Riddle Me This… Paul Dano To Play Which Bat-Villain?

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The answer, of course, is that Warner Bros have just announced Paul Dano will play The Riddler, in Matt Reeves’ The Batman.

We couldn’t be happier about this at Out of Dave’s Head towers, as Dano is a superb actor and a smart choice.

In a departure from the comic books, Dano’s character will be named Edward Nashton, as opposed to the rather too on-the-nose Edward Nigma, and will be part of a Rogues’ Gallery of villains squaring off against the Caped Crusader, joining (so far) Zoe Kravitz as Catwoman (see here for more).

Jonah Hill was in talks for the film, reportedly to play either The Riddler or The Penguin, but it seems negotiations broke down, swiftly followed by Dano’s announcement.

Created by Bill Finger and Dick Sprang in Detective Comics 140, published in 1948, the Riddler has previously appeared onscreen portrayed by Frank Gorshin and John Astin (in the 1960s Batman film and TV series) and Jim Carrey (in the 1995 film, Batman Forever).

Dano’s credits include Love and MercyPrisoners12 Years a SlaveThere Will Be BloodYouth and Okja, and he was recently nominated for an Emmy for his role in Escape at Dannemora.

Dano and Kravitz join Jeffrey Wright as Comissioner Gordon and Robert Pattinson as Batman. Warner Bros will release The Batman on June 25, 2021.

Photo: Paul Archuleta/WireImage

Meow! Zoe Kravitz Is Your New Catwoman!

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Big Little Lies star Zoe Kravitz has been confirmed as Catwoman for new movie, The Batman.

The actor reportedly pipped the likes of Zazie Beetz, Eiza Gonzalez and Oscar winner Alicia Vikander for the role of Bruce Wayne/Batman’s nemesis/love interest in Matt Reeves’ soon-to-begin filming new take on the Caped Crusader, starring Robert Pattinson in the title role.

Pattinson was chosen by Reeves and Warner Bros when previous Batman, Ben Affleck, departed the role after than the less-than-satisfactory Justice League.

Meanwhile, Kravitz’s credits include the Divergent series and Mad Max: Fury Road, and she will stalk the streets of Gotham alongside Jeffrey Wright as Commissioner Gordon and Jonah Hill, who is in talks for an unspecified villain role.

“It’s very much a point of view-driven, noir Batman tale,” Reeves said of his take, to the Hollywood Reporter earlier this year. “It’s told very squarely on his shoulders, and I hope it’s going to be a story that will be thrilling but also emotional. It’s more Batman in his detective mode than we’ve seen in the films. The comics have a history of that. He’s supposed to be the world’s greatest detective, and that’s not necessarily been a part of what the movies have been.

Pre-production on the Warner Bros./DC Comics pic is expected to start this summer. No official start date has been set, but industry rumours have suggested that filming could start late this year or early in 2020.

The Batman is scheduled to hit cinemas on June 25th, 2021.

Harley Quinn Dominates In Birds Of Prey Trailer

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Warner Bros/DC have just dropped the full trailer for Birds of Prey (And The Fantabulous Emancipation of One Harley Quinn), so here it is…

I mean, it at least looks pretty and cohesive, in a way that even the trailers for Suicide Squad weren’t, and that cast is certainly to die for: Margot Robbie, Mary Elizabeth Winstead, Jurnee Smollett-Bell, Chris Messina, Rosie Perez, Ella Jay Basco, and Ewan McGregor, but I can’t help but feel it all comes across as a little… flat.

Maybe I’m just in a mood, but I was hoping for something a little more off-kilter, a little more dangerous (though a Harley Quinn song and dance number would definitely be a step in the right direction)…

But okay, if Robbie is at the centre of this (and the trailer certainly suggests that,as her Harley Quinn character positively dominates the narrative) then I’m in for the ride, as I think she’s a seriously undervalued actor and might just have the star power to pull this off. And if nothing else, it looks like it will be Jared Leto-free…

Birds of Prey (And The Fantabulous Emancipation of One Harley Quinn) – and that might be the last time I’ll type out that mouthful, directed by Cathy Yan, hits our local screens on February 7th, 2020.

Send In The Joker – New Trailer

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Just ahead of its premiere at the Venice Film Festival, here’s the final trailer for Todd Phillips’ Joker, starring Joaquin Phoenix.

