Deadline just dropped the news that Marvel have found their Kamala Khan, AKA Ms. Marvel. Newcomer Iman Vellani will play the character in a new series for Disney Plus.
Created by editors Sana Amanat and Stephen Wacker, writer G. Willow Wilson, and artists Adrian Alphona and Jamie McKelvie, Khan is Marvel’s first Muslim character to headline her own comic book.
The new series for the streaming channel will be written by Bisha K. Ali and centers on Khan, a Pakistani-American teen based in New Jersey. It will mark Vellani’s first big role in the film and television industry.
The news follows on swiftly from the recent announcement that Tatiana Maslany has been cast in the title role of a She-Hulk series, and this week’s announcement that the studio is developing a Nick Fury series, to star Samuel L. Jackson.
We’ll bring you more word on Ms. Marvel as the show moves into production, but this is exciting news for fans of the character.
The trailer for WandaVision, the first Marvel Cinematic Universe series to hit Disney Plus dropped last night, and it looks like things are about to get mighty strange…
Not much is known about the plot for WandaVision, but it does apparently take place in the Marvel Cinematic Universe after the events of Avengers: Endgame, which saw The Vision meet his synthetic maker (that can’t possibly be a spoiler for anyone now, right!?). That in itself makes this show intriguing, to say the least.
Elizabeth Olsen and Paul Bettany reprise their roles from the Marvel movies, joined by Teyonah Parris, Kat Dennings, Randall Park, and Kathryn Hahn, while the six episodes have been written by Jac Schaeffer and directed by Matt Shakman.
No date was given for the release of the series, just a generic ‘Coming Soon,’ though since the series was originally supposed to drop in December, following Falcon And the Winter Soldier (which has been delayed in production due to that all-encompassing Covid-19), it now looks like WandaVision will kick off the Disney Plus Marvel bandwagon.
We’ll just have to wait and see when exactly this slice of Marvel weirdness will arrive on our screens, but this trailer certainly has me looking forward to it…
Director of Warner Bros.’ forthcoming reboot of The Batman, Matt Reeves has revealed the first look at incoming Bruce Wayne, Robert Pattinson, in costume as the Dark Knight…
The short, atmospheric video is part of a camera test for the film, so this may not be the final costume, but there’s no doubt that Pattinson looks good in the cape and cowl.
The cast for The Batman also includes Zoe Kravitz as Catwoman, Paul Dano as Riddler, Colin Farrell as the Penguin, John Turturro as crime boss Carmine Falcone, Jeffrey Wright as Commissioner Gordon, Andy Serkis as Alfred, and Peter Sarsgaard in an as-yet unrevealed role.
The Batman hits our screens on June 25, 2021.
UPDATE: Apparently that IS the Bat Suit and also the music is from Michael Giacchino, who’s scoring the film. That makes this clip a whole lot more intriguing.
Those of you who unsubscribed to Disney + at the end of The Mandalorian: get ready to re-subscribe:
There are your Super Bowl teasers for forthcoming Marvel TV shows: WandaVision, Loki, and Falcon And The Winter Soldier. Well, Disney +, you have my attention.
All featuring the actors from the Marvel Cinematic Universe (Elizabeth Olsen and Paul Bettany, Tom Hiddleston, and Anthony Mackie & Sebastian Stan), joined by the likes of Kat Denning and Owen Wilson, these look set to be intriguing expansions of the first ten years of Marvel, ready to lead us into the next phase.
The first show up will be Falcon And The Winter Soldier (autumn 2020), which looks like it will deal head on with the space left by Steve Rogers (oh, the whole world has seen Avengers: Endgame by now, right!?).
WandaVision (following soon after) looks especially bizarre, seemingly taking visual cues from the likes of I Love Lucy and Roseanne. It’s great to see these shows might take some creative risks.
And I feel sure Mr Hiddleston will bring a fan or two into the Disney streaming service with Loki, in 2021. Also expect this show to tie-in heavily with cinema sequel, Doctor Strange and the Multiverse of Madness, sadly without director, Scott Derrickson, who recently departed the production due to those pesky “creative differences.”.
Now, where’s that TV remote? I have some planning to do…
Whatever has occurred in the twists and turns taken to bring Fox’s The New Mutants to the screen remains somewhat of a mystery, but we finally have a new trailer and a new (new) release date.
Though I’m generally not a huge fan of Marvel’s mutant teams, I’ve always had a soft spot for The New Mutants, encouraged mainly by the Chris Claremont/Bill Sienkiewicz ‘Demon Bear‘ storyline that elevated a bunch of second string characters into a must read comic book!
