Sane World Rejoices As Disney Reinstates James Gunn For Guardians Of The Galaxy 3!

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In an announcement sure to annoy the grimmer corners of the alt-right internet, but make the rest of us whoop with delight, Disney has reinstated James Gunn to write and direct Guardians of the Galaxy 3 for Marvel!

Deadline have just dropped this very welcome bombshell, and while I’m sure we’ll hear more details in the run up to the May 24th release of the dark superhero film, Brightburn, produced by Gunn, I’m happy just to hear this news.

Gunn was fired by Disney when alt-right journalists decided to resurrect poor taste tweets Gunn made almost a decade earlier, and pile pressure on the Mouse House that the writer/director should not be heading up one of its biggest franchises. Sadly, Disney blinked and Gunn was fired.

The report in Deadline states that Marvel Studios never made serious overtures to anyone else regarding Gunn’s replacement and have obviously let things cool down before making this extremely sensible decision.

That decision was complicated by Gunn signing up to direct The Suicide Squad, a sequel/reboot of the critically demolished DC/Warner Bros movie from 2016, but it seems Marvel are willing to push back filming of their movie to accommodate him.

Whether or not you enjoy the two Guardians of the Galaxy movies (and I do, a whole bunch) Gunn was undeniably their heart and soul, and the thought of anyone else finishing off his trilogy with these characters was deeply disappointing, especially for such disheartening reasons.

Welcome back to Marvel, James Gunn! Score one for the good guy!


Photo: Christopher Polk/Getty Images

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Avengers: Endgame Trailer – Marvel Plays A Smart Game

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The latest (and final?) trailer for Avengers: Endgame has just dropped and I’m happy to say absolutely nothing is spoiled. Take a look for yourself (because we all know that’s what brought you here)…


Well, that’s quite the thing. Tears may roll.

Marvel’s Kevin Feige has stated that the trailers and promotion for the film will only contain material from the first twenty minutes or so of the movie, and even with that caveat there is nothing here but moody build and I have to say I love it.

There’s really little else to say, except I love Marvel’s understated promotion, and I’m pretty sure half the population of the world (see what I did there?) will be glued to cinema seats for this come April 26th.

See you there!

Captain Marvel: Further. Higher. Faster. Mostly.

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On the surface Captain Marvel might be one of the more straightforward of Marvel Studios’ films, but there’s some intriguing stuff at play underneath.

Carol Danvers has been around in the comic books since 1968, though it wasn’t until 1977 that the character adopted her first superheroic alter-ego, that of Ms. Marvel, taking on the legacy mantle of Captain Marvel (after a previous, separate character sharing that name) in 2012.

So while Danvers and the Captain haven’t been around as long as or share the general public awareness as Wonder Woman, the character has paid her dues.

Mention of Wonder Woman here is interesting, as while DC and Warner Bros made her gender a prominent part of the character’s journey in 2017’s film, here Marvel almost wilfully subvert expectations of such considerations to take a more subtle route in unleashing their first female-fronted franchise.

When alien Kree warrior Vers (Brie Larson) goes on a mission against the shape-shifting Skrull race with her mentor, Yon-Rogg (played by welcome addition to the Marvel Cinematic Universe, Jude Law), which quickly not only goes pear-shaped but also sees Vers begun to unlock a sequence of events which will lead her to unravel a series of recurring nightmare flashbacks.

Ver’s journey leads her to Earth in 1995, and encounters with (amazingly CGI de-aged) younger versions of Nick Fury (Samuel L Jackson) and Agent Coulson (Clark Gregg) and revelations which will change both her life and the future of Marvel history.

That the film presents all this as an unfolding mystery is one of the stronger points of the standard origin story, and as per usual this is entertainment of the highest caliber from Marvel: superb casting (including a star-making turn from Larson, who rises above some deficiencies in the script to make a hugely appealing central character and another fantastic turn from Ben Mendelsohn as Talos, the Skrull, who is obviously having a blast), snappy dialogue and fun action sequences. But it’s somewhat disappointing to report that despite all this, Captain Marvel still feels like one of the studio’s more workmanlike (excuse the gender conflation here) efforts.

