The trailer for WandaVision, the first Marvel Cinematic Universe series to hit Disney Plus dropped last night, and it looks like things are about to get mighty strange…
Not much is known about the plot for WandaVision, but it does apparently take place in the Marvel Cinematic Universe after the events of Avengers: Endgame, which saw The Vision meet his synthetic maker (that can’t possibly be a spoiler for anyone now, right!?). That in itself makes this show intriguing, to say the least.
Elizabeth Olsen and Paul Bettany reprise their roles from the Marvel movies, joined by Teyonah Parris, Kat Dennings, Randall Park, and Kathryn Hahn, while the six episodes have been written by Jac Schaeffer and directed by Matt Shakman.
No date was given for the release of the series, just a generic ‘Coming Soon,’ though since the series was originally supposed to drop in December, following Falcon And the Winter Soldier (which has been delayed in production due to that all-encompassing Covid-19), it now looks like WandaVision will kick off the Disney Plus Marvel bandwagon.
We’ll just have to wait and see when exactly this slice of Marvel weirdness will arrive on our screens, but this trailer certainly has me looking forward to it…
I have to be honest, I’m a little obsessed with Tatiana Maslany. It’s her teeth. They are, and I’ll brook no argument on this, the sexiest teeth on television.
That aside, the fact that Marvel have landed Maslany for the title role in their new She-Hulk series for Disney Plus is excellent news, because her performances in BBC America show, Orphan Black, were fabulous. Maslany was nominated for three Emmys and a Golden Globe during the show’s run between 2013 and 2017, winning the Emmy for best actress in a drama series in 2016.
She-Hulk, to those who are behind on their Marvel Comics’ lore, is the alter-ego of lawyer Jennifer Walters, Bruce Banner’s cousin who, at least in her four-colour origin, is tranformed into an intelligent, green-skinned giant after a life-saving blood transfusion from her (in)famous relative. Mark Ruffalo has coyly intimated he may even reprise his role as Banner for a cameo on the show.
She-Hulk’s debut on the screen is shaping up nicely, as Maslany’s casting joins the announcement from earlier this week that Kat Coiro had been signed as director and executive producer. She will direct the pilot and additional episodes of the series. Jessica Gao is writing the series and serves as executive producer and showrunner.
Coiro has directed shows including It’s Always Sunny in Philadelphia and Dead To Me, while Gao has Rick and Morty on her resume, which suggest She-Hulk might follow the frequently semi-comedic tone taken by the best of the character’s comic book appearances (star artist/writer John Byrne produced a memorable run in the 80s, with Shulkie, as she’s affectionately known, frequently breaking the fourth wall to address readers).
She-Hulk, with a currently unknown release date, will join other Marvel Cinematic Universe shows on Disney Plus, including Falcon and The Winter Soldier, WandaVision and Loki, with Hawkeye, Moon Knight and Ms. Marvel also in development.
We’ll bring you more news as it hits.
Tatiana Maslany photo: Jordan Strauss/Invision/AP
Start your engines! The Batman director Matt Reeves has just revealed his version of the Batmobile. And, well, here it is…
There’s not much more to say at this point, except that it looks nicely slimmed down from recent chunky cinematic Batmobiles, and to this old Bat Fan’s eyes, it has something of the feel of both the 1970s comic book sports car versions designed by the likes of Bob Brown, Irv Novick and Dick Giordano and the sleek number designed by the late, great artist Norm Breyfogle, for his excellent run in the 1980s. And that’s a good thing.
Meanwhile, The Batman stars Robert Pattinson as Bruce Wayne/Batman. The cast also includes Zoe Kravtiz as Catwoman, Paul Dano as Riddler, Colin Farrell as the Penguin, John Turturro as crime boss Carmine Falcone, Jeffrey Wright as Commissioner Gordon, Andy Serkis as Alfred and Peter Sarsgaard as Gotham City DA Gil Colson.
The film will be released June 25th, 2021.
Last month, it was revealed that Billie Eilish would be the youngest-ever person to record a theme song for a James Bond movie, No Time To Die, the 25th in the franchise. And now, seemingly faster than a bullet fired from a Walther PPK, here it is…
“We’ve always wanted to write a James Bond theme song,” Eilish’s brother and co-writer, Finneas told the Billboard Pop Shop Podcast after news of the song was announced. “And you know, it’s a legendary franchise, so we had to convince a lot of people that we were the right choice. And then we had to write a song that everybody liked. So it was a hard-won process.”
Will this hit the target with Bond fans and join classics such as Goldfinger, by Shirley Bassey, or Thunderball, by Tom Jones, and highly regarded modern efforts by the likes of Chris Cornell (You Know My Name, from Casino Royale) or Adele (Skyfall, from, uh… Skyfall) or will it be relegated to the exploding volcano bases of history alongside Alicia Keys & Jack White’s Another Way To Die (from Quantum of Solace) or Sam Smith’s beyond dreary Writing’s On The Wall (from SPECTRE)…!?