I also rather liked the first trailer for Josh Boone’s The New Mutants film for Fox, released two years ago, followed by… well, officially, nothing.
Behind the scenes, however, everything seemed to be going on, from the Fox/Disney merger (would Disney want to see Marvel characters in a straightforward horror movie, albeit released under the Fox banner?), to delayed release dates, rumoured reshoots involving X-Men writer/producer Simon Kinsberg and further rumours that the film would be shelved as it now longer fitted in with the Mouse House’s overall plans for Marvel.
But just recently, director Boone tweeted that a new trailer would be released and a final release date set, and here we are.
I’m more than intrigued by this, the cast is full of great young actors (honestly, I’d watch Anya Taylor-Joy in anything, and I’m dying to see her take on Illyana Rasputin / Magik, but Maisie Williams, Maisie Williams, Henry Zaga, Blu Hunt, and Charlie Heaton are all of great interest too), and the thought of a superhero/horror mash-up ticks all of my boxes.
The New Mutants is released (finally) on April 3rd. Here’s hoping I won’t regret spending so much time writing about it.
The answer, of course, is that Warner Bros have just announced Paul Dano will play The Riddler, in Matt Reeves’ The Batman.
We couldn’t be happier about this at Out of Dave’s Head towers, as Dano is a superb actor and a smart choice.
In a departure from the comic books, Dano’s character will be named Edward Nashton, as opposed to the rather too on-the-nose Edward Nigma, and will be part of a Rogues’ Gallery of villains squaring off against the Caped Crusader, joining (so far) Zoe Kravitz as Catwoman (see here for more).
Jonah Hill was in talks for the film, reportedly to play either The Riddler or The Penguin, but it seems negotiations broke down, swiftly followed by Dano’s announcement.
Created by Bill Finger and Dick Sprang in Detective Comics 140, published in 1948, the Riddler has previously appeared onscreen portrayed by Frank Gorshin and John Astin (in the 1960s Batman film and TV series) and Jim Carrey (in the 1995 film, Batman Forever).
Dano’s credits include Love and Mercy, Prisoners, 12 Years a Slave, There Will Be Blood, Youth and Okja, and he was recently nominated for an Emmy for his role in Escape at Dannemora.
Dano and Kravitz join Jeffrey Wright as Comissioner Gordon and Robert Pattinson as Batman. Warner Bros will release The Batman on June 25, 2021.
Photo: Paul Archuleta/WireImage
So I’m very late to the game with this one, but much of Joker is, of course, amazing.
I’m sure I don’t need to explain that Joker is a step away from the fairly disastrous DC Extended Universe. It’s a standalone tale, starring Joaquin Phoenix, that explores the background of Batman’s arch-nemesis, containing nods to films from Network (he’s mad as hell and he’s not going to take it anymore, indeed), Taxi Driver (you almost expect Phoenix to snarl “You talkin’ to me?”), The King of Comedy (with both elements of the plot and the perhaps too on-the-nose casting of Robert De Niro) to The French Connection (particularly in one of the shootings that takes place on a subway stairway).
But away from the greatest hits of the Easy Riders, Raging Bull generation, Joker centers around a truly mesmerising, heartbreaking and ultimately repulsive performance from Joaquin Phoenix, who thoroughly deserves every award bound to be thrown at him.
It’s absolutely Phoenix’s movie, as he dominates every inch of the screen, ably abetted by Lawrence Sher’s gorgeous cinematography, and further supported by Mark Friedberg’s bold and beautiful production design, bringing to life Gotham City by way of 1970s New York.
Director Todd Phillips surprises (in fact, shocks) with his ability to allow his lead actor to fully explore the fragility, pain and brutality which punctuates this journey into mental illness. It’s also a surprisingly sharp commentary of the selfish, unfeeling world we’ve allowed to fester around us, resulting in the likes of Trump and Johnson.
I can’t help but feel the film is something of an exercise in futility, as it takes so much care to explain away a character who ultimately doesn’t need to be explained. Heath Ledger’s multiple Joker “origins” in Christopher Nolan’s The Dark Knight were as intriguing and satisfying as everything Phillips and Phoenix put their character through (taking two discomforting hours instead of a few pages of dialogue).
I came away almost wishing they hadn’t hooked their story to Bill Finger, Bob Kane and Jerry Robinson’s character, but instead created their own. Is this too much of a comic book geek’s complaint?
Perhaps, but when as storytellers you attempt to give a voice to the too-often neglected corners of society in such painfully gritty terms, it then feels almost like you want to have your cake and eat it too by connecting this to a psychotic comic book villain. It’s almost as if the film is daring itself to give voice to the toxic parts of our culture likely to hold the four-colour character of the Joker aloft as an anti-hero.
