So, Uh… About That Bond 25 Delay…

bond 2

Okay, at the risk of this site becoming the Official James Bond Herald & Tribune, hold on to your razor-trimmed throwing hats because so much has happened on Bond 25 since I last wrote about it some fifteen hours or so ago, it’ll make your head spin. And before you get your hopes up: no, Danny Boyle is still gone.

So that last report from THR suggesting that the next Bond film would miss its November 8, 2019 release spot? Well that might not be so on the mark, according to Deadline, who reported that the film would still be released on time, as long as a suitable director can be found in the next (checks Seamaster Planet Ocean 600M watch) sixty days. That seems like a pretty tight schedule for a new director to come in and hit the ground running, but the report went even further, suggesting that several names were in the frame to take on that challenge:

“I’ve heard an approach was made to Jean-Marc Vallee, who followed Dallas Buyers Club with the limited series Big Little Lies and Sharp Objects. I’ve heard his participation is unlikely due to scheduling. The other two helmers who were on a short list are Hell Or High Water‘s David Mackenzie and Yann Demange, the ’71 director who helmed White Boy Rick. If any of those filmmakers accepted, chances are Bond 25 would keep its date, I’m told.”

So, now we have the suggestion that Bond 25 will arrive in 2019, plus we have a bunch of intriguing names (who weren’t really on anyone’s radar for this gig just twenty-four hours ago). That should be enough Bond news for today, right?

Uh… what’s your hurry? Because now ten minutes or so have passed and Deadline have updated that director’s wish list with yet another name: Shaun of the Dead helmer, Edgar Wright, fresh from a Sony hit with Baby Driver (which I thought was slick but hollow, but then I’m not Barbara Broccoli, Michael G Wilson or Daniel Craig, obviously).

I’m not sure I can see Wright sticking around for this (in the same way I didn’t think Boyle would) but the production of this movie has turned into such a merry-go-round I wouldn’t be surprised if they announced Donald Trump had been approached to play the lead villain (typecasting, I know, I know…). Anyway, got all that? Swell.

Also, while this may be an interesting list of names, I’d like to see the Bond director’s Boy’s Club demolished: Kathryn Bigelow has been waiting in the wings long enough, Michelle MacLaren, Karyn Kasuma and Corinna McFarlane would all be great choices to shake up the franchise (although that might be a step too far for EON given the current turmoil).

It’s taken me twenty minutes or so to put this post together, so it’s possible everything I’ve just written is out of date. I’ll be sure to bring you more news on the soap opera that is Bond 25 as soon as it hits. Check back with me in an hour or so, huh…?

Bond To Miss 2019?

bond

News just in via The Hollywood Reporter that the mightily-troubled new Bond film will not hit its original 2019 release date. Specifically:

“With the abrupt exit of director Danny Boyle, the next installment in the James Bond film franchise — the untitled Bond 25 — will miss its Nov. 8, 2019 release date in North American theaters, sources tell The Hollywood Reporter.”

This isn’t too surprsing, if true, given the sudden departure of director Danny Boyle from the franchise (as revealed here). Rumours are circulating that neither the producers nor star, Craig, were too thrilled about Boyle’s developing modern Cold War thriller, and a particular bone of contention seems to have been the casting of Tomasz Kot in a leading role. This will almost certainly mean that John Hodge’s script will be jettisoned and it seems unlikely that EON Productions would return to the already-completed script by regular Bond writers Neal Purvis and Robert Wade, which was dumped when Boyle came on board.

Going back to square one to find a new director and script also puts some doubt on the return of an already reluctant Daniel Craig, so this could also mean that Craig will finish his run with the less-than-perfect SPECTRE. And that’s something none of us want to see, right?

Whatever furious scrabbling is going down in the Bond offices right now (I’m picturing something akin to the From Russia With Love train fight), at least we know they won’t be rush-releasing a script into production – an act that’s never worked out too well for Bond films in the past. The down side is that it could cost us a suitable send-off for Craig.

James Bond Will Return… but when, and played by whom?

Second Suspiria Trailer Brings The Three Mothers… And The Shivers!

suspiria-2018 2

Another day, another trailer for the new Suspiria. Turn on all the lights and feast on this:

There’s really not much to add about this latest slice on intensity since we talked about Suspiria just the other day (see here), but damn, Luca Guadagnino’s remake of Dario Argento’s classic of Italian gothic horror is looking more impressive with everything we hear about it and see from it. I couldn’t be any more sold on this baby.

Which means I’ve reached peak saturation point on PR for Suspiria, and this is definitely the final trailer I’ll be sharing. I want to go into this as cold as possible (especially considering my familiarity with the source material), but suffice to say I’m going to be first in line come November 2nd.