I guess you’ll know your answer to that by now. As for me, I love it.
No Time To Die (the movie) is released in April (date according to country).
Director of Warner Bros.’ forthcoming reboot of The Batman, Matt Reeves has revealed the first look at incoming Bruce Wayne, Robert Pattinson, in costume as the Dark Knight…
The short, atmospheric video is part of a camera test for the film, so this may not be the final costume, but there’s no doubt that Pattinson looks good in the cape and cowl.
The cast for The Batman also includes Zoe Kravitz as Catwoman, Paul Dano as Riddler, Colin Farrell as the Penguin, John Turturro as crime boss Carmine Falcone, Jeffrey Wright as Commissioner Gordon, Andy Serkis as Alfred, and Peter Sarsgaard in an as-yet unrevealed role.
The Batman hits our screens on June 25, 2021.
UPDATE: Apparently that IS the Bat Suit and also the music is from Michael Giacchino, who’s scoring the film. That makes this clip a whole lot more intriguing.
Those of you who unsubscribed to Disney + at the end of The Mandalorian: get ready to re-subscribe:
There are your Super Bowl teasers for forthcoming Marvel TV shows: WandaVision, Loki, and Falcon And The Winter Soldier. Well, Disney +, you have my attention.
All featuring the actors from the Marvel Cinematic Universe (Elizabeth Olsen and Paul Bettany, Tom Hiddleston, and Anthony Mackie & Sebastian Stan), joined by the likes of Kat Denning and Owen Wilson, these look set to be intriguing expansions of the first ten years of Marvel, ready to lead us into the next phase.
The first show up will be Falcon And The Winter Soldier (autumn 2020), which looks like it will deal head on with the space left by Steve Rogers (oh, the whole world has seen Avengers: Endgame by now, right!?).
WandaVision (following soon after) looks especially bizarre, seemingly taking visual cues from the likes of I Love Lucy and Roseanne. It’s great to see these shows might take some creative risks.
And I feel sure Mr Hiddleston will bring a fan or two into the Disney streaming service with Loki, in 2021. Also expect this show to tie-in heavily with cinema sequel, Doctor Strange and the Multiverse of Madness, sadly without director, Scott Derrickson, who recently departed the production due to those pesky “creative differences.”.
Now, where’s that TV remote? I have some planning to do…
Horror-meister Dario Argento will return to directing later this year, reteaming with his daughter, Asia, for a new Giallo.
First revealed last August by Alan Jones at FrightFest in London, official reports now confirm that Dario Argento will direct Occhiali Neri (Black Glasses), with shooting to take place this spring in Italy.
The film will star his daughter, actor/director (The Heart is Deceitful Above All Things) Asia Argento, as he confirmed on the Criminology Festival website:
“Yes, I will shoot it in the spring. There are many outdoor scenes, surrounded by nature, in winter it is too cold to shoot,” he said. “As announced there will also be Asia. Our paths have crossed many times.”
The pair have previously worked together on films including Trauma, The Stendhal Syndrome and the final film of the Three Mothers trilogy, The Mother of Tears.
Whatever has occurred in the twists and turns taken to bring Fox’s The New Mutants to the screen remains somewhat of a mystery, but we finally have a new trailer and a new (new) release date.
Though I’m generally not a huge fan of Marvel’s mutant teams, I’ve always had a soft spot for The New Mutants, encouraged mainly by the Chris Claremont/Bill Sienkiewicz ‘Demon Bear‘ storyline that elevated a bunch of second string characters into a must read comic book!
I also rather liked the first trailer for Josh Boone’s The New Mutants film for Fox, released two years ago, followed by… well, officially, nothing.
Behind the scenes, however, everything seemed to be going on, from the Fox/Disney merger (would Disney want to see Marvel characters in a straightforward horror movie, albeit released under the Fox banner?), to delayed release dates, rumoured reshoots involving X-Men writer/producer Simon Kinsberg and further rumours that the film would be shelved as it now longer fitted in with the Mouse House’s overall plans for Marvel.
But just recently, director Boone tweeted that a new trailer would be released and a final release date set, and here we are.
I’m more than intrigued by this, the cast is full of great young actors (honestly, I’d watch Anya Taylor-Joy in anything, and I’m dying to see her take on Illyana Rasputin / Magik, but Maisie Williams, Maisie Williams, Henry Zaga, Blu Hunt, and Charlie Heaton are all of great interest too), and the thought of a superhero/horror mash-up ticks all of my boxes.
The New Mutants is released (finally) on April 3rd. Here’s hoping I won’t regret spending so much time writing about it.
Star Wars: The Rise of Skywalker comes with so much baggage it actually feels difficult to write a full review after my initial viewing.
I came out with some hugely conflicting feelings, so rather than a fully considered review, this might best be considered a collection of immediate, post-screening thoughts.
