Deadline just dropped the news that Marvel have found their Kamala Khan, AKA Ms. Marvel. Newcomer Iman Vellani will play the character in a new series for Disney Plus.
Created by editors Sana Amanat and Stephen Wacker, writer G. Willow Wilson, and artists Adrian Alphona and Jamie McKelvie, Khan is Marvel’s first Muslim character to headline her own comic book.
The new series for the streaming channel will be written by Bisha K. Ali and centers on Khan, a Pakistani-American teen based in New Jersey. It will mark Vellani’s first big role in the film and television industry.
The news follows on swiftly from the recent announcement that Tatiana Maslany has been cast in the title role of a She-Hulk series, and this week’s announcement that the studio is developing a Nick Fury series, to star Samuel L. Jackson.
We’ll bring you more word on Ms. Marvel as the show moves into production, but this is exciting news for fans of the character.
Those of you who unsubscribed to Disney + at the end of The Mandalorian: get ready to re-subscribe:
There are your Super Bowl teasers for forthcoming Marvel TV shows: WandaVision, Loki, and Falcon And The Winter Soldier. Well, Disney +, you have my attention.
All featuring the actors from the Marvel Cinematic Universe (Elizabeth Olsen and Paul Bettany, Tom Hiddleston, and Anthony Mackie & Sebastian Stan), joined by the likes of Kat Denning and Owen Wilson, these look set to be intriguing expansions of the first ten years of Marvel, ready to lead us into the next phase.
The first show up will be Falcon And The Winter Soldier (autumn 2020), which looks like it will deal head on with the space left by Steve Rogers (oh, the whole world has seen Avengers: Endgame by now, right!?).
WandaVision (following soon after) looks especially bizarre, seemingly taking visual cues from the likes of I Love Lucy and Roseanne. It’s great to see these shows might take some creative risks.
And I feel sure Mr Hiddleston will bring a fan or two into the Disney streaming service with Loki, in 2021. Also expect this show to tie-in heavily with cinema sequel, Doctor Strange and the Multiverse of Madness, sadly without director, Scott Derrickson, who recently departed the production due to those pesky “creative differences.”.
Now, where’s that TV remote? I have some planning to do…
Star Wars: The Rise of Skywalker comes with so much baggage it actually feels difficult to write a full review after my initial viewing.
I came out with some hugely conflicting feelings, so rather than a fully considered review, this might best be considered a collection of immediate, post-screening thoughts.
The film, of course, is the conclusion not only to this most-recent Disney backed trilogy (comprising The Force Awakens and The Last Jedi), but it also concludes the entire Skywalker saga (preceded by the films in the Prequel and Original trilogies).
Many fans will, I suspect, find The Rise of Skywalker to be a hugely satisfying ending to the nine film cycle, as returning director J.J. Abrams and his team play far safer than The Last Jedi’s controversial Rian Johnson and pack the film to the rafters with many fan-pleasing elements. Perhaps too many.
And this seems to have been done to the detriment of a cohesive movie, as Rise lacks a certain elegance in narrative to play very episodically, with MacGuffins galore leading our heroes from one set piece to the next.
While Johnson seemed determined to use his film to kill off certain elements of past Star Wars films to suggest a new future path, Abrams and co have apparently paid careful attention to the howls of outrage over this approach from the hordes of man babies and over-entitled toxic fans and dialed back on this by making a film about resurrecting the dead. And boy, do the dead rise up in this film. Literally and figuratively.
There are tantalising glimpses of a thematic element, present in all three films of the Disney trilogy, of the Rebellion against the evil Empire spreading out beyond the usual resistance fighters and causing “the people” to find the will to rise up against their oppressors, but it’s almost too casually thrown away here, and not developed strongly enough to add depth to the narrative. A definite missed opportunity which could have given these films a far greater resonance.
It’s also difficult to see that these films were created with a firm road map, rather each feels like a reaction to the previous film, and so this might just be the least satisfying trilogy, thematically and in terms of overall arcs.
