These Are A Few Of My Favourite Films: 2018 Edition

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Okay, because many folks have asked… here are my favourite nine films from 2018.

Notice I said favourite and not best. I was recently interviewed for a newspaper piece where the reporter asked my favourite three movies. This felt like a refreshing change as I didn’t feel a need to spend time over-intellectualising my responses as I might have done if she’d asked what I thought were the best three films ever.

Before I launch into my list, it’s worth pointing out I still have some catching up to do, hence no possible entries for films such as Spider-Man: Into The Spider-Verse, You Were Never Really Here or Bohemian Rhapsody.

So, with that caveat clear and without further ado, let’s head to my favourite nine (…nine, because, why not!?) films of the past twelve months…

9. Mission: Impossible – Fallout.

I have to admit the M:I films were mostly sort of washing over me, enjoyable in the moment but somewhat unmemorable bar their set-pieces. But then Fallout appeared, not only leaving me with a bill from my local cinema for having left fingernail holes in my seat, but also with a much greater enthusiasm for the previous entries. I’m gearing up for a run-through of the series at home in readiness for a second viewing of Cruise and Christopher McQuarrie’s remarkable piece of breathless skullduggery. Also, finishing off a series with two films featuring Sean Harris is always a bonus.

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8. The Rider.

Yeah, yeah, I know that it premiered in the Directors’ Fortnight section at the Cannes Film Festival in 2017, but those of us in the real world didn’t see it until its official release in 2018. Hopefully that doesn’t trigger anyone too badly.  Chloé Zhao’s contemporary western drama concerning rodeo riders feels like a top contender for the ‘film more people should see‘ award, 2018. Both painfully intimate and sweepingly widescreen, Zhao paints a portrait of a contained community with universal problems. You can read my full review here.

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7. Eighth Grade.

In many ways this shares some DNA with The Rider, taking me to a world I knew nothing about. This time, the unknown is the life of an adolescent girl in a time of social media, and this smart, sensitive, occasionally excruciating and ultimately uplifting film, from director Bo Burnham, features a hugely engaging central performance by newcomer, Elsie Fisher.

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6. A Quiet Place.

The first of two horror films in a strong year for the genre (see also Apostle, Mandy, Halloween, etc). Unfair on my behalf, but I was absolutely not expecting this from Jim Halpert from The Office. Directed and co-written (along with Scott Beck and Bryan Woods) by John Krasinski, this post-apocalyptic monster movie hits all the right beats, gradually unveiling a world of silent terror using a personable family, headed up by Krasinski and the always-excellent Emily Blunt. Understated until it doesn’t have to be, this is great, old-school horror that could easily have worked as an old Twilight Zone episode.

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5. Ant-Man & The Wasp.

Tricky one, this. I didn’t want to fill my list with Marvel movies (seeing as we had three releases from them in 2018) and I really struggled between this and Black Panther, but in the end I had (slightly) more fun with Peyton Reed’s delightfully light-touched sequel, especially since I’m the type of Marvel Geek who believes this film will pay off more once we see Avengers: Endgame.

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4. Hereditary.

Ari Aster’s uneven but striking mix of family grief and the supernatural is a divisive film, very much a case of go-with-it-or-don’t. The first three-quarters of the movie is mostly all slow-burn intensity until the final twenty minutes or so go off into full-blown hysteria (which is where many viewers seem to check out). I went with it the whole way on my viewing, but will be curious to see how it holds up next time. Worth pointing out that regardless of any future reaction, I’ll still laud it for probably the most outrageous WTF moment in cinema this year.  Review here.

3. The Meg (just kidding).

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3. The Other Side of the Wind.

Freewheeling and meticulous, Orson Welles’ lost masterpiece (never a more fitting appellation) first started production in 1970 and was only completed after Welles’ death by a team headed up by Peter Bogdanovich and producer Frank Marshall. Released onto Netflix at the end of the year, Welles’ mesmerising film is both a celebration and a satire of Classic Hollywood and avant-garde filmmaking. Review here.

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2. Roma.

The only disappointing thing about multihyphenate Alfonso Cuarón’s almost tone poem telling of a tumultuous period in the life of his childhood home-help is that I haven’t yet had the opportunity to see it on a cinema screen, seeing as it’s one of the most beautiful things I’ve laid my eyes on in a long time (to avoid a lynching by my significant other, I mean cinematically, of course). Review here.

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1. Avengers: Infinity War.

Marvel Geek nirvana. The Russo brothers and co. pulled off a remarkable, if overpacked, feat in bringing to a head ten years of films across multiple franchises while still managing to create a cultural zeitgeist moment with a single finger click. Of course, we know most of the galaxy’s missing half will be restored (…don’t we!?), but the joy, as with many comic books of the source material, is in seeing how our heroes snatch victory from the jaws of defeat. And now we don’t have much longer to wait. Review here.

Dishonourable mention: Suspiria (don’t @ me).

See you all in 2019. Feel free to leave me your favourites from 2018 in the comments below.

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Avengers: Infinity War Takes All The Money

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The past few weeks has seen those of us interested in playing ‘guess the box office’ trying to figure out how much money Disney/Marvel’s Avengers: Infinity War would make on its opening weekend. It turns out to be all the money.

While confidence seemed high on the film’s success and no one really thought it would bomb, few could have guessed it would smash two records.

Domestically, in the U.S.A., the film has romped past the previous record holder, fellow Disney stablemate Star Wars: The Force Awakens, which landed $247.9 million in 2015. The Marvel epic has brought home a comfortable $250 million, making it the new all-time opening weekend box office winner.

