*Caution – spoilers*
“I’m not trying to win. I’m not doing this because I want to beat someone, because I hate someone, or because I want to blame someone. It’s not because it’s fun. God knows it’s not because it’s easy. It’s not even because it works because it hardly ever does. I do what I do because it’s right! Because it’s decent! And above all, it’s kind! It’s just that… Just kind. If I run away today, good people will die. If I stand and fight, some of them might live. Maybe not many, maybe not for long. Hey, you know, maybe there’s no point to any of this at all. But it’s the best I can do. So I’m going to do it. And I’m going to stand here doing it until it kills me. And you’re going to die too! Some day… And how will that be? Have you thought about it? What would you die for? Who I am is where I stand. Where I stand is where I fall.”
For anyone who thinks Doctor Who is never political, last night’s astounding finale to the current season (ten, in reboot terms) saw Peter Capaldi maginificently deliver the preceeding speech.
As a marker for The Doctor, writer Steven Moffat gives us this defining moment not only for the character and for the show but also as a comment on the zeitgeist – make no mistake about it, conscious or not, this is a political statement against the prevailing political winds of the UK and the world as a whole.
Written and performed with the twin qualitities of passion and vulnerability, this speech could as easily be delivered at an anti-establishment rally, with several thousand Corbyn supporters roaring their approval. I have no idea of the personal politics of Steven Moffat, but if the likes of Theresa May and Donald Trump could be seen as the ultimate Doctor Who villains – uncaring despots seemingly determined to wipe out everything good and decent about mankind – then this speech can easily be read as the ultimate rallying cry against them.
Doctor Who has always been good at reflecting the world around us, whether through the filter of technological advances (the Cyberman chant of “delete, delete