The trilogy leads (Daisy Ridley, John Boyega, Oscar Issac and Adam Driver) all do excellent work, even when their roles are not developed as well as we might have hoped – yes Finn, I’m looking at you. Personally, I’d like to have seen more emphasis on Boyega, who the camera loves, than on time spent with the introduction of a pointless droid or even (sorry, Bill Dee Williams), the largely irrelevant Lando Calrissian.
The film deals pretty sensitively with the death of Carrie Fisher and just about manages to give Princess Leia/General Organa a useful role and an emotional send-off. No mean feat, under the sad circumstances.
And, as mentioned previously, there are (many) nods to fans of all three trilogies (and event offshoots like Star Wars: Rebels), familiar faces and voices and callbacks, visually and thematically, that this mostly works as a wrap-up of the saga with a big bow on it. And of course, much of this may play well on repeated viewings, but it might have been a stronger film had it concentrated on finding its own identity instead. In fact, I’m not sure I could see the film working for newcomers to the saga, and those resistant to the charms of George Lucas’ creation will find nothing to persuade.
Now all this sounds as if I didn’t have a good time. I did, and will almost certainly enjoy revisiting The Rise of Skywalker. As a fan, I can say it certainly leaves the characters where I might have expected them to end up. And, as with all Abrams films, it moves like a bullet and looks beautiful. There’s also a rather nice coda which plays against the expectations of a vocal area of fandom with a central character, and leaves us with a touching return to the saga’s beginning.
Perhaps the film simply had too much baggage to be the conclusion of over forty years of filmmaking, or perhaps my own baggage won’t allow me to enjoy it for what it is.
Right now, however, I’m satisfied but lacking that triumphant, gleeful feeling something with less reliance on its own past might have left me with.
If I tell you that the first episode of The Mandalorian – the new high profile, live action Star Wars series helping to launch the Disney + channel – is simple, I trust you’ll understand that I’m complimenting it.
Set five years after the fall of the Empire, as seen in Return of the Jedi, the extremely straightforward storyline of this premiere episode follows the adventures of a Mandalorian bounty hunter (played by Pedro Pascal, though so far he remains firmly under the helmet) hired to round up or exterminate a mark. And for the first 38 minutes, that’s pretty much it.
Carl Weathers crops up, as does (in a much-ballyhooed, sublime piece of casting) existential German film director, Werner Herzog, who appears to be having a blast in his role, plus we meet (sort of) Nick Nolte and Taika Waititi (director of Thor: Ragnarok and Jojo Rabbit). It’s a heckuva cast for what amounts to a little spaghetti western in space.
What you really want to know is: does it feel like Star Wars? Yes, it does, and it feels like exactly what I had hoped for, Star Wars without the Skywalkers, or Jedi, or the Force (at least so far), and what a lot of fun it is. The Mandalorian comes across as if show creator Jon Favreau and pilot director Dave Filoni are just kicking back and enjoying themselves in the Star Wars universe. They even manage to throw in a deep-cut gag taken from the infamously reviled Star Wars Holiday Special TV show from 1978.
The Mandalorian looks and sounds totally Star Wars too, with some really top notch VFX and creature FX (many of which, I’m overjoyed to say, are practical). Whoever thought we’d live to see a weekly Star Wars TV series with movie level special effects? Not this kid who saw the original movie more than twenty times at the cinema in 1977 and 1978, that’s for sure.
There’s no great human drama, so far, but we get a lot of world-building in just over half an hour (with no necessary Star Wars knowledge needed, but plenty of nods to fans), events are set neatly in place and some intriguing threads are left dangling. We’re offered just enough of what might make the title character of interest (he’s a bounty hunter with a heart of gold), but the main point here is to make us want to come back for more. And if the showrunners can ensure this level of pure enjoyment for the next seven episodes then that won’t be a problem.
