Higher. Further. Faster. Now We Have A Captain Marvel Poster Too!

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As if the arrival of the Captain Marvel trailer wasn’t enough excitement for today, Marvel has just released the first official poster for the film.

Taking the now familiar phrase from the Captain Marvel comic books (Higher. Further. Faster) as its tag-line, the imagery has the good Captain very much arriving (through an imposing set of aircraft hangar doors).

And really, there’s not too much more to say here, except that it’s very pretty and March 8th, 2019 looks like it’s going to be a whole heap of fun! It’s time to get excited, Carol Corps!

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Captain Marvel Is Here

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Courtesy of Entertainment Weekly, the first official images of Captain Marvel have landed.

Brie Larson will star in Marvel’s first female-fronted franchise movie, Captain Marvel, as part of the Marvel Cinematic Universe (that’s a whole lotta Marvels, even before we discuss Jude Law).

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Set in the 1990s, making this a full-on prequel to everything we’ve seen before, the story will feature Larson going head to head with some fan favourite intergalatic bad guys from the comic books, the shape-shifting Skrulls. And here they are…

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The film also sees the return (or is it a preturn? Since this is technically speaking, his first appearance) of Lee Pace as Ronan The Accuser, last seen in a dance-off against the gang in Guardians of the Galaxy, Vol 1.

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Jude Law also features as Mar-Vell (in the comics, the first Captain Marvel, before Larson’s Carol Danvers inherits the title):

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Plus of course, the movie sees Samuel L Jackson as a pre-eyepatch wearing, two-eyed Nick Fury (last seen in the future, at the end of Avengers: Infinity War, dying along with half the universe just after sending out a call for help from Captain Marvel – oh, come on, that can’t be a spoiler by now).

Marvel Studios' CAPTAIN MARVEL Nick Fury (Samuel L. Jackson)

Captain Marvel  is written and directed by Anna Boden and Ryan Fleck,  with Meg LeFauve, Nicole Perlman, Geneva Robertson-Dworet, Liz Flahive, and Carly Mensch also chipping in to the screenplay, and the film takes flight on March 8, 2019. Skrulls permitting.

Who Stars In Star Wars

24th Annual Screen Actors Guild Awards, Arrivals, Los Angeles, USA - 21 Jan 2018
Photo credit: Billy Farrell/BFA/Rex/Shutterstock

Variety have just revealed an intriguing exclusive: Eleventh Doctor (and star of The Crown) Matt Smith has been signed for a role in the fortchcoming Star Wars: Episode IX.

There’s literally no other news at this point, beyond pointless speculation as to who (sorry) Smith will play. I’m sure a hundred thousand fan-boys are hoping for him to be Rey’s father, while the likelihood is that he’ll be an Imperial nasty of some kind (they do have a long history of being British, after all).

Smith will join returning regulars Daisy Ridley, John Boyega, Oscar Isaac, and Adam Driver, alongside newbies Keri Russell, Richard E. Grant, Dominic Monaghan, and Naomi Ackie. Billy Dee Williams will reprise his iconic role as space gambler, Lando Calrissian, Mark Hamill and Anthony Daniels will reprise their roles as Luke Skywalker and C-3PO, and the late Carrie Fisher will be featured as Leia Organa, using previously unseen footage shot for Star Wars: The Force Awakens.

The currently subtitle-less Star Wars: Episode IX opens on December 19, 2019.

So, Uh… About That Bond 25 Delay…

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Okay, at the risk of this site becoming the Official James Bond Herald & Tribune, hold on to your razor-trimmed throwing hats because so much has happened on Bond 25 since I last wrote about it some fifteen hours or so ago, it’ll make your head spin. And before you get your hopes up: no, Danny Boyle is still gone.

So that last report from THR suggesting that the next Bond film would miss its November 8, 2019 release spot? Well that might not be so on the mark, according to Deadline, who reported that the film would still be released on time, as long as a suitable director can be found in the next (checks Seamaster Planet Ocean 600M watch) sixty days. That seems like a pretty tight schedule for a new director to come in and hit the ground running, but the report went even further, suggesting that several names were in the frame to take on that challenge:

“I’ve heard an approach was made to Jean-Marc Vallee, who followed Dallas Buyers Club with the limited series Big Little Lies and Sharp Objects. I’ve heard his participation is unlikely due to scheduling. The other two helmers who were on a short list are Hell Or High Water‘s David Mackenzie and Yann Demange, the ’71 director who helmed White Boy Rick. If any of those filmmakers accepted, chances are Bond 25 would keep its date, I’m told.”

So, now we have the suggestion that Bond 25 will arrive in 2019, plus we have a bunch of intriguing names (who weren’t really on anyone’s radar for this gig just twenty-four hours ago). That should be enough Bond news for today, right?

