Time weighs heavily on James Bond in Daniel Craig’s final outing.
No Time To Die, the 25th film in the beloved James Bond franchise, had quite the tortuous road to cinemas, as reported in several posts here on Out Of Dave’s Head: the hiring and departure of director and writer Danny Boyle and John Hodge, replaced by Cary Joji Fukunaga and long-time Bond scribes Neil Purvis and Robert Wade (with the later addition of Phoebe Waller-Bridge), and then the little matter of a worldwide pandemic, saw Bond 25 shift from it’s original release date of November 2019 several times until it’s eventual release this week.
So it’s pleasing to report that the finished production shows little of the troubled path taken by its long development. No Time To Die is a fine addition to the long-running series, and a superb send-off for the Daniel Craig era.
Opening with the first ever flashback sequence seen in a Bond film, the first indication of time’s conceptual importance here and the closest Bond has ever come to horror, the story then shifts to pick up almost where the previous entry, Spectre, left off: with Bond and Léa Seydoux’s Madeleine Swann driving off into the sunset for a life of bliss. But fate (and the scriptwriters) have other plans for the couple as both of their pasts catch up with them in a fantastic action sequence through the streets of Maltera, Italy.
Five years later and Bond and Swann are in very different places, but the past refuses to die, bringing together a plot to eradicate large portions of the population of the world, with many of the characters who have featured in Craig’s Bond’s narrative, from Casino Royale onwards.
The film is not without its faults, the twin villain strands detract from each other, leaving Rami Malek’s terrorist Lyutsifer Safin curiously underdeveloped, the editing often feels like sequences have been cut too short (particularly affecting Malek’s character in the climax), and Lashana Lynch’s much heralded new 007, Nomi, is something of a characterless let-down and a creative dead end.
But No Time To Die is excitingly directed by Fukungawa, with some genuinely breathtaking sequences and it all moves at a great pace (despite a little wavering in the middle third). The film’s secret weapon, Ana de Armas, is a delight and a joy, playing against the character’s initial impression to become one of the highlights in a sequence set in Cuba that manages to be both a throwback to the classic Bond elements of charm and style while simultaneously updating those elements with humour and panache. The campaign for her character, Paloma, to get her own spin-off movie, officially starts here!
Everything leads towards an ending which, though somewhat messy in execution, has a huge emotional pay-off, something that hasn’t really been achieved in a Bond film since On Her Majesty’s Secret Service, in 1969. It’s a massively bold choice for Bond and one for which the makers should be applauded. To say I was in tears would be an understatement.
Mention of George Lazenby’s only outing as Ian Fleming’s character is entirely appropriate, as that film is quite deliberately echoed both in one of the film’s thematic conceits and indeed in reprising John Barry’s song, We Have All The Time In The World. Long time Bond fans will appreciate the callback and newbies will immediately recognise the weight it gives to No Time To Die‘s story.
Craig’s Tom Ford boots are going to be difficult to fill, as both he and the producers caught the zeitgeist, with Craig playing against the archetype to make Bond a deeper, richer and more human character. His unconventionally handsome, rock-face features and pugnacious interpretation of Bond will be greatly missed. But his time in the role has been rightly celebrated in his imperfect but courageous final outing, proving that the Bond franchise still has the ability to surprise, after all this time.
Following the film’s emotional denouement, it was indeed something of a relief, for those of us who stayed in the cinema to watch the credits roll, to read the familiar final caption: James Bond Will Return.
With the tedious inevitability of an unloved season (there’s one for long time Bond fans), No Time To Die, the 25th film in the James Bond franchise, has seen its November release pushed back for a second time.
Originally slated to release back in April, the final outing for Daniel Craig’s secret agent will now see the light of day on April 21st, 2021, just over a year later. Maybe.
MGM, Eon Productions and Universal were determined to make the November release, but it’s likely the solid but not spectacular box office take of Warner Bros.’ Tenet, along with the ongoing worldwide problems at the hands of Covid-19, have convinced the studios that Bond would need to cool his heels.
“MGM, Universal and Bond producers, Michael G Wilson and Barbara Broccoli, today announced the release of No Time To Die, the 25th film in the James Bond series, will be delayed until 2 April in order to be seen by a worldwide theatrical audience. We understand the delay will be disappointing to our fans but we now look forward to sharing No Time To Die next year,” says the official statement.
Wonder Woman 1984 and Black Widow had already delayed their early October and early November releases, respectively, so this latest delay is frustrating but not really surprising. Expect Dune to follow suit shortly and shift from its current Christmas Day release slot.