What to make of this? It looks pretty intense and Phoenix is clearly pulling out all the stops, but frankly Phillips’ track record (The Hangover movies… oy!) causes a little pause for breath and despite the clearly well-intentioned decision to basically makes this a riff of Scorsese’s King Of Comedy I’m concerned it all feels a little too familiar, that its narrative arc may be a path already too well-trodden.

Frankly, I hope I’m wrong, I hope this film absolutely knocks it out of the park and I’ll be first in line on opening day, but I can’t help think this might not be a joke funny enough to repeat.

Joker opens on October 4th.

Robert Pattinson Is Officially Your New Batman

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Warner Bros. have now officially announced that Robert Pattinson will star as the Caped Crusader in Matt Reeves’ forthcoming, The Batman.

Rumours flew out earlier this week that Pattinson and Nicholas Hoult were both duking it out in final negotiations as Reeves and Warner’s final choices, and now it looks like Pattinson punched that bit harder, as Deadline have revealed him as the victor.

Little is known about Reeves’ long-in-gestation movie, except that it will focus on the early days of Bruce Wayne as Batman, highlight more of the detective angle of the character (yay!) and that the central villains could be Penguin and Catwoman (again… boo!).

While many still think of Pattinson as “the Twilight guy,” the actor has steadily been turning out a number of critically-acclaimed roles in the past few years in films such as Good Time, Cosmopolis, High Life and The Lighthouse, and has also been cast in Christopher Nolan’s new movie, Tenet.

And director Reeves certainly did sterling work revitalising Fox’s revamp of the Planet of the Apes saga, so there’s much to be intrigued by here.

Shooting is rumoured to take place in the UK this autumn but no release date has been announced for The Batman, so I’ll be sure to light the Bat-Signal as soon as Warner Bros. give the word.


Photo by Paul Archuleta

Castle Rock – “This Place” Trailer Unnerves…

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The Stephen King screen renaissance seems set to continue (we’ll conveniently ignore The Dark Tower) with a new series, coming from Hulu this summer.

The network has the very welcome team of King and producer J.J. Abrams working on Castle Rock, from Warner Bros. TV and Abrams’ Bad Robot, and here’s the latest trailer to unnerve you…

The official synopsis for the show reads:

“A psychological-horror series set in the Stephen King multiverse, Castle Rock combines the mythological scale and intimate character storytelling of King’s best-loved works, weaving an epic saga of darkness and light, played out on a few square miles of Maine woodland. The fictional Maine town of Castle Rock has figured prominently in King’s literary career: CujoThe Dark HalfIT, and Needful Things, as well as novella “The Body” and numerous short stories such as “Rita Hayworth and the Shawshank Redemption” are either set there or contain references to Castle Rock. Castle Rock is an original suspense/thriller — a first-of-its-kind reimagining that explores the themes and worlds uniting the entire King canon, while brushing up against some of his most iconic and beloved stories.”

If that sets your pulse racing as much as it does mine then we can all settle down together on the sofa when the show drops on July 25th. I just recently revisited the 1994 TV mini-series of The Stand, and despite having a screenplay from King himself that sorry production left me seriously jonesing for a genuinely great small screen take on the novelist’s work (short take: King & co pretty much ballsed-up one of his greatest works).

Will Castle Rock float with Andy Muschietti’s It, or will it linger with the undead stench of Nikolaj Arcel’s The Dark Tower? We’ll know soon enough…

Will Wonder Woman Save DC Movies…?

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It’s no secret that here at Out of Dave’s Head Towers, the DC movies are considered to be something of a mess (and that’s being kinder than they perhaps deserve). Man of Steel has its qualities, Batman Vs Superman was an overstuffed mess and the less said about Suicide Squad the better for my use of expletives.

Dc and Warner Bros, clearly inspired by the success of the Marvel Cinematic Universe dived into their first productions with zeal but no understanding of what made the Marvel movie franchises work so well. Instead of careful planning, the DC movies exhibit painfully obvious signs of throwing in everything but the kitchen sink in the hope of universe building, but do so with no vision of what makes their characters so special or indeed how an interconnected universe of movies should develop.

So it’s no small thing to say that I’m hoping against hope this rudderless ship of a brand can be saved by two women… director Patty Jenkins and DC’s Amazonian, Wonder Woman.

Everything about this film is shaping up nicely (though of course, the same could be said of the previous efforts) from the cast and crew to the look of the film. The Wonder Woman trailers (and Jenkins’ track record) have promised something far more cohesive and this latest from Warner Bros and DC is no exception.