The film, of course, is the conclusion not only to this most-recent Disney backed trilogy (comprising The Force Awakens and The Last Jedi), but it also concludes the entire Skywalker saga (preceded by the films in the Prequel and Original trilogies).
Many fans will, I suspect, find The Rise of Skywalker to be a hugely satisfying ending to the nine film cycle, as returning director J.J. Abrams and his team play far safer than The Last Jedi’s controversial Rian Johnson and pack the film to the rafters with many fan-pleasing elements. Perhaps too many.
And this seems to have been done to the detriment of a cohesive movie, as Rise lacks a certain elegance in narrative to play very episodically, with MacGuffins galore leading our heroes from one set piece to the next.
While Johnson seemed determined to use his film to kill off certain elements of past Star Wars films to suggest a new future path, Abrams and co have apparently paid careful attention to the howls of outrage over this approach from the hordes of man babies and over-entitled toxic fans and dialed back on this by making a film about resurrecting the dead. And boy, do the dead rise up in this film. Literally and figuratively.
There are tantalising glimpses of a thematic element, present in all three films of the Disney trilogy, of the Rebellion against the evil Empire spreading out beyond the usual resistance fighters and causing “the people” to find the will to rise up against their oppressors, but it’s almost too casually thrown away here, and not developed strongly enough to add depth to the narrative. A definite missed opportunity which could have given these films a far greater resonance.
It’s also difficult to see that these films were created with a firm road map, rather each feels like a reaction to the previous film, and so this might just be the least satisfying trilogy, thematically and in terms of overall arcs.
The trilogy leads (Daisy Ridley, John Boyega, Oscar Issac and Adam Driver) all do excellent work, even when their roles are not developed as well as we might have hoped – yes Finn, I’m looking at you. Personally, I’d like to have seen more emphasis on Boyega, who the camera loves, than on time spent with the introduction of a pointless droid or even (sorry, Bill Dee Williams), the largely irrelevant Lando Calrissian.
The film deals pretty sensitively with the death of Carrie Fisher and just about manages to give Princess Leia/General Organa a useful role and an emotional send-off. No mean feat, under the sad circumstances.
And, as mentioned previously, there are (many) nods to fans of all three trilogies (and event offshoots like Star Wars: Rebels), familiar faces and voices and callbacks, visually and thematically, that this mostly works as a wrap-up of the saga with a big bow on it. And of course, much of this may play well on repeated viewings, but it might have been a stronger film had it concentrated on finding its own identity instead. In fact, I’m not sure I could see the film working for newcomers to the saga, and those resistant to the charms of George Lucas’ creation will find nothing to persuade.
Now all this sounds as if I didn’t have a good time. I did, and will almost certainly enjoy revisiting The Rise of Skywalker. As a fan, I can say it certainly leaves the characters where I might have expected them to end up. And, as with all Abrams films, it moves like a bullet and looks beautiful. There’s also a rather nice coda which plays against the expectations of a vocal area of fandom with a central character, and leaves us with a touching return to the saga’s beginning.
Perhaps the film simply had too much baggage to be the conclusion of over forty years of filmmaking, or perhaps my own baggage won’t allow me to enjoy it for what it is.
Right now, however, I’m satisfied but lacking that triumphant, gleeful feeling something with less reliance on its own past might have left me with.
Hey, anyone interested in seeing the trailer for the new James Bond film, No Time To Die?
There’s a lot riding on this, as not only is it Daniel Craig’s fifth and final outing as 007 (like, 99.99999999% probably), but after the critical drubbing handed out to the previous film, Spectre, fans are hoping that Craig will bow out on a high note for the long-running series.
Director Cary Fukunaga, infamously replacing Trainspotting’s Danny Boyle – who bowed out after disagreeing with producers on the direction of the script – also has a lot on his plate with this. He’s had a pretty acclaimed run as director up to this point (True Detective season one, Beasts Of No Nation, etc), so he’ll be hoping this won’t be The Spy Who Killed Him.
It’s an interesting one even further behind the scenes too, as it will be the first Bond film distributed internationally by Universal Pictures, following the expiration of Columbia Pictures’ contract after Spectre. I’m sure the studio will be crossing their fingers for a successful debut.
So, y’know, no pressure on this being a Bond barnstormer. That being said, this trailer seriously kicks all the ass; it looks beautiful, the action (of course) looks amazing and there’s even the strong suggestion of a great storyline.
No Time To Die also stars Ralph Fiennes, Naomie Harris, Ben Whishaw, Rory Kinnear, Jeffrey Wright and Léa Seydoux reprising their roles from previous films, along with newcomers Rami Malek, Ana de Armas, Lashana Lynch, David Dencik, Dali Benssalah and Billy Magnussen. And yes, as revealed here, Christoph Waltz is returning as Blofeld.
The film is currently scheduled for theatrical release on 2 April 2020 in the United Kingdom and on 8 April in the United States.