Uh… what’s your hurry? Because now ten minutes or so have passed and Deadline have updated that director’s wish list with yet another name: Shaun of the Dead helmer, Edgar Wright, fresh from a Sony hit with Baby Driver (which I thought was slick but hollow, but then I’m not Barbara Broccoli, Michael G Wilson or Daniel Craig, obviously).

I’m not sure I can see Wright sticking around for this (in the same way I didn’t think Boyle would) but the production of this movie has turned into such a merry-go-round I wouldn’t be surprised if they announced Donald Trump had been approached to play the lead villain (typecasting, I know, I know…). Anyway, got all that? Swell.

Also, while this may be an interesting list of names, I’d like to see the Bond director’s Boy’s Club demolished: Kathryn Bigelow has been waiting in the wings long enough, Michelle MacLaren, Karyn Kasuma and Corinna McFarlane would all be great choices to shake up the franchise (although that might be a step too far for EON given the current turmoil).

It’s taken me twenty minutes or so to put this post together, so it’s possible everything I’ve just written is out of date. I’ll be sure to bring you more news on the soap opera that is Bond 25 as soon as it hits. Check back with me in an hour or so, huh…?

Bond To Miss 2019?

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News just in via The Hollywood Reporter that the mightily-troubled new Bond film will not hit its original 2019 release date. Specifically:

“With the abrupt exit of director Danny Boyle, the next installment in the James Bond film franchise — the untitled Bond 25 — will miss its Nov. 8, 2019 release date in North American theaters, sources tell The Hollywood Reporter.”

This isn’t too surprsing, if true, given the sudden departure of director Danny Boyle from the franchise (as revealed here). Rumours are circulating that neither the producers nor star, Craig, were too thrilled about Boyle’s developing modern Cold War thriller, and a particular bone of contention seems to have been the casting of Tomasz Kot in a leading role. This will almost certainly mean that John Hodge’s script will be jettisoned and it seems unlikely that EON Productions would return to the already-completed script by regular Bond writers Neal Purvis and Robert Wade, which was dumped when Boyle came on board.

Going back to square one to find a new director and script also puts some doubt on the return of an already reluctant Daniel Craig, so this could also mean that Craig will finish his run with the less-than-perfect SPECTRE. And that’s something none of us want to see, right?

Whatever furious scrabbling is going down in the Bond offices right now (I’m picturing something akin to the From Russia With Love train fight), at least we know they won’t be rush-releasing a script into production – an act that’s never worked out too well for Bond films in the past. The down side is that it could cost us a suitable send-off for Craig.

James Bond Will Return… but when, and played by whom?

Second Suspiria Trailer Brings The Three Mothers… And The Shivers!

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Another day, another trailer for the new Suspiria. Turn on all the lights and feast on this:

There’s really not much to add about this latest slice on intensity since we talked about Suspiria just the other day (see here), but damn, Luca Guadagnino’s remake of Dario Argento’s classic of Italian gothic horror is looking more impressive with everything we hear about it and see from it. I couldn’t be any more sold on this baby.

Which means I’ve reached peak saturation point on PR for Suspiria, and this is definitely the final trailer I’ll be sharing. I want to go into this as cold as possible (especially considering my familiarity with the source material), but suffice to say I’m going to be first in line come November 2nd.

Boyle Bounces Bond

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To the surprise of literally no one, Michael G. Wilson, Barbara Broccoli and Daniel Craig today announced that due to creative differences Danny Boyle has decided to no longer direct Bond 25.

Announced via Twitter, this news, while sad, is probably the least surprising announcement to come down the wire on the latest Bond film, apparently Craig’s final outing.

As exciting as the announcent of Boyle coming onboard was (along with writer John Hodge – whose status on the project is unknown but doubtful, given his close links to the director), there was much suspicion that the idiosyncratic director would fit well within the finely honed Eon machinery.

Now we’re left with a great deal of creative speculation on just what a Boyle Bond would have been like. I, for one, am not surprised but very disappointed at the thought of what might have been, something special for Craig’s swan song.

The New Suspiria Trailer Arrives

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Take a look at the brand new, long-awaited teaser trailer for the remake of Dario Argento’s classic horror, Suspiria:

So let’s be clear on this from the outset: this one is going to divide people. On one hand, the film has tremendous word of mouth: early reaction to just a preview scene of the film, at Cinemacon in Las Vegas, saw viewers outraged, traumatized and, allegedly, vomiting (of course, that could just be a piece of classic old ballyhoo), it has a very intriguing director, Luca Guadagnino, lauded for his previous work including the Oscar-nominated Call Me By Your Name, and the writer is the showrunner of the superb AMC series, The Terror, David Kajganich. Plus the film has a killer (pun intended) cast headed by Tilda Swinton, Dakota Johnson, Chloë Grace Moretz and Jessica Harper (star of the original).