Simply put, The Mandalorian is uncomplicated fun.
Tony Gilroy, co-writer of Rogue One: A Star Wars Story, has jumped aboard the Disney Plus series based on that film’s central character, Cassian Andor.
Variety just dropped an exclusive report, stating that Gilroy would write and direct several episodes for the forthcoming, as yet untitled, live action show for Disney’s streaming channel.
The series will star Diego Luna, reprising his role from Rogue One, and follows Rebel agent Andor in adventures set before the events of that film, in the early days of the Rebellion against the Empire. Alan Tudyk will also return as K-2SO, Andor’s droll droid sidekick.
Gilroy was originally an uncredited writer on Rogue One, and came onto the production to handle extensive reshoots on the film, earning a screenwriting credit in the process. After the reshoots, he is also said to have worked closely with director Gareth Edwards to supervise the editing of the film.
No air date has been set for the show, but previous reports suggest it will launch in 2021. Disney Plus launches in the US and other markets (but not here in Norway, curse you Disney) on November 12th.
Variety are reporting that Marvel are close to signing Hailee Steinfeld to play Kate Bishop, in their new Disney Plus limited series, Hawkeye.
Jeremy Renner will move across from the movies to play Hawkeye, and Steinfeld will play Kate Bishop, a character who took on the mantle of the Hawkeye name, while Clint Barton was off doing dark deeds as Ronin (as seen in Avengers: Endgame).
We’re big fans of Steinfeld, here at Out Of Dave’s Head Towers, from her breakthrough role in the Cohen Brothers’ 2010 remake of True Grit, through to her superb turns in films including The Edge of Seventeen and the Transformers film it’s okay to like, Bumblebee.
Since these series on Disney Plus will be more directly linked to the Marvel Cinematic Universe (unlike the ABC and Netflix shows, which drifted further away from the MCU over time), it will be intriguing to see whether Steinfeld as Bishop will eventually cross over into future films.
Hawkeye will string his bow on Disney Plus in autumn 2021.
Okay, moving swiftly over that lackluster poster released at the D23 expo this weekend, let’s cheer instead for the minute or so of new footage revealed in this “special look” at Star Wars: The Rise of Skywalker…
..well, it certainly looks lovely, but there are a lot of folks out in internet-land worried that J J Abrams will not bring this nine film saga to anything remotely resembling a satisfying end. Of course it’s internet-land and that’s what internet-land folks do, but still, there’s some substance in those worries.
Love it or hate it, Rian Johnson took some intriguing chances with The Last Jedi (chances I mostly loved, by the way) and many feel that Abrams is more likely to play things safe, as he did with The Force Awakens.
We’ll all find out soon enough, as this final film in the Skywalker saga is due to hit our screens in December. Are you excited, scared or just plain bored? Sound off in the usual places for comments.
There’s been a lot of news coming from Disney’s D23 expo this weekend, so let’s catch up on the fact that Game Of Thrones’ Kit Harington, better known as Jon Snow, is joining the Marvel Cinematic Universe.
Harington will join his Game Of Thrones buddy, Richard Madden, in Chloé Zhao’s The Eternals, to play a character called Dane Whitman. This is intriguing for a whole bunch of reasons we’ll unpack here.
Dane Whitman, as all good comic book readers know, is the alter ego of the Black Knight, a character who wields a mystic ebony sword (with a blood curse) and a long-time member of The Avengers.
In more recent years, the Black Knight’s story was closely connected to Marvel’s UK superhero, Captain Britain, a character that the geek rumor mill has been in overdrive about for the past couple of years, suggesting that Marvel are gearing up to bring him to their Cinematic Universe.
While Whitman and the Black Knight have been connected to The Eternals in the comics (via a romantic entanglement between Whitman and Eternal, Sersi), you might begin to question why they’re being brought together for the movies, it seems unlikely someone with Harington’s star power would be brought in for a one-off cameo, and…
Well, that’s a lot of conjecture and putting two and two together to make five, but hey, what else can we do with so little solid information coming from Marvel at this early stage!?