Wonder Woman is a character who has never yet been handled right in her relatively few onscreen appearances (sorry, Lynda, I love you and your crazy 1970s TV show with its spangle and kookiness, but y’know…) and she deserves to be given the best treatment out of the starting gate.

Here’s hoping she can use her lassoo of truth to steer this ship into better waters.

Wonder Woman, starring Gal Gadot and Chris Pine, opens on June 2nd.

All these moments – the Blade Runner 2049 Teaser

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Okay, we all know certain movies should never be touched – Citizen Kane, 8 1/2, Apocalypse Now, Brazil… none of these movies need remakes or sequels and neither, seemingly, did Ridley Scott’s Blade Runner.

But things just keep getting more and more interesting with Blade Runner 2049, from the casting (Ryan Gosling and Harrison Ford, oh my), the screenplay (Michael Green and from the original, Hampton Fancher), Scott’s involvement as Executive Producer (not necessarily a sign of quality, but still…) to Denis Villeneuve as director (if you haven’t seen Prisoners, Enemy, Sicario or Arrival then you’ve really been missing out on exquisite modern cinema).

And now, this… billed by Warner Bros. as an ‘Announcement’, it’s certainly an announcement of intent that this might not be the awful, pointless extension many (including myself) feared.

Frankly, this teaser looks absolutely beautiful and intrigues the good, goddamned hell out of me.

October 6th 2017 can’t get here soon enough…

Suicide Squad – the two hour trailer.

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So let’s just get this out of the way: Suicide Squad is a complete and utter mess, it’s one of the most incoherently put together mainstream Hollywood movies I’ve ever seen, to the point where it feels like a two hour long trailer.

The plot is simple: Superman is dead (at least until the last ten minutes of next year’s first Justice League movie) and U.S. government official Amanda Waller comes up with a plan to put together a team of super powered bad guys in order to combat other super powered bad guys. One of the team, The Enchantress, a witch with a bad complexion but great dance moves (of which, more later) goes rogue, throws a lot of big, glowing CGI around and threatens to take over the world. Fighting ensues.

The real life plot of Suicide Squad goes (allegedly) like this: Warner Bros/DC hire screenwriter/director David Ayer (Training Day/Fury) to make what they touted as one of their “filmmaker driven” projects. During production of Suicide Squad, Zack Snyder’s Batman Vs Superman: Dawn of Justice is released to okay-ish box office but – and here lies what I suspect is the nub of this film’s (many) problems – a quite horrendous critical backlash.

Snyder’s film was labelled too dark, too grim, just too damn serious! According to industry scuttlebutt reshoots are ordered for Suicide Squad but, say the producers, these were always scheduled and weren’t done as a result of the drubbing meted out to BvS. Then things get stickier with the rumours that the film was given over to the guys who had cut Suicide Squad’s well received trailer with the remit to lighten it up, put in more jokes, make it more like… well, a Marvel film. Further, it seems that two cuts of the film existed – Ayer’s darker version and the trailer guys’ lighter version – and the decision was made to merge them.

What amount of this is true? Does it matter anyway? The short answer of course, is that none of the above would be of any interest if Suicide Squad had turned out well. But, dear reader, Suicide Squad has not turned out well.

The film seems to have been edited with a pair of blunt scissors by someone wearing thick rubber gloves and a blindfold. Cara Delevingne’s badder bad guy The Enchantress stands around doing interpretive dance moves to create… I still don’t know, a magic something or other… for almost an hour of the movie. Really, her character stands in one spot and (literally and figuratively) doesn’t go anywhere. Characters are introduced multiple times – the squad are introduced solidly three times in three concurrent scenes – each character is even given text-filled info screens and then we’re still treated to more introductory sequences!

After being introduced three times to Will Smith’s sharpshooter, Deadshot, we’re then given a scene, where Smith is handed a whole bunch of guns to fire at targets, that exists only to show us that… um, Deadshot is a sharpshooter. Just in case you didn’t get that before. Or before. Or before that.

In case all of this isn’t enough to hammer your poor eyes and brain into submission as to who you’re watching, each character gets a needle drop so painfully obvious it’s a wonder they don’t flash the lyrics onscreen just to really underline things. Incidentally, there should be an immediate ban on any filmmaker using The Rolling Stones’ Sympathy for the Devil to underscore how bad a character is, punishable by exile to making wedding videos for the rest of their life.

