Bond Is Back – No Time To Die Trailer

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Hey, anyone interested in seeing the trailer for the new James Bond film, No Time To Die?
‘thought so…

 

There’s a lot riding on this, as not only is it Daniel Craig’s fifth and final outing as 007 (like, 99.99999999% probably), but after the critical drubbing handed out to the previous film, Spectre, fans are hoping that Craig will bow out on a high note for the long-running series.

Director Cary Fukunaga, infamously replacing Trainspotting’s Danny Boyle – who bowed out after disagreeing with producers on the direction of the script – also has a lot on his plate with this. He’s had a pretty acclaimed run as director up to this point (True Detective season one, Beasts Of No Nation, etc), so he’ll be hoping this won’t be The Spy Who Killed Him.

It’s an interesting one even further behind the scenes too, as it will be the first Bond film distributed internationally by Universal Pictures, following the expiration of Columbia Pictures’ contract after Spectre. I’m sure the studio will be crossing their fingers for a successful debut.

So, y’know, no pressure on this being a Bond barnstormer.  That being said, this trailer seriously kicks all the ass; it looks beautiful, the action (of course) looks amazing and there’s even the strong suggestion of a great storyline.

No Time To Die also stars Ralph Fiennes, Naomie Harris, Ben Whishaw, Rory Kinnear, Jeffrey Wright and Léa Seydoux reprising their roles from previous films, along with newcomers Rami Malek, Ana de Armas, Lashana Lynch, David Dencik, Dali Benssalah and Billy Magnussen. And yes, as revealed here, Christoph Waltz is returning as Blofeld.

The film is currently scheduled for theatrical release on 2 April 2020 in the United Kingdom and on 8 April in the United States.

Marvel’s Black Widow Teaser Trailer

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Things have been relatively quiet on the Marvel front post-Endgame/Far From Home, but now you can get your Marvel geek on again with the Black Widow teaser trailer…

…that looks like a whole bunch of fun.

Scarlet Johansson and Rachel Weisz are always good value, Florence Pugh is increasingly on my radar after Midsommar and, honestly, who doesn’t want to see David Harbour squeeze his dad bod into the Red Guardian’s costume (straight out of the comics, natch)!?

I’m sure we’ll be getting a more expansive trailer closer to the film’s May release, but honestly, I’m sold already.

Black Widow moves us fully into the Marvel Cinematic Universe Phase Four on May 1st, 2020 and I am all here for it.

The Mandalorian – Simply Star Wars *spoiler free review

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If I tell you that the first episode of The Mandalorian – the new high profile, live action Star Wars series helping to launch the Disney + channel – is simple, I trust you’ll understand that I’m complimenting it.

Set five years after the fall of the Empire, as seen in Return of the Jedi, the extremely straightforward storyline of this premiere episode follows the adventures of a Mandalorian bounty hunter (played by Pedro Pascal, though so far he remains firmly under the helmet) hired to round up or exterminate a mark. And for the first 38 minutes, that’s pretty much it.

Carl Weathers crops up, as does (in a much-ballyhooed, sublime piece of casting) existential German film director, Werner Herzog, who appears to be having a blast in his role, plus we meet (sort of) Nick Nolte and Taika Waititi (director of Thor: Ragnarok and Jojo Rabbit). It’s a heckuva cast for what amounts to a little spaghetti western in space.

What you really want to know is: does it feel like Star Wars? Yes, it does, and it feels like exactly what I had hoped for, Star Wars without the Skywalkers, or Jedi, or the Force (at least so far), and what a lot of fun it is. The Mandalorian comes across as if show creator Jon Favreau and pilot director Dave Filoni are just kicking back and enjoying themselves in the Star Wars universe. They even manage to throw in a deep-cut gag taken from the infamously reviled Star Wars Holiday Special TV show from 1978.

The Mandalorian looks and sounds totally Star Wars too, with some really top notch VFX and creature FX (many of which, I’m overjoyed to say, are practical). Whoever thought we’d live to see a weekly Star Wars TV series with movie level special effects? Not this kid who saw the original movie more than twenty times at the cinema in 1977 and 1978, that’s for sure.

There’s no great human drama, so far, but we get a lot of world-building in just over half an hour (with no necessary Star Wars knowledge needed, but plenty of nods to fans), events are set neatly in place and some intriguing threads are left dangling. We’re offered just enough of what might make the title character of interest (he’s a bounty hunter with a heart of gold), but the main point here is to make us want to come back for more. And if the showrunners can ensure this level of pure enjoyment for the next seven episodes then that won’t be a problem.

Simply put, The Mandalorian is uncomplicated fun.

The Masters Versus Marvel

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So… Martin Scorsese, Francis Ford Coppola, Ken Loach and Marvel movies.

A lot of people have been asking me if I’m angry at the disparaging comments from these revered directors, about Marvel films not being “cinema”, seeing as I’m such a fan of the studio’s output.