Will this be a full-on introduction for the Black Knight? Will that lead to a Black Knight movie or series (Harington would fit in nicely with the other Disney Plus Marvel shows)? Will that open up a doorway to introduce Captain Britain? Will the UK cease to exist after Brexit?
Feel free to add your tuppence ha’penny worth’s of opinions in the comments below.
Meanwhile, the Game Of Thrones alumni will join Angelina Jolie, Kumail Nanjiani, Lauren Ridloff, Brian Tyree Henry, Salma Hayek, Lia McHugh, and Don Lee.
The Eternals will hit your local cinema next November.
The trailer for Jon Favreau’s new live-action Star Wars TV series, The Mandalorian, has arrived, and it looks amazing:
So much to unpack from this: bounty hunting in the Star Wars universe, movie quality special effects, a wonderfully gritty look and, yes, Werner Herzog. This thing looks crazy and crazy good. Even if you’ve found your enthusiasm for all things Star Wars waning in recent years, you have to admit there’s a weirdness to this that Lucas’s (and Disney’s) universe has been calling out for.
Creator, writer, and director Jon Favreau (that’s Happy Hogan to YOU, sir and Madam) has promised The Mandalorian will dig into the “darker, freakier” side of Star Wars and it doesn’t look like he was kidding.
Set after the fall of the Empire (in Return of the Jedi) and before the rise of the First Order (in The Force Awakens), the series stars Pedro Pascal (in the title role), Gina Carano, Nick Nolte (really!), Giancarlo Esposito, Emily Swallow, Carl Weathers, and Omid Abtahi. Yes, and Werner Herzog appears.
Disney have a lot of faith in this show, so much that they’ve already announced Season Two will begin shooting this autumn.
As noted in many other pieces here, because this autumn Disney will take over our viewing habits entirely, the new Disney Plus streaming service launches on November 12.
New streaming service Disney Plus is developing a series based on Kamala Khan, AKA Ms. Marvel, Marvel Comics’ first Muslim super-hero, according to an exclusive report by The Hollywood Reporter.
Created by editors Sana Amanat and Stephen Wacker, writer G. Willow Wilson, and artists Adrian Alphona and Jamie McKelvie, Khan was Marvel’s first Muslim character to headline her own comic book, launched by the publisher in 2014.
In her comic book iteration, the current Ms. Marvel, Kamala Khan, is a teenage Pakistani-American from New Jersey with shapeshifting abilities who discovers that she has Inhuman genes, activated by a cloud of Terrigen mist, and assumes the mantle of Ms. Marvel from her idol Carol Danvers after Danvers becomes Captain Marvel. The series not only explores Khan’s conflicts with supervillains but also explores conflicts with Khan’s home and religious duties.
Marvel’s announcement that a Muslim character would headline a comic book was met with widespread reaction and the first volume of Ms. Marvel won the Hugo Award for best graphic story in 2015.
I’ve read the various volumes of Ms. Marvel as they’ve been released, and found them to be fresh, inventive, insightful and fun. While I may not be the comic’s target audience, I’ve come to fully appreciate what Marvel have done with the character.
According to THR, Marvel is developing a live-action series for the new streaming service, due to launch in November 2019, and they’ve hired British writer Bisha K. Ali to write and act as showrunner. Ali is a comedian, who was in the writer’s room for new Netflix comedy drama, Sex Education and is currently a staff writer on Hulu’s remake of Four Weddings and a Funeral.
The live-action Marvel shows already in development are The Falcon and the Winter Soldier, to debut in late 2020; WandaVision, to debut in spring 2021; Loki, also for early 2021; and Hawkeye, for late 2021.
Ms. Marvel has no production or transmission dates announced as yet, but be sure to stick with Out Of Dave’s Head for more information on this exciting news as we get it.