While it’s highly admirable (and enjoyable) that it’s never even really made an issue that Vers and Marvel are presented as the equal (and indeed, superior) to any males in her orbit, making the film rather an important step in its own way, it’s a shame that some of this is presented in a less than inspired manner. I found the direction by Anna Boden and Ryan Fleck to be lacking a certain vision, and it’s the first Marvel film where I’ve actually felt the hand of a committee in the course of viewing.

It’s not difficult to imagine that the firing of James Gunn, who had been acting as a kind of creative guru to the studio until a small group of internet nazis dug up some poor taste jokes Gunn had made on Twitter and used those to successfully blackmail Disney into letting him go, had some kind of reverb effect on Marvel (and Captain Marvel). There are choices made in the film which feel distinctly Gunn-ian (is that a thing? It is now), but executed without his very particular flair.

A perfect example of this is the decision to play out a third act fight scene, between Marvel and some of the bad guys, with No Doubt’s Just A Girl playing over the soundtrack. Given the possibility of this particular song to comment on the action, this might seem like a good idea, but on reflection I found myself wondering what the song really had to do with I was seeing onscreen. In hindsight it feels like a choice that Gunn might have considered then rejected as being simply too on the nose.

It might seem unfair to be laying the film with a “what would James Gunn have done?” vibe, but it’s impossible to separate a studio film like this from the events that surrounded its creation.

But don’t let these caveats put you off from seeing Captain Marvel (in 3D if you can, and if you have a cinema that knows how to project the format properly – because the post-converted 3D is really superb), as even Marvel’s most simply efficient is the equal of or better than many other studios’ efforts.

You’ll definitely have a good time (and if you’re a Stan Lee fan, like me, the film may even make you cry in its opening seconds, as I did), and without a doubt it’s a strong introduction to a character who is tipped to become an important lynchpin in Marvel’s future movies (not least of which in next month’s much-anticipated Avengers: Endgame).

And to answer a question I know many of you have (without spoiling anything) Thanos should be very, very worried right now.

Captain Marvel definitely goes further, higher, faster, to use both the character’s and the film’s tag-line, but could have gone even higher, even further and even faster.

These Are A Few Of My Favourite Films: 2018 Edition

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Okay, because many folks have asked… here are my favourite nine films from 2018.

Notice I said favourite and not best. I was recently interviewed for a newspaper piece where the reporter asked my favourite three movies. This felt like a refreshing change as I didn’t feel a need to spend time over-intellectualising my responses as I might have done if she’d asked what I thought were the best three films ever.

Before I launch into my list, it’s worth pointing out I still have some catching up to do, hence no possible entries for films such as Spider-Man: Into The Spider-Verse, You Were Never Really Here or Bohemian Rhapsody.

So, with that caveat clear and without further ado, let’s head to my favourite nine (…nine, because, why not!?) films of the past twelve months…

9. Mission: Impossible – Fallout.

I have to admit the M:I films were mostly sort of washing over me, enjoyable in the moment but somewhat unmemorable bar their set-pieces. But then Fallout appeared, not only leaving me with a bill from my local cinema for having left fingernail holes in my seat, but also with a much greater enthusiasm for the previous entries. I’m gearing up for a run-through of the series at home in readiness for a second viewing of Cruise and Christopher McQuarrie’s remarkable piece of breathless skullduggery. Also, finishing off a series with two films featuring Sean Harris is always a bonus.

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8. The Rider.

Yeah, yeah, I know that it premiered in the Directors’ Fortnight section at the Cannes Film Festival in 2017, but those of us in the real world didn’t see it until its official release in 2018. Hopefully that doesn’t trigger anyone too badly.  Chloé Zhao’s contemporary western drama concerning rodeo riders feels like a top contender for the ‘film more people should see‘ award, 2018. Both painfully intimate and sweepingly widescreen, Zhao paints a portrait of a contained community with universal problems. You can read my full review here.

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7. Eighth Grade.

In many ways this shares some DNA with The Rider, taking me to a world I knew nothing about. This time, the unknown is the life of an adolescent girl in a time of social media, and this smart, sensitive, occasionally excruciating and ultimately uplifting film, from director Bo Burnham, features a hugely engaging central performance by newcomer, Elsie Fisher.

