), Godzilla vs. Megalon (1973), Godzilla vs. Mechagodzilla (1974), and Terror of Mechagodzilla (1975).

The Criterion set is the first such collection released in the West, tracking Godzilla’s journey from the wrath of atomic power through to kooky world-saving hero, and also features Japanese and U.S. versions of both Godzilla and King Kong vs. Godzilla, audio commentaries, audio essays, new translations, new and archival interviews with the casts and crews and a deluxe hardcover book full of notes on the films and a slew of gorgeous new illustrations, along with much more.

If that trailer has your radioactive breath set to full blast, you’ll be pleased to know Criterion’s Godzilla box set will be released on October 29th.

Marvel Finds Its Kate Bishop For Hawkeye TV Show – Hailee Steinfeld!

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Variety are reporting that Marvel are close to signing Hailee Steinfeld to play Kate Bishop, in their new Disney Plus limited series, Hawkeye.

Jeremy Renner will move across from the movies to play Hawkeye, and Steinfeld will play Kate Bishop, a character who took on the mantle of the Hawkeye name, while Clint Barton was off doing dark deeds as Ronin (as seen in Avengers: Endgame).

We’re big fans of Steinfeld, here at Out Of Dave’s Head Towers, from her breakthrough role in the Cohen Brothers’ 2010 remake of True Grit, through to her superb turns in films including The Edge of Seventeen and the Transformers film it’s okay to like, Bumblebee.

Since these series on Disney Plus will be more directly linked to the Marvel Cinematic Universe (unlike the ABC and Netflix shows, which drifted further away from the MCU over time), it will be intriguing to see whether Steinfeld as Bishop will eventually cross over into future films.

Hawkeye will string his bow on Disney Plus in autumn 2021.

Terrance Dicks 1935 – 2019

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Terrance Dicks passed away today and I’m not even sure where to begin when it comes to talking about the importance of his work to me.

Dicks was the script editor on Doctor Who, from 1968 to 1974 (and a writer on the show for much longer), seeing the torch of the lead actor passed from Patrick Troughton to Jon Pertwee, and standing down with the arrival of Tom Baker (for whom he wrote the first story). Important years for the show and for this young mind, as this period saw me transformed from an avid, regular viewer into a full-blown fan.

But his work weaved an even greater magic, as he would become the most prolific writer of novelizations for Target Books’ Doctor Who range, penning more than sixty of these books which helped to expand my vocabulary and excite my imagination – particularly in the days before blu-rays, DVDs or even VHS tapes.

Dicks’ punchy novels are often highlighted for their relative brevity, but his economy of style also showed a flair for vivid descriptiveness and a beautiful, dry wit, which never spoke down to its audience.

Dicks’ ideas and words helped to form the pages of my own creativity. For that and for so many adventures with the Doctor through space and time, I’ll always be grateful.

“No point in being a grown-up if you can’t be childish.” 
― Terrance Dicks, Doctor Who and the Giant Robot