The Guardians Of The Galaxy Stand With Gunn (And So Do I)

gotg cast

In a remarkable piece of chutzpah today, the entire cast of Marvel/Disney’s Guardians of the Galaxy films have released a joint statement in defence of director, James Gunn, recently fired from his position as a result of a concerted campaign by cybernazis.

Here’s the full letter, citing a petition to reinstate Gunn:

gotg letter

It’s wonderful to see these actors backing their director, and while I don’t often bring politics onto this site, for once I’ll make an exception (because Gunn is someone whose work and public face I’ve personally admired for many years).

Gunn made a whole bunch of tweets that were undeniably in poor taste. But that’s all they were, jokes that some people find distasteful. Since making them he has very publicly apologised – twice, in fact – making a very heartfelt and eloquent case for his growth as a person who would no longer make those same jokes. In short, he owned the immaturity of his younger self. Would that we were all so self-aware.

When Disney hired Gunn to write and direct Guardians of the Galaxy, they did so in full recognition of who they were bringing into the fold, in fact you might say they brought him in partly because of his far left-field humour.

The people who targeted Gunn’s past off-kilter humour did so because the director has become a highly vocal and highly visible critic of their right wing politics. They’re not stupid, they know Gunn wasn’t advocating the subjects he was making bad jokes about. They’ve targeted him in order to silence what he says now, not what he said a decade ago.

Disney and Marvel have made a very shitty move in firing Gunn under pressure from these cyber-bullies. It sets a terrible precedent that cannot be seen as anything than deeply troubling.

I don’t know if this show of support from Gunn’s cast will make a difference to one of the world’s biggest conglomerates, but if nothing else it shows that Gunn deserves support from more of us.

Black Panther – The Revolution Will Be Televised!

bp

You know how some days are – non-stop work, no time to think, you come home exhausted and… there’s a new trailer for Marvel’s Black Panther waiting for you. Result!

Feast your eyes on this and we’ll talk more after…

Well, that looks cool as heck, right!? Ryan Coogler’s take on the hidden nation of Wakanda is spectacular, and looks ready to open up a whole, new corner of the Marvel Cinematic Universe. And with that truly amazing cast Black Panther is shaping up to be another in the increasingly refreshing run of Marvel movies led by Scott Derrickson’s Doctor Strange, James Gunn’s Guardians of the Galaxy vol. 2 and Taika Waititi’s Thor: Ragnarok.

As a bonus you can ogle the lovely new poster, below.

Black Panther opens on February 16th and that date can’t arrive quickly enough.

blackpantherposter

Godzilla R.I.P. – Sayonara, Haruo Nakajima

Haruo-Nakajima

Haruo Nakajima (中島 春雄 Nakajima Haruo) the Japanese suitmation actor best known for portraying Godzilla from the original movie in 1954 through twelve consecuctive films until Godzilla vs Gigan in 1972, has passed away at the age of 88.

Alongside his physically demanding role as the King of the Monsters, he performed suitmation roles as monsters in an unprecedented number of kaiju eiga including Rodan (1956), Mogera in The Mysterians (1957), Varan the Unbelievable (1958), Mothra (1960), Matango (1963), Baragon in Frankenstein Conquers the World (1965), Gaira in War of the Gargantuas (1966) and even the Eighth Wonder of the World himself, King Kong in King Kong Escapes (1967). He would also work with Godzilla special effects genius Eiji Tsuburaya in a number of the popular Ultraman TV series.

Nakajima’s impressive career began at the age of 33 in Sword for Hire (1952), before taking on roles in The Woman Who Touched the Legs (1952), Eagle of the Pacific (1953) and Farewell Rabaul (1954) – both for original Godzilla director Ishirō Honda, which led directly to his casting as the beloved monster – and then Seven Samurai for Akira Kurosawa in 1954.

After his retirement from film and television work in 1973, Nakajima would become a popular and much loved figure at many Godzilla conventions around the world.

In the short film The Man Who Was Godzilla, Nakajima said: “In the end the Godzilla I played remains on film forever. It remains in people’s memory, and for that I feel really grateful.”

Rest in peace, Godzilla.

Rare Grooves – The Green Slime

slime

Welcome to the latest in an occasional series of articles where I’ll be looking at the songs that have graced some of my favourite films through the years. Of course, since this is OODH, it’s unlikely I’ll be tackling anything from Grease or The Little Mermaid (fabulous as the Ashman & Menken tunes were in the latter).