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6. A Quiet Place.

The first of two horror films in a strong year for the genre (see also Apostle, Mandy, Halloween, etc). Unfair on my behalf, but I was absolutely not expecting this from Jim Halpert from The Office. Directed and co-written (along with Scott Beck and Bryan Woods) by John Krasinski, this post-apocalyptic monster movie hits all the right beats, gradually unveiling a world of silent terror using a personable family, headed up by Krasinski and the always-excellent Emily Blunt. Understated until it doesn’t have to be, this is great, old-school horror that could easily have worked as an old Twilight Zone episode.

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5. Ant-Man & The Wasp.

Tricky one, this. I didn’t want to fill my list with Marvel movies (seeing as we had three releases from them in 2018) and I really struggled between this and Black Panther, but in the end I had (slightly) more fun with Peyton Reed’s delightfully light-touched sequel, especially since I’m the type of Marvel Geek who believes this film will pay off more once we see Avengers: Endgame.

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4. Hereditary.

Ari Aster’s uneven but striking mix of family grief and the supernatural is a divisive film, very much a case of go-with-it-or-don’t. The first three-quarters of the movie is mostly all slow-burn intensity until the final twenty minutes or so go off into full-blown hysteria (which is where many viewers seem to check out). I went with it the whole way on my viewing, but will be curious to see how it holds up next time. Worth pointing out that regardless of any future reaction, I’ll still laud it for probably the most outrageous WTF moment in cinema this year.  Review here.

3. The Meg (just kidding).

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3. The Other Side of the Wind.

Freewheeling and meticulous, Orson Welles’ lost masterpiece (never a more fitting appellation) first started production in 1970 and was only completed after Welles’ death by a team headed up by Peter Bogdanovich and producer Frank Marshall. Released onto Netflix at the end of the year, Welles’ mesmerising film is both a celebration and a satire of Classic Hollywood and avant-garde filmmaking. Review here.

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2. Roma.

The only disappointing thing about multihyphenate Alfonso Cuarón’s almost tone poem telling of a tumultuous period in the life of his childhood home-help is that I haven’t yet had the opportunity to see it on a cinema screen, seeing as it’s one of the most beautiful things I’ve laid my eyes on in a long time (to avoid a lynching by my significant other, I mean cinematically, of course). Review here.

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1. Avengers: Infinity War.

Marvel Geek nirvana. The Russo brothers and co. pulled off a remarkable, if overpacked, feat in bringing to a head ten years of films across multiple franchises while still managing to create a cultural zeitgeist moment with a single finger click. Of course, we know most of the galaxy’s missing half will be restored (…don’t we!?), but the joy, as with many comic books of the source material, is in seeing how our heroes snatch victory from the jaws of defeat. And now we don’t have much longer to wait. Review here.

Dishonourable mention: Suspiria (don’t @ me).

See you all in 2019. Feel free to leave me your favourites from 2018 in the comments below.

Avengers 4 Trailer Is Here And We Have A Title…

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Okay, I know why you’re here, so…

I’d say that’s the very definition of a teaser trailer: our heroes are definitely on the ropes, but they have a cunning plan and… wait… here’s Hawkeye and Ant-Man to save the day, the universe… and multiple franchises.

Oh, and Avengers: Endgame it is, which, I’m not so wild about, but I guess it does what it says on the tin.

Are we excited yet…? I know, I know, silly question.

Avengers: Endgame opens May 3, 2019. It’s possible we’ll all be going to see it, I guess…

Marvel Launch New Captain Marvel Trailer

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Marvel Studios have given us an early Christmas-gift with a brand new trailer for Captain Marvel.

There’s a lot of fun new stuff in there, including a better look at the shape-shifting Skrulls, our first glimpse of Annette Bening and even an introduction to Captain Marvel/Carol Danvers’ pet cat, Chewie. It also leaves us in doubt just how much Marvel are going to be leaning into the cosmic side of their universe, with Captain Marvel roaring through space zapping spaceships.

