There’s a lot to love about Matt Reeves’ take on The Batman.
The character’s introduction is one of the best onscreen portrayals of him yet, as we see how two years of dwelling in the shadows has bred fear into the criminals of Gotham, with some chilling shots of them staring into dark alleyways, fearful of what will emerge. And there is a fresh arc to the Batman’s role in Gotham, evident by the end of the film, a take on the character we haven’t really seen highlighted for some time. Gratifyingly, it’s an arc earned both plot-wise and emotionally.
His relationship with Jeffrey Wright’s excellent Jim Gordon (though really, when isn’t Wright excellent…!?) is a highlight, though doesn’t pay off as satisfyingly as we might expect. Perhaps they’re saving that for the inevitable (and bluntly teased) sequels.
And finally, after decades of being ignored in the various cinematic versions of Batman, ‘the World’s Greatest Detective’ (as he’s known in comic books) takes to the screen, and very welcome he is (albeit set against a typically convoluted film noir plot).
Noir is a major touchstone here, and Jake Gittes would be at home in Reeves’ Gotham as much as he was in Polanski’s Chinatown (I almost expected someone to pull Gordon aside and say “Forget it, Jim, it’s Gotham”).
The other influences are strong: Scorsese’s Taxi Driver weighs heavily on Pattinson’s Batman/Wayne, and Fincher’s Se7en and Zodiac loom close at hand in numerous ways, while the dynamic between Selina Kyle/Catwoman and Batman here could easily be traced back to Sutherland and Fonda’s in Pakula’s Klute. Meanwhile, comic book series such as Batman: Year One and The Long Halloween also make their presences keenly felt (Zoe Kravitz’s winning take on Kyle/Catwoman has its DNA placed firmly in the former).
These textures make for a far more refreshing version of the character than I was expecting, and while the distinctly non-frenetic pace is to be applauded, a tighter edit could easily have trimmed fifteen to twenty minutes from the bloated three hour running time without any detraction from the overall film.
While Robert Pattinson’s Bruce Wayne occasionally veers a little too close to being a moody emo boy under his floppy locks, he nevertheless brings a fine vulnerability to the role, gifting the character with liberal (*cough*) doses of white guilt and a couple of touching revelatory moments for both of his alter-egos. Happily, the actor/director/studio choice not to make Wayne growl absurdly as Batman pays dividends, as that has been too much of a diversion in recent iterations of the character.
The film’s main villain never feels quite as present or chilling as he should be. Despite some truly grisly crimes he tends to get a little lost in the story’s mass of convolutions, and his final confrontation with Batman ultimately suffers when compared to, and yes, that is an elephant in the room, Ledger’s Joker. Indeed, The Batman is unable to escape from the long shadows cast by the far-too-recent Nolan Dark Knight Trilogy (or, to a far lesser extent, the Snyder Batfleck efforts), and perhaps expects audiences to have moved on too quickly from that cultural juggernaut. It’s a sure bet that Reeves’ outing with the Caped Crusader would have felt fresher with a little more distance from those films.
Having said that, Reeves should be applauded for his almost stoic anti-blockbuster approach, deftly juggling elements of noir, horror, and mystery, for resolutely refusing to spoon fed audiences yet another version of the Batman origin story, and for leaving the character in a place that bodes well for his next outing.
Though maybe next time Reeves could bring some sharper scissors to the edit suite.
The DC FanDome online event has just dropped the second trailer for Matt Reeves’ forthcoming film, The Batman.
Starring Robert Pattinson as the Caped Crusader, this latest trailer reveals much more of Zoe Kravitz as Catwoman and Colin Farrell as Oswald “Oz” Cobblepot, A.K.A The Penguin. Still held back from all but the briefest view is the film’s chief villain, Paul Dano’s The Riddler.
In his second year of fighting crime, Batman uncovers corruption in Gotham City that connects to his own family while facing a serial killer known as the Riddler.
Reeves has promised that this iteration of the DC Comics character will place a greater emphasis on his detective skills, though since this trailer mainly focuses on action beats, we’ll have to wait and see if that bears out.
Originally set for release on June 25, 2021, the pandemic saw that date come and go, and The Batman will now emerge from the Bat-Cave into cinemas in March, 2022.
EDIT: Director Reeves released a higher quality res version via his Vimeo account:
Start your engines! The Batman director Matt Reeves has just revealed his version of the Batmobile. And, well, here it is…
There’s not much more to say at this point, except that it looks nicely slimmed down from recent chunky cinematic Batmobiles, and to this old Bat Fan’s eyes, it has something of the feel of both the 1970s comic book sports car versions designed by the likes of Bob Brown, Irv Novick and Dick Giordano and the sleek number designed by the late, great artist Norm Breyfogle, for his excellent run in the 1980s. And that’s a good thing.