The Green Slime is a truly wild piece of space opera which, like the previous entry in this series, The Last Dinosaur, was an American/Japanese co-production, here between Metro-Goldwyn-Mayer and Toei. MGM provided the funding and script while Toei provided the film crew and location to shoot the film. In fact a third country was involved, as the storyline originated in Italy and was supposed to be part of Antonio Margheriti’s Gamma One tv movie series.

The script was written by William Finger (the co-creator, arguably the creator, of huge swathes of what we now recognise as the Batman mythos), Tom Rowe and Charles Sinclair from a story by co-producer Ivan Reiner. The film was shot in Japan with a Japanese director and film crew, but a non-Japanese cast of Robert Horton, Richard Jaeckel and Luciana Paluzzi.

The plot sees a group of scientists sent into space to destroy an asteroid on collison course with Earth. They return from their mission to the asteroid with an unwanted guest, a glowing piece of space fungus which mutates and multiplies into the screeching, tentacled green slime monsters of the title.

It’s camp, goofy and madly entertaining, and never less than breathlessly directed by Kinji Fukasaku, who also made the seminal Battles Without Honor and Humanity film series (1973-74) and the controversial Battle Royale (2000).

The music score was written by Toshiaki Tsushima, but Charles Fox re-scored much of the film for its release in United States. Fox, of course, was co-composer (along with Norman Gimbel) of Grammy winning hit song Killing Me Softly With His Song, and created the famous theme tune for Lynda Carter’s Wonder Woman TV series (“In your satin tights, fighting for your rights…”).

And it’s the theme song for The Green Slime which brings us here today. Written by Fox and produced, arranged & performed by surf music pioneer Richard Delvy, the song gives us outré lyrics such as:

“What can it be; what is the reason?
Is this the end to all the seasons?
Is this just something in your head?
Would you believe it when you’re dead?
You’ll believe it when you find
something screaming across your mind …green slime!”

Once heard, never forgotten, this song will worm its way into your psyche like… well… green slime. Enjoy!

 

Blade Runner 2049 Trailer is A Thing of Beauty

blade runner 2049

Considering I once thought of Blade Runner 2049 as being on top of my ‘Most Unnecessary Sequels Ever’ list I’m amazed this film has become one of my most anticipated releases of the year, and the brand new trailer has only ramped up that anticipation.

One of the most enticing aspects promised by the trailer (and everything else we’ve seen from the film so far) is that, while it’s obviously set in the same world as executive producer Ridley Scott’s 1982 original, it already very much feels like its own thing.

This possibly shouldn’t come as much of a surprise, since director Denis Villeneuve has displayed such a strong voice in films like Sicario and Arrival, but it’s heartening to have it confirmed that this won’t be a soulless retread.

It’s also worth pointing out just how beautiful Blade Runner 2049 is looking, and cinematographer Roger Deakins is certainly earning his pay. This baby is going to be eye-wateringly stunning on the big screen.

Released on October 16th, Blade Runner 2049 stars Ryan Gosling and Harrison Ford, along with Robin Wright, Dave Bautista, Jared Leto (no, wait… come back…), Ana de Armas, Mackenzie Davies and Edward James Olmos.

Hopefully you’re as buzzed by this as I am…

Will Wonder Woman Save DC Movies…?

ww

It’s no secret that here at Out of Dave’s Head Towers, the DC movies are considered to be something of a mess (and that’s being kinder than they perhaps deserve). Man of Steel has its qualities, Batman Vs Superman was an overstuffed mess and the less said about Suicide Squad the better for my use of expletives.

Dc and Warner Bros, clearly inspired by the success of the Marvel Cinematic Universe dived into their first productions with zeal but no understanding of what made the Marvel movie franchises work so well. Instead of careful planning, the DC movies exhibit painfully obvious signs of throwing in everything but the kitchen sink in the hope of universe building, but do so with no vision of what makes their characters so special or indeed how an interconnected universe of movies should develop.

So it’s no small thing to say that I’m hoping against hope this rudderless ship of a brand can be saved by two women… director Patty Jenkins and DC’s Amazonian, Wonder Woman.

Everything about this film is shaping up nicely (though of course, the same could be said of the previous efforts) from the cast and crew to the look of the film. The Wonder Woman trailers (and Jenkins’ track record) have promised something far more cohesive and this latest from Warner Bros and DC is no exception.

Wonder Woman is a character who has never yet been handled right in her relatively few onscreen appearances (sorry, Lynda, I love you and your crazy 1970s TV show with its spangle and kookiness, but y’know…) and she deserves to be given the best treatment out of the starting gate.

Here’s hoping she can use her lassoo of truth to steer this ship into better waters.

Wonder Woman, starring Gal Gadot and Chris Pine, opens on June 2nd.