And my response to this? Well, actually… not in the slightest.

I mean look, these three directors have made some genuinely amazing movies between them, undeniable classics of cinema, including Raging Bull, Goodfellas, The Godfather, Apocalypse Now, Kes and I, Daniel Blake.

Scorsese, Coppola and Loach have worked long and hard in the film industry and produced an incredible body of work and now they’re all of a certain age and they’re perfectly entitled to their opinions, no matter how grouchy.

But those opinions don’t affect my love for what I consider to be far more than just churned-out fare from the Hollywood factory. I think the Marvel movies, some fair, some good and some downright amazing, constitute a bold, incredible experiment in long-form narrative, told with passion and love for the source material by creators who care about making the best in escapist entertainment.

I don’t want all movies to be Marvel movies, but they have a place in the world that fits just fine with my sensibilities (and clearly those of many others). Of course I recognise that they are part of the larger corporate design, but that doesn’t mean the creatives aren’t doing their best work within that environment.

And if I have some criticism of what Scorsese et al. are saying, it’s that it all feels a little churlish to undermine that work. Frankly, it just makes the three of them a little diminished in my eyes, a little lacking in class to throw unnecessary shade across the bow of the efforts of fellow industry creatives.

But beyond that, what they’ve said doesn’t affect me, it shouldn’t affect you, and it doesn’t change what I love about Spider-Man, Guardians of the Galaxy, Doctor Strange or The Avengers. It also doesn’t change what I love about Casino, The Conversation and Cathy Come Home.

If these three old masters want to define “cinema” in such narrow terms, well good for them, they’ve more than earned the right.

For me, however, cinema is a broad and wonderful church, from the smallest, most personal stories, to huge, archetypal tales of soaring wonder, and everything in-between.

Cinema is whatever each of us wants it to be.


– Dave King, Editor In Chief, is a multi-hyphenate, which sounds rude but isn’t. He is an animation director-producer-writer-lecturer-bon viveur whose work has been seen in books, newspapers, magazines, comics, TV and web series, commercials, music videos and documentaries.

He is also an Englishman in Norway, which means he drinks from the skulls of his enemies but lifts his little finger while doing so.

Riddle Me This… Paul Dano To Play Which Bat-Villain?

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The answer, of course, is that Warner Bros have just announced Paul Dano will play The Riddler, in Matt Reeves’ The Batman.

We couldn’t be happier about this at Out of Dave’s Head towers, as Dano is a superb actor and a smart choice.

In a departure from the comic books, Dano’s character will be named Edward Nashton, as opposed to the rather too on-the-nose Edward Nigma, and will be part of a Rogues’ Gallery of villains squaring off against the Caped Crusader, joining (so far) Zoe Kravitz as Catwoman (see here for more).

Jonah Hill was in talks for the film, reportedly to play either The Riddler or The Penguin, but it seems negotiations broke down, swiftly followed by Dano’s announcement.

Created by Bill Finger and Dick Sprang in Detective Comics 140, published in 1948, the Riddler has previously appeared onscreen portrayed by Frank Gorshin and John Astin (in the 1960s Batman film and TV series) and Jim Carrey (in the 1995 film, Batman Forever).

Dano’s credits include Love and MercyPrisoners12 Years a SlaveThere Will Be BloodYouth and Okja, and he was recently nominated for an Emmy for his role in Escape at Dannemora.

Dano and Kravitz join Jeffrey Wright as Comissioner Gordon and Robert Pattinson as Batman. Warner Bros will release The Batman on June 25, 2021.

Photo: Paul Archuleta/WireImage

Rogue One Writer For Disney Plus Star Wars Show

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Tony Gilroy, co-writer of Rogue One: A Star Wars Story, has jumped aboard the Disney Plus series based on that film’s central character, Cassian Andor.

Variety just dropped an exclusive report, stating that Gilroy would write and direct several episodes for the forthcoming, as yet untitled, live action show for Disney’s streaming channel.

The series will star Diego Luna, reprising his role from Rogue One, and follows Rebel agent Andor in adventures set before the events of that film, in the early days of the Rebellion against the Empire. Alan Tudyk will also return as K-2SO, Andor’s droll droid sidekick.

Gilroy was originally an uncredited writer on Rogue One, and came onto the production to handle extensive reshoots on the film, earning a screenwriting credit in the process. After the reshoots, he is also said to have worked closely with director Gareth Edwards to supervise the editing of the film.

No air date has been set for the show, but previous reports suggest it will launch in 2021. Disney Plus launches in the US and other markets (but not here in Norway, curse you Disney) on November 12th.

Meow! Zoe Kravitz Is Your New Catwoman!

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Big Little Lies star Zoe Kravitz has been confirmed as Catwoman for new movie, The Batman.