Internationally, it’s an even more impressive haul. 2017’s The Fate of the Furious pulled in $543 million, while Thanos and his quest for the Infinity Stones has sailed past to a breathtaking $630 million, setting another all-time record (even without opening in China and Russia, while Fate did, making it all the more impressive).

This is a truly astonishing feat for what amounts to the 19th film in an inter-connected series of franchises known as the Marvel Cinematic Universe.

As part of the pre-release hype for the film, Marvel launched the hashtag #ThanosDemandsYourSilence to head off potential spoilers for this bravely bleak blockbuster. Maybe it should have said #ThanosDemandsYourMoney

Source: Deadline Hollywood

This Is The End – Avengers: Infinity War * spoiler free review

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The Marvel films have always struggled with villains, it’s a frequently heard complaint that few villains beyond Loki and, arguably, Erik Killmonger, have left too much of an impression. So let’s get this right out there – not only was Thanos worth waiting for, but he instantly ranks at the top of the hall of infamy.

There was concern that the Mad Titan would be a let down, that he couldn’t possibly live up to the almost ten-year build which has led us to this point. But the combination of a wonderfully layered performance from Josh Brolin and superlative animation effects work brings Jim Starlin’s deranged creation to full, terrifying life in Marvel’s Avengers: Infinity War.

This feat is even more impressive in a film which (as I’m sure you know from the hype) brings together all the expected characters from the Marvel Cinematic Universe (and perhaps even some unexpected ones).

Directors Anthony and Joe Russo (and screenwriters Christopher Markus and Stephen McFeely) do a splendid job of pulling together an increasingly active number of franchises, giving most characters a neat arc and/or several great moments, though there are exceptions, inevitable even with a two-hour forty minute running time, and a certain amount of shorthand is definitely at play. That they manage this without spending an hour on exposition is a minor miracle, and a testament to deft storytelling (and the good will engendered by eighteen previous films).

There’s an undeniable frisson of excitement (especially for a Marvel geek like me) to see new combinations of characters, having Spider-Man and Doctor Strange interact left me with the biggest grin on my face, but the filmmakers know they need more than just a Marvel Team-Up to make a satisfying film.

There are real stakes here, literally the fate of the universe (or half of it… you’ll see…) hangs in the balance, with a number of different strands occurring in different locations on different worlds, and the action feels all the more vital because Marvel have taken the time to build these worlds and make us care for the characters. And it’s no spoiler to say your emotions will really be put through the wringer – I wept a solitary, manly tear on more than one occasion.

But don’t think the threat of the universe coming to an end or talk of tears means it’s all doom and gloom: this is a thrill-a-minute adventure that hits the ground running and barely lets up on the action, but as usual it’s mixed in with some fabulous and funny character interplay – Thor with Peter Quill and Doctor Strange with Tony Stark bring unexpected delights.

There’s also a distinct feel here of the beginning of a changing of the guard – the first ten years of Marvel movies has seen a very definite roster of characters and Infinity War shows us that the company’s willingness to shake things up is part of what makes them so successful, and which lends even more weight to the story, of course. Even the obligatory post-credit scene nods in that direction (it’s a nod that literally made me whoop in the cinema).

Is there a downside to all this? I suspect that a casual filmgoer would be rather lost but y’know in that case, get with the Marvel game like the rest of the population, I guess.

Avengers: Infinity War is a huge, and hugely exciting, comic book, sci-fi epic that really sees the gutsy long-game approach taken by Marvel pay off, giving us the Empire Strikes Back of their bold, long form narrative, and finally giving the Marvel Cinematic Universe its own Darth Vader, a cosmic villain with a welcome emotional core.

And really, so as not to wander into the spoiler zone, that’s about all I can say, except that this is the huge Marvel adventure we’ve been waiting for.

This is the end*… but bring on May 3, 2019 and Avengers 4 as soon as possible please, I only have so many fingernails left to chew through.

*Speaking of the end, you KNOW to stay right through to the very end of the credits, right…!?

Here Comes Thanos! The Final Avengers: Infinity Wars Is Rather Exciting.

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There’s really not a heck of a lot I can say about this trailer. If you’re not down for Marvel’s All-Star Mash Up by now then there’s probably nothing more here to convince you. You are hopelessly wrong, of course.

For the rest of us, April 27th really can’t arrive quickly enough as Avengers: Infinity War is the beginning of the culmination of ten years of narrative and the chance to see all of Marvel’s flagship characters facing off against the big, bad and purple cosmic Trump, Thanos (as played by Josh Brolin). And seen here? Spider-Man and Dr.Strange, together on screen for the first time! Oh boy! Captain America going mano y mano with Thanos! Gosh!

Marvel have gotten particularly adept and not blowing their wads in trailers and this still feels mighty restrained to me. What do you think? Are Marvel still playing their cards close to their chests?

I’ll see you in the theater in just over a month. I’ll be the one hyper-ventilating.

Epic! The Avengers: Infinity War Trailer Is Here…

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The trailer for Avengers: Infinity War has landed and, wow… you need to see this:


I know, right!?

It’s not the same trailer that wowed audiences at this summer’s San Diego Comic-Con (yes, yes, I peaked at the leaked version) but if anything it feels even more epic.

Rumours are running rife that this may be the last time we see some of these characters (at least in their present forms), so better make the most of… hm, well, that would be telling, right!? In the meantime, we can look forward to the ultimate Marvel Cinematic Universe mash-up of The Avengers, Spider-Man, Doctor Strange, Black Panther and the Guardians of the Galaxy as they face up against the Josh Brolin-shaped cosmic might of Thanos.

Avengers: Infinity War arrives May 8th, 2018. The hype starts here…