As well as this latest trailer for the good Captain, there are plenty of rumblings that Marvel will drop a new trailer tomorrow for the still untitled Avengers 4, which at this rate will likely have the title card blacked out at the end. I’m kidding, of course, but only just.

And if that isn’t enough to fry your geek brain, there are even more rumours suggesting the trailer for Peter Parker’s adventures in Europe, a little film called Spider-Man: Far From Home may land on Thursday or Friday (possibly giving us our first glimpse of Jake Gyllenhaal’s villainous Mysterio).

Captain Marvel is released on March 8th, 2019, Avengers 4: Whatever It’s Called will follow two months later on May 3rd and Spider-Man: Far From Home lands July 5th.

What a time to be a fan of the Marvel Cinematic Universe. Feel free to let me have your thoughts on all of this, below…

Stan Lee – So Long, True Believer!

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It isn’t too often the death of a celebrity affects me emotionally, but today is very different. Stan ‘The Man’ Lee has passed away.

It’s difficult to talk about Stan without discussing my own life, so ingrained is he in the very core of the person I am today. Comic books were always around me, from my very earliest memories in the mid-1960s, those beautiful and crazy, four-colour treasures were always to hand, courtesy of a family that believed in the power of reading and in the stimulation of the imagination.

At first the comics were probably quite random, though I recall some Superman titles and an adaptation of King Kong that I literally read to pieces. These, along with the seminal American monster magazine, Famous Monsters of Filmland, were the guides that quickly took me past Jack & Jill books.

Then in 1972, Marvel, whose characters until then had been spottily reprinted in comics from other UK publishers, such as Odhams, launched their very first issue of The Mighty World of Marvel.  A weekly title, featuring Fantastic Four, Hulk and Spider-Man, it continued in the house style set by the original US Marvel comics, crediting the creators of the strips and led by the breathless purple prose of the personable and garrulous front-man for the company, the one and only Stan Lee.

Like Lee’s teenage hero Peter Parker being transformed by the radioactive bite of a spider, I was bitten and entranced with not only these larger than life super-hero characters, but by the very idea of Marvel and its editorial Bullpen, where creators such as Jack Kirby, Steve Ditko, Marie & John Severin, Don Heck, John Buscema, Gene Colan and many more dreamed up a never-ending series of stories to further stimulate my senses and, even better, encourage my own budding talents as an artist!

In October 1975, Lee and Hulk artist Herb Trimpe came to the UK to appear at the music venue, The Roundhouse, in London’s Camden. The show they put on was like a music gig, with Lee & Trimpe striding the stage like Plant and Page, rock gods of the comic pages to these youthful eyes. I had a front row ticket, alongside my lovely, flu-ridden Mum, who didn’t want eleven year-old me travelling across London on my own at night. Getting to meet my hero was beyond exciting, and that night is still firmly fixed in my head, as I can still feel the heat of the spotlights and hear my Mum coughing beside me.

I’d meet Stan again the following year, and buried somewhere in my loft (I hope) is a glossy, black & white still of me handing him my copy of Captain Britain, issue one, to sign (I still have that too).

I grew up alongside Peter Parker (some years older than me, of course, so he was a fictional, aspirational character), watching him graduate high school and head to college, then find himself in the hectic world of the freelance photographer – I could never have imagined my own life path would be so similar. This explains a large part of why Parker and Spider-Man remain my most-loved of Lee’s co-creations.

Only in my wildest dreams did I ever see myself actually working for Marvel, and yet, many years later there I was. Frankly, my career could have stopped at that moment and I’d have died with a grin on my face. Seeing my first Marvel pay cheque (ah, the days of printed pay cheques) emblazoned with images of the Hulk and Spider-Man was a genuinely surreal moment, to the point I almost (almost, mind…) didn’t cash it!

As I got older, I became more aware of the realities behind the comic stories: of the horrible practices of the comic book industry that saw creators robbed of their artwork and their intellectual ownership of characters that would go on to be financially exploited in all kinds of media. Slowly, and often posthumously, these creators or their families are seeing deals made to bring some equity to this shameful situation, and my hero turned out to have feet of clay as it’s pretty obvious that Lee helped perpetuate these problems.

That’s alway a useful learning curve for fans, of course, to be able to see those we admire as imperfect people instead of lofty icons.