The actor reportedly pipped the likes of Zazie Beetz, Eiza Gonzalez and Oscar winner Alicia Vikander for the role of Bruce Wayne/Batman’s nemesis/love interest in Matt Reeves’ soon-to-begin filming new take on the Caped Crusader, starring Robert Pattinson in the title role.

Pattinson was chosen by Reeves and Warner Bros when previous Batman, Ben Affleck, departed the role after than the less-than-satisfactory Justice League.

Meanwhile, Kravitz’s credits include the Divergent series and Mad Max: Fury Road, and she will stalk the streets of Gotham alongside Jeffrey Wright as Commissioner Gordon and Jonah Hill, who is in talks for an unspecified villain role.

“It’s very much a point of view-driven, noir Batman tale,” Reeves said of his take, to the Hollywood Reporter earlier this year. “It’s told very squarely on his shoulders, and I hope it’s going to be a story that will be thrilling but also emotional. It’s more Batman in his detective mode than we’ve seen in the films. The comics have a history of that. He’s supposed to be the world’s greatest detective, and that’s not necessarily been a part of what the movies have been.

Pre-production on the Warner Bros./DC Comics pic is expected to start this summer. No official start date has been set, but industry rumours have suggested that filming could start late this year or early in 2020.

The Batman is scheduled to hit cinemas on June 25th, 2021.

Harley Quinn Dominates In Birds Of Prey Trailer

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Warner Bros/DC have just dropped the full trailer for Birds of Prey (And The Fantabulous Emancipation of One Harley Quinn), so here it is…

I mean, it at least looks pretty and cohesive, in a way that even the trailers for Suicide Squad weren’t, and that cast is certainly to die for: Margot Robbie, Mary Elizabeth Winstead, Jurnee Smollett-Bell, Chris Messina, Rosie Perez, Ella Jay Basco, and Ewan McGregor, but I can’t help but feel it all comes across as a little… flat.

Maybe I’m just in a mood, but I was hoping for something a little more off-kilter, a little more dangerous (though a Harley Quinn song and dance number would definitely be a step in the right direction)…

But okay, if Robbie is at the centre of this (and the trailer certainly suggests that,as her Harley Quinn character positively dominates the narrative) then I’m in for the ride, as I think she’s a seriously undervalued actor and might just have the star power to pull this off. And if nothing else, it looks like it will be Jared Leto-free…

Birds of Prey (And The Fantabulous Emancipation of One Harley Quinn) – and that might be the last time I’ll type out that mouthful, directed by Cathy Yan, hits our local screens on February 7th, 2020.

Spider-Man: Sony and Marvel Stick Together (For Now)

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In news that, while not entirely shocking, is most certainly welcome, Sony and Marvel have come to an agreement to continue working together on Spider-Man.

Variety announced today that Sony Pictures chief Tom Rothman, Marvel’s Kevin Feige and Walt Disney Studios’ head Alan Horn have been involved in top-level negotiations to allow their successful working relationship to move forward.

Right now that means the third film in the “home” trilogy (after Homecoming and Far From Home) will fall under the deal, as well as the option for Spider-Man/Peter Parker to appear in one future film in the Marvel Cinematic Universe.

“I am thrilled that Spidey’s journey in the MCU will continue, and I and all of us at Marvel Studios are very excited that we get to keep working on it,” said Feige in a statement. “Spider-Man is a powerful icon and hero whose story crosses all ages and audiences around the globe. He also happens to be the only hero with the superpower to cross cinematic universes, so as Sony continues to develop their own Spidey-verse you never know what surprises the future might hold.”

This is much better news than fans of this iteration of Marvel’s famous web-slinger could have hoped for in recent weeks, given the very public rift between the two companies, which was based on movie profits and merchandise rights.

Thankfully, level web-heads have saved the day and Spider-Man will swing where he belongs. At least for now.

Marvel Finds Its Kate Bishop For Hawkeye TV Show – Hailee Steinfeld!

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Variety are reporting that Marvel are close to signing Hailee Steinfeld to play Kate Bishop, in their new Disney Plus limited series, Hawkeye.

Jeremy Renner will move across from the movies to play Hawkeye, and Steinfeld will play Kate Bishop, a character who took on the mantle of the Hawkeye name, while Clint Barton was off doing dark deeds as Ronin (as seen in Avengers: Endgame).

We’re big fans of Steinfeld, here at Out Of Dave’s Head Towers, from her breakthrough role in the Cohen Brothers’ 2010 remake of True Grit, through to her superb turns in films including The Edge of Seventeen and the Transformers film it’s okay to like, Bumblebee.

Since these series on Disney Plus will be more directly linked to the Marvel Cinematic Universe (unlike the ABC and Netflix shows, which drifted further away from the MCU over time), it will be intriguing to see whether Steinfeld as Bishop will eventually cross over into future films.

Hawkeye will string his bow on Disney Plus in autumn 2021.