Alongside this we have the reported reaction of one Quentin Tarantino who, according to an interview with Guadagnino in the Italian publication, La Repubblica, had an emotional response to his film:

“I showed it to Quentin Tarantino. We’ve been friends since our jury duty at the Venice Film Festival. I was nervous but eager to hear his advice. We saw it at his place and his reaction warmed me. He was enthusiastic about it, in the end he was crying and hugged me.”

Well, that’s not too shabby.

Finally, we have a trailer which, is nothing else, is suffused with a peculiar and mysterious atmosphere and some genuinely creepy imagery, and at the very least it certainly isn’t trying to copy Argento’s colour palette, as this is all about your wintry browns and greys. I mean, this thing has a lot going for it, right…!?

On the other hand, these guys are messing with a much-loved, bona fide classic of Italian horror cinema (in fact, of just cinema). Dario Argento’s colour-splashed 1977 original, co-written with the great Daria Nicolodi, has wormed (pun intended again, sorry… if you’ve seen the original) its way into the affections of cinema-lovers for its outrageous visuals, sound and dread-drenched atmosphere.

I held a showing of the original at one my regular Dave’s Music & Movie Nights screenings, here in Norway, a few years back and the reaction of viewers to Argento’s unsettling masterpiece was palpable.

I’ve kind of made peace with the fact that Hollywood is never going to stop with its obsession for remakes, and so long as the originals aren’t hidden from view I’m of the mind that it can be of genuine interest to see artists take a new spin on much-loved favourites. Without this kind of thinking we wouldn’t have John Carpenter’s The Thing or David Cronenberg’s The Fly, and aren’t we all grateful for those!? Of course, the downside to that thinking gives us Gus Van Sant’s Psycho, about which, the less said the better (don’t @ me, okay!?)…

Either way, the new Suspiria from Amazon Studios is a bold move that’s bound to be divisive and might just be something special. Personally, I’m ready to have the shit scared out of me. So, show us what you’ve got come November 2…

 

The Ravishing Teaser for Alfonso Cuarón’s Roma

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A huge tip of the hat to the fine folk at Birth.Movies.Death for alerting me to one of the most beautiful looking teasers for a film I’ve seen in, well, forever. Feast your eyes on Alfonso Cuarón’s Roma

I’m a big fan of the Mexican director’s work, not only has he made one of the stone-cold classics of science-fiction cinema (or indeed, of just cinema) with Children of Men, but he also made one of the only Harry Potter films I can actually recall anything about (and I’ve seen them all, at least I think I have), with Harry Potter and the Prisoner of Azkaban. He’s also made excellent movies such as Y Tu Mama Tambien and Gravity (which won him Academy Awards for both Best Director and Best Picture).

Co-edited, co-photographed, written, co-produced, and directed by Cuarón, Roma is an autobiographically inspired film that chronicles a year in the life of a middle-class family in Mexico City in the early 1970s. And if this powerful and sumptuous trailer is anything to go by, it will be best experienced in a cinema.

Ironic then, that most viewers will probably see it on Netflix as part of an impressive slate of movies the streaming channel has lined up by filmmakers including Martin Scorsese, the Coen Brothers, Paul Greengrass and Gareth Evans, along with the insanely tantalising promise of Orson Welles’ legendary The Other Side of the Wind finally being completed. Of course, for viewers without easy access to cinemas that screen more than studio blockbusters, this kind of line up is a godsend.

Here’s the official synopsis for Roma:

“A vivid portrayal of domestic strife and social hierarchy amidst political turmoil, Romafollows a young domestic worker Cleo (Yalitza Aparicio) from Mixteco heritage descent and her co-worker Adela (Nancy García), also Mixteca, who work for a small family in the middle-class neighborhood of Roma.  Mother of four, Sofia (Marina de Tavira), copes with the extended absence of her husband, Cleo faces her own devastating news that threatens to distract her from caring for Sofia’s children, whom she loves as her own. While trying to construct a new sense of love and solidarity in a context of a social hierarchy where class and race are perversely intertwined, Cleo and Sofia quietly wrestle with changes infiltrating the family home in a country facing confrontation between a government-backed militia and student demonstrators.”

Roma has its world premiere at the Venice Film Festival on August 30, and I hope to bring you more news soon.

Robbie Reveals Tarantino’s Tate

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Margot Robbie took to her Instagram account today to give us the first look at her in character as actress Sharon Tate in Quentin Tarantino’s Once Upon A Time in Hollywood.

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The cast features Brad Pitt and Leonardo DiCaprio – along with a virtual who’s who of acting talent (see previous posts here and here) – and sees Robbie taking the role of the American actress and model, and the wife of director Roman Polanski,  who was murdered at age 26 by the Manson Family on August 9, 1969.

The film dodged one controversial bullet recently by announcing it will no longer open on the 50th anniversary of Tate’s death, but instead be released by Sony on July 26, 2019.

As always, I’ll bring you more news on Once Upon A Time In Hollywood as it hits. Because if you’re anything like me, next July can’t come soon enough (and not just because it’s vacation time).