Meanwhile, The Batman stars Robert Pattinson as Bruce Wayne/Batman. The cast also includes Zoe Kravtiz as Catwoman, Paul Dano as Riddler, Colin Farrell as the Penguin, John Turturro as crime boss Carmine Falcone, Jeffrey Wright as Commissioner Gordon, Andy Serkis as Alfred and Peter Sarsgaard as Gotham City DA Gil Colson.
The film will be released June 25th, 2021.
Director of Warner Bros.’ forthcoming reboot of The Batman, Matt Reeves has revealed the first look at incoming Bruce Wayne, Robert Pattinson, in costume as the Dark Knight…
The short, atmospheric video is part of a camera test for the film, so this may not be the final costume, but there’s no doubt that Pattinson looks good in the cape and cowl.
The cast for The Batman also includes Zoe Kravitz as Catwoman, Paul Dano as Riddler, Colin Farrell as the Penguin, John Turturro as crime boss Carmine Falcone, Jeffrey Wright as Commissioner Gordon, Andy Serkis as Alfred, and Peter Sarsgaard in an as-yet unrevealed role.
The Batman hits our screens on June 25, 2021.
UPDATE: Apparently that IS the Bat Suit and also the music is from Michael Giacchino, who’s scoring the film. That makes this clip a whole lot more intriguing.
The answer, of course, is that Warner Bros have just announced Paul Dano will play The Riddler, in Matt Reeves’ The Batman.
We couldn’t be happier about this at Out of Dave’s Head towers, as Dano is a superb actor and a smart choice.
In a departure from the comic books, Dano’s character will be named Edward Nashton, as opposed to the rather too on-the-nose Edward Nigma, and will be part of a Rogues’ Gallery of villains squaring off against the Caped Crusader, joining (so far) Zoe Kravitz as Catwoman (see here for more).
Jonah Hill was in talks for the film, reportedly to play either The Riddler or The Penguin, but it seems negotiations broke down, swiftly followed by Dano’s announcement.
Created by Bill Finger and Dick Sprang in Detective Comics 140, published in 1948, the Riddler has previously appeared onscreen portrayed by Frank Gorshin and John Astin (in the 1960s Batman film and TV series) and Jim Carrey (in the 1995 film, Batman Forever).
Dano’s credits include Love and Mercy, Prisoners, 12 Years a Slave, There Will Be Blood, Youth and Okja, and he was recently nominated for an Emmy for his role in Escape at Dannemora.
Dano and Kravitz join Jeffrey Wright as Comissioner Gordon and Robert Pattinson as Batman. Warner Bros will release The Batman on June 25, 2021.
Photo: Paul Archuleta/WireImage
So I’m very late to the game with this one, but much of Joker is, of course, amazing.
I’m sure I don’t need to explain that Joker is a step away from the fairly disastrous DC Extended Universe. It’s a standalone tale, starring Joaquin Phoenix, that explores the background of Batman’s arch-nemesis, containing nods to films from Network (he’s mad as hell and he’s not going to take it anymore, indeed), Taxi Driver (you almost expect Phoenix to snarl “You talkin’ to me?”), The King of Comedy (with both elements of the plot and the perhaps too on-the-nose casting of Robert De Niro) to The French Connection (particularly in one of the shootings that takes place on a subway stairway).
But away from the greatest hits of the Easy Riders, Raging Bull generation, Joker centers around a truly mesmerising, heartbreaking and ultimately repulsive performance from Joaquin Phoenix, who thoroughly deserves every award bound to be thrown at him.
It’s absolutely Phoenix’s movie, as he dominates every inch of the screen, ably abetted by Lawrence Sher’s gorgeous cinematography, and further supported by Mark Friedberg’s bold and beautiful production design, bringing to life Gotham City by way of 1970s New York.
Director Todd Phillips surprises (in fact, shocks) with his ability to allow his lead actor to fully explore the fragility, pain and brutality which punctuates this journey into mental illness. It’s also a surprisingly sharp commentary of the selfish, unfeeling world we’ve allowed to fester around us, resulting in the likes of Trump and Johnson.
I can’t help but feel the film is something of an exercise in futility, as it takes so much care to explain away a character who ultimately doesn’t need to be explained. Heath Ledger’s multiple Joker “origins” in Christopher Nolan’s The Dark Knight were as intriguing and satisfying as everything Phillips and Phoenix put their character through (taking two discomforting hours instead of a few pages of dialogue).
I came away almost wishing they hadn’t hooked their story to Bill Finger, Bob Kane and Jerry Robinson’s character, but instead created their own. Is this too much of a comic book geek’s complaint?
Perhaps, but when as storytellers you attempt to give a voice to the too-often neglected corners of society in such painfully gritty terms, it then feels almost like you want to have your cake and eat it too by connecting this to a psychotic comic book villain. It’s almost as if the film is daring itself to give voice to the toxic parts of our culture likely to hold the four-colour character of the Joker aloft as an anti-hero.