Whole sequences are muddily constructed (wait… the Enchantress did what to her human alter ego in order to escape her earthly shell!? Who shot down that helicopter!?). One scene has Margot Robbie’s Harley Quinn wave goodbye to the rest of her team as she heads up into a building in a glass elevator, get into a fight with some monsters between floors and then enjoy a supposed comedy beat as the elevator doors open high up in the building to reveal the team she’d left behind on the ground floor pointing guns at her. But there’s no explanation for how they got there before her – it’s not even laughed off as a joke, it’s just left hanging in a kind of awkward “Huh? What?” moment. This is a first day at film school level mistake, it’s unforgivable in a multi-million dollar movie.

Whatever went on in the background of the making of this film we may never know, but you should be under no misapprehension that this film has somehow completely lost its way in post-production. The astonishing thing is that no one at DC or Warner Bros was able to see what a mess had been created and that the film was allowed to go into release in this sorry state.

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What makes all this so frustrating is that somewhere in this mess is a good film. It’s really enjoyable that so much weird shit is just thrown headlong into the film without anyone batting an eyelid… superhumans, witches, swords possessed by souls, mutated crocodile men! This is fun stuff and the film’s willingness to embrace it all almost gives it a strong worldview.

Also, whatever the producers paid Will Smith and Margot Robbie, it wasn’t enough. These two scorch their way across the screen with good, old fashioned star power and share great chemistry. Both actors were obviously having a blast with their parts and it shows. Really, I could have watched two hours of just these two and they almost (…almost) make the film worth the price of admission.

Viola Davis and Jai Courtney (as Amanda Waller and villain Captain Boomerang, respectively) do their best with the little they’re given, and Jay Hernandez (as fire summoner, El Diablo) impresses by bringing heart to an underwritten role. Joel Kinnerman (as Rick Flagg), unfortunately, feels miscast and Karen Fukuhara (as swordswoman, Katana) is a blank slate who drifts in and out of the film leaving no impression whatsoever.

In case you were wondering, Heath Ledger’s legacy remains completely undamaged by Jared Leto’s Joker, the character is horrible (and not in the way he should be) – blindingly obvious, grating, underwritten (again) and pretty redundant for much of the film. It’s such a gross misunderstanding of the character that I am now really hoping he doesn’t show up in Ben Affleck’s forthcoming Batman movie.

And despite all this I found myself enjoying parts of the film. But I’d no sooner find myself hitting a groove than some bizarre edit or incomprehensible plot point would just pull me out of the story all over again. It’s a shame. These actors are really working hard to give life to their characters and so much is undone by terrible committee meddling.

Warner Bros and DC really need to get their act together. This is a two for two strike out which shows a basic lack of faith in the core material and a lack of cohesive direction for their shared universe. Instead we’re left with an aimless mess that simply makes a lot of noise for two hours.

So, that was Suicide Squad the trailer. Now when do we get the movie…?

* With thanks to Ante Lundberg for the review title.

Christopher Nolan’s Dunkirk – teaser trailer

Whether you love his work or hate it (and he does seem to raise a significant amount of ire with certain sections of film lovers), Christopher Nolan is one of the few modern directors with enough clout to ensure that the release of a new film is very much an event. So the release of the teaser trailer for his forthcoming film, Dunkirk, is definitely a cause for some people (the ones who don’t hate his work) to get excited.

And if the thought of Nolan taking on one of the most harrowing events of World War 2 doesn’t raise your enthusiasm for this (a last-ditch effort to evacuate 300,000 Allied troops who were surrounded by German forces), then perhaps the thought of seeing One Direction’s Harry Styles in a proper, grown up movie will have you rushing to the box office in a frantic sweat to buy a ticket. Those of us above the age of fourteen will just have to settle for the involvement of Tom Hardy, Cillian Murphy, Mark Rylance and Kenneth Branagh.

Nolan and his director of photography on Interstellar, Hoyte van Hoytema, shot Dunkirk using 65 mm and IMAX film cameras, so this is sure to look astonishing. I can only hope that Nolan decides not to infuriate large portions of the cinema audience again with another wilfully muddy dialogue mix (as per Interstellar) so we can actually hear what characters are saying. Which is always nice, of course.

Dunkirk is set to be released on July 19, 2017.

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