2020 is destined to be a terrible year for cinemas, so let’s hope things begin to improve in the new year…
The music video has been released for Billie Eilish singing the theme song from the forthcoming 25th entry in the James Bond franchise, No Time To Die.
While the song was originally released back in February, the official music video has been held back until now, due to the film’s Covid-19 related delay.
Now, with the film hitting cinemas in just a few short weeks (you can view the latest trailer here), we can see Eilish being sultry all over clips from the film, highlighting the troubled relationship between Bond and Dr. Madeleine Swann.
No Time To Die, Daniel Craig’s final outing in the tailored Tom Ford suits as 007, directed by Cary Joi Fukunaga from a screenplay by Neal Purvis, Robert Wade, Fukunaga and Phoebe Waller-Bridge, with a score by Hans Zimmer, and co-starring Léa Seydoux, Jeffrey Wright, Christoph Waltz, Lashana Lynch and Rami Malek, will be with us on 12 November (in the UK and Australia) and the 20th November (for the USA).
Last month, it was revealed that Billie Eilish would be the youngest-ever person to record a theme song for a James Bond movie, No Time To Die, the 25th in the franchise. And now, seemingly faster than a bullet fired from a Walther PPK, here it is…
“We’ve always wanted to write a James Bond theme song,” Eilish’s brother and co-writer, Finneas told the Billboard Pop Shop Podcast after news of the song was announced. “And you know, it’s a legendary franchise, so we had to convince a lot of people that we were the right choice. And then we had to write a song that everybody liked. So it was a hard-won process.”
Will this hit the target with Bond fans and join classics such as Goldfinger, by Shirley Bassey, or Thunderball, by Tom Jones, and highly regarded modern efforts by the likes of Chris Cornell (You Know My Name, from Casino Royale) or Adele (Skyfall, from, uh… Skyfall) or will it be relegated to the exploding volcano bases of history alongside Alicia Keys & Jack White’s Another Way To Die (from Quantum of Solace) or Sam Smith’s beyond dreary Writing’s On The Wall (from SPECTRE)…!?
I guess you’ll know your answer to that by now. As for me, I love it.
No Time To Die (the movie) is released in April (date according to country).
Hey, anyone interested in seeing the trailer for the new James Bond film, No Time To Die?
There’s a lot riding on this, as not only is it Daniel Craig’s fifth and final outing as 007 (like, 99.99999999% probably), but after the critical drubbing handed out to the previous film, Spectre, fans are hoping that Craig will bow out on a high note for the long-running series.
Director Cary Fukunaga, infamously replacing Trainspotting’s Danny Boyle – who bowed out after disagreeing with producers on the direction of the script – also has a lot on his plate with this. He’s had a pretty acclaimed run as director up to this point (True Detective season one, Beasts Of No Nation, etc), so he’ll be hoping this won’t be The Spy Who Killed Him.
It’s an interesting one even further behind the scenes too, as it will be the first Bond film distributed internationally by Universal Pictures, following the expiration of Columbia Pictures’ contract after Spectre. I’m sure the studio will be crossing their fingers for a successful debut.
So, y’know, no pressure on this being a Bond barnstormer. That being said, this trailer seriously kicks all the ass; it looks beautiful, the action (of course) looks amazing and there’s even the strong suggestion of a great storyline.
No Time To Die also stars Ralph Fiennes, Naomie Harris, Ben Whishaw, Rory Kinnear, Jeffrey Wright and Léa Seydoux reprising their roles from previous films, along with newcomers Rami Malek, Ana de Armas, Lashana Lynch, David Dencik, Dali Benssalah and Billy Magnussen. And yes, as revealed here, Christoph Waltz is returning as Blofeld.
The film is currently scheduled for theatrical release on 2 April 2020 in the United Kingdom and on 8 April in the United States.
Instead of telling you, why don’t I let Eon Productions and Daniel Craig show you…?
There we go, No Time To Die it is.
Dammit Bond, now I lost my bet on Shatterhand. Trust you to go breaking the expected alliteration of Skyfall, SPECTRE and, uh… No Time To Die.
What do you think? Love it or loathe it? Sound off in the comments.
Meanwhile, this reveal also confirms that Bond 25 (as I may well continue to call it, just for the hell of it), Daniel Craig’s final outing as 007, will be released April 2020.
The film also stars Rami Malek, Léa Seydoux, Lashana Lynch, Ben Whishaw, Naomie Harris, Billy Magnussen, Ana de Armas, Rory Kinnear, David Dencik, Dali Benssalah, Jeffrey Wright and Ralph Fiennes, and is directed by Cary Joji Fukunaga.
More news as we get it.