I’m honestly not certain where the film stands on this, but it is undeniably deserving of greater contemplation than an immediate post-screening collection of thoughts such as these, and it’s certainly one I am curious to see again.
Regardless of these caveats, while I don’t think anything in the film (beyond Phoenix’s performance) raises it to the level of genius that’s been heaped upon it, Joker is a powerful and bold, utterly nihilistic, shattered funhouse reflection of the world around us. And that’s no laughing matter.
Big Little Lies star Zoe Kravitz has been confirmed as Catwoman for new movie, The Batman.
The actor reportedly pipped the likes of Zazie Beetz, Eiza Gonzalez and Oscar winner Alicia Vikander for the role of Bruce Wayne/Batman’s nemesis/love interest in Matt Reeves’ soon-to-begin filming new take on the Caped Crusader, starring Robert Pattinson in the title role.
Pattinson was chosen by Reeves and Warner Bros when previous Batman, Ben Affleck, departed the role after than the less-than-satisfactory Justice League.
Meanwhile, Kravitz’s credits include the Divergent series and Mad Max: Fury Road, and she will stalk the streets of Gotham alongside Jeffrey Wright as Commissioner Gordon and Jonah Hill, who is in talks for an unspecified villain role.
“It’s very much a point of view-driven, noir Batman tale,” Reeves said of his take, to the Hollywood Reporter earlier this year. “It’s told very squarely on his shoulders, and I hope it’s going to be a story that will be thrilling but also emotional. It’s more Batman in his detective mode than we’ve seen in the films. The comics have a history of that. He’s supposed to be the world’s greatest detective, and that’s not necessarily been a part of what the movies have been.
Pre-production on the Warner Bros./DC Comics pic is expected to start this summer. No official start date has been set, but industry rumours have suggested that filming could start late this year or early in 2020.
The Batman is scheduled to hit cinemas on June 25th, 2021.
Warner Bros/DC have just dropped the full trailer for Birds of Prey (And The Fantabulous Emancipation of One Harley Quinn), so here it is…
I mean, it at least looks pretty and cohesive, in a way that even the trailers for Suicide Squad weren’t, and that cast is certainly to die for: Margot Robbie, Mary Elizabeth Winstead, Jurnee Smollett-Bell, Chris Messina, Rosie Perez, Ella Jay Basco, and Ewan McGregor, but I can’t help but feel it all comes across as a little… flat.
Maybe I’m just in a mood, but I was hoping for something a little more off-kilter, a little more dangerous (though a Harley Quinn song and dance number would definitely be a step in the right direction)…
But okay, if Robbie is at the centre of this (and the trailer certainly suggests that,as her Harley Quinn character positively dominates the narrative) then I’m in for the ride, as I think she’s a seriously undervalued actor and might just have the star power to pull this off. And if nothing else, it looks like it will be Jared Leto-free…
Birds of Prey (And The Fantabulous Emancipation of One Harley Quinn) – and that might be the last time I’ll type out that mouthful, directed by Cathy Yan, hits our local screens on February 7th, 2020.
Just ahead of its premiere at the Venice Film Festival, here’s the final trailer for Todd Phillips’ Joker, starring Joaquin Phoenix.
What to make of this? It looks pretty intense and Phoenix is clearly pulling out all the stops, but frankly Phillips’ track record (The Hangover movies… oy!) causes a little pause for breath and despite the clearly well-intentioned decision to basically makes this a riff of Scorsese’s King Of Comedy I’m concerned it all feels a little too familiar, that its narrative arc may be a path already too well-trodden.
Frankly, I hope I’m wrong, I hope this film absolutely knocks it out of the park and I’ll be first in line on opening day, but I can’t help think this might not be a joke funny enough to repeat.
Joker opens on October 4th.
Okay, cards on the table, I am fully vibed for Damon Lindelof’s new Watchmen series for HBO. Watch this trailer (just dropped at San Diego Comic Con) and you should be too…
That final shot! Wow! Hands up who’s excited for the return of Dr. Manhattan?
I mean, what’s not to love here? Definitely (and thankfully) not another run through of Alan Moore and Dave Gibbon’s iconic comic book series (Zack Snyder already gave us a perfectly good and faithful film in 2009).
Instead, seemingly a direct sequel and highly intriguing take on the world of masks and vigilantes posited in the original story, everything about this screams class: from the cast to the music – provided by Trent Reznor and Atticus Ross.
Here’s the official synopsis to further whet your appetite:
“Watchmen takes place in an alternative, contemporary reality in the United States, in which masked vigilantes became outlawed due to their violent methods. Despite this, some gather around in order to start a revolution while others are going out to stop it before it is too late, as a greatly wide question levitates above them all; who watches the Watchmen?”
No release date has been given yet, though rumours persist it’ll be before the end of 2019.
I trust you’ll be watching the Watchmen with me…