I’m honestly not certain where the film stands on this, but it is undeniably deserving of greater contemplation than an immediate post-screening collection of thoughts such as these, and it’s certainly one I am curious to see again.
Regardless of these caveats, while I don’t think anything in the film (beyond Phoenix’s performance) raises it to the level of genius that’s been heaped upon it, Joker is a powerful and bold, utterly nihilistic, shattered funhouse reflection of the world around us. And that’s no laughing matter.
Variety are reporting that Marvel are close to signing Hailee Steinfeld to play Kate Bishop, in their new Disney Plus limited series, Hawkeye.
Jeremy Renner will move across from the movies to play Hawkeye, and Steinfeld will play Kate Bishop, a character who took on the mantle of the Hawkeye name, while Clint Barton was off doing dark deeds as Ronin (as seen in Avengers: Endgame).
We’re big fans of Steinfeld, here at Out Of Dave’s Head Towers, from her breakthrough role in the Cohen Brothers’ 2010 remake of True Grit, through to her superb turns in films including The Edge of Seventeen and the Transformers film it’s okay to like, Bumblebee.
Since these series on Disney Plus will be more directly linked to the Marvel Cinematic Universe (unlike the ABC and Netflix shows, which drifted further away from the MCU over time), it will be intriguing to see whether Steinfeld as Bishop will eventually cross over into future films.
Hawkeye will string his bow on Disney Plus in autumn 2021.
New streaming service Disney Plus is developing a series based on Kamala Khan, AKA Ms. Marvel, Marvel Comics’ first Muslim super-hero, according to an exclusive report by The Hollywood Reporter.
Created by editors Sana Amanat and Stephen Wacker, writer G. Willow Wilson, and artists Adrian Alphona and Jamie McKelvie, Khan was Marvel’s first Muslim character to headline her own comic book, launched by the publisher in 2014.
In her comic book iteration, the current Ms. Marvel, Kamala Khan, is a teenage Pakistani-American from New Jersey with shapeshifting abilities who discovers that she has Inhuman genes, activated by a cloud of Terrigen mist, and assumes the mantle of Ms. Marvel from her idol Carol Danvers after Danvers becomes Captain Marvel. The series not only explores Khan’s conflicts with supervillains but also explores conflicts with Khan’s home and religious duties.
Marvel’s announcement that a Muslim character would headline a comic book was met with widespread reaction and the first volume of Ms. Marvel won the Hugo Award for best graphic story in 2015.
I’ve read the various volumes of Ms. Marvel as they’ve been released, and found them to be fresh, inventive, insightful and fun. While I may not be the comic’s target audience, I’ve come to fully appreciate what Marvel have done with the character.
According to THR, Marvel is developing a live-action series for the new streaming service, due to launch in November 2019, and they’ve hired British writer Bisha K. Ali to write and act as showrunner. Ali is a comedian, who was in the writer’s room for new Netflix comedy drama, Sex Education and is currently a staff writer on Hulu’s remake of Four Weddings and a Funeral.
The live-action Marvel shows already in development are The Falcon and the Winter Soldier, to debut in late 2020; WandaVision, to debut in spring 2021; Loki, also for early 2021; and Hawkeye, for late 2021.
Ms. Marvel has no production or transmission dates announced as yet, but be sure to stick with Out Of Dave’s Head for more information on this exciting news as we get it.
Okay, cards on the table, I am fully vibed for Damon Lindelof’s new Watchmen series for HBO. Watch this trailer (just dropped at San Diego Comic Con) and you should be too…
That final shot! Wow! Hands up who’s excited for the return of Dr. Manhattan?
I mean, what’s not to love here? Definitely (and thankfully) not another run through of Alan Moore and Dave Gibbon’s iconic comic book series (Zack Snyder already gave us a perfectly good and faithful film in 2009).
Instead, seemingly a direct sequel and highly intriguing take on the world of masks and vigilantes posited in the original story, everything about this screams class: from the cast to the music – provided by Trent Reznor and Atticus Ross.
Here’s the official synopsis to further whet your appetite:
“Watchmen takes place in an alternative, contemporary reality in the United States, in which masked vigilantes became outlawed due to their violent methods. Despite this, some gather around in order to start a revolution while others are going out to stop it before it is too late, as a greatly wide question levitates above them all; who watches the Watchmen?”
No release date has been given yet, though rumours persist it’ll be before the end of 2019.
I trust you’ll be watching the Watchmen with me…