And there was further sadness involving Stan, as in recent years he became embroiled in health and money issues, in seemingly endless attempts to recapture the creative heights of years long gone. This day has seemed ever more inevitable as he became more fragile with each appearance. And so it is.

But what a legacy this man left. A modern-day mythology that carries on the ages-old traditions of heroic storytelling, fables of characters we can and must aspire to be, whose ultimate goodness is set not in the wheel of victory, but in the attempt of victory, to be the better part of ourselves. Isn’t that something to get excited about?

For me personally, Stan and his amazing co-creations literally changed my life. Does that sound grandiose? Perhaps, but that doesn’t mean it isn’t true. Stan appearing in my narrative directly led to me working in comic books for many years, and I wouldn’t now be working in animation had his vast imagination (and those of the people he worked with) not stirred my own imagination, my own creativity.

Thank you, Stan, for everything. You were The Man.

Excelsior.

Yours truly, with my original copy of the comic book that changed my life.
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My copies of the Origins of Marvel Comics (and its sequels), signed by Stan in 1975 and ’76.
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Marvel To Go Full Kosmic Kirby With The Eternals

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The long-rumoured Marvel Studios production of Jack Kirby’s The Eternals took a mighty leap forward today with the announcement that The Rider director Chloe Zhao will helm the picture from a script by Matthew and Ryan Firpo, with Kevin Feige producing.

Created during Jack Kirby’s second run at Marvel Comics in the mid-1970s, The Eternals tells a star-spanning tale of cosmic beings known as the Celestials (already mentioned in both Guardians of the Galaxy movies), who perform genetic experiments on humans in the distant past, creating the super-powered Eternals, as well as the villainous race called the Deviants.

This would seem to fit nicely with the cosmic path Marvel has begun with the (now-shockingly James Gunn-less) Guardians of the Galaxy and Captain Marvel.

The Eternals were arguably one of Kirby’s last great creations (although I’ll gladly engage you in fisticuffs if you diss my boy, Devil Dinosaur) and provides a truly spectacular blueprint for a franchise movie.

Zhao’s film has been winning plaudits left, right and centre and she stands as an utterly intriguing choice to bring Kirby’s wild creations to the screen.

Loki, Scarlet Witch And Other MCU Heroes Coming To Disney TV

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In something of what seems to be a jaw-dropping exclusive, Variety are reporting that the forthcoming Disney TV streaming service is loading up some of its big guns to entice paying viewers.

According to their report, the channel will be producing live-action series featuring some of their existing Marvel Cinematic Universe characters, including Loki and Scarlet Witch. As if that news wasn’t exciting enough, it seems these characters will be played by their MCU actors, such as Tom Hiddleston and Elizabeth Olsen.

While the channel has yet to make an official announcement, Variety seem confident in their reporting, and while further details on the shows haven’t been revealed, suggestions are they’ll have substantial budgets and may run for six to eight episodes each (meaning they’ve hopefully learned valuable lessons from the always-overstretched Netflix/Marvel shows).

Adding further interest, it appears the shows will not be produced under the Marvel TV banner, which has produced variable results with series including Agents of S.H.I.E.L.D and Inhumans (about which, the less said the better), instead they will fall under Marvel Studios (producers of the MCU).

Disney are betting big with their new service, and with these new shows added to an already impressive line-up (including the Star Wars live-action show, as well as a High School Musical show and a live-action Lady and the Tramp movie), it’s pretty certain they’ll be giving Netflix a run for its money.

As ever, more news as it comes…


Photo c/o Disney/Marvel

Higher. Further. Faster. Now We Have A Captain Marvel Poster Too!

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As if the arrival of the Captain Marvel trailer wasn’t enough excitement for today, Marvel has just released the first official poster for the film.

Taking the now familiar phrase from the Captain Marvel comic books (Higher. Further. Faster) as its tag-line, the imagery has the good Captain very much arriving (through an imposing set of aircraft hangar doors).

And really, there’s not too much more to say here, except that it’s very pretty and March 8th, 2019 looks like it’s going to be a whole heap of fun! It’s time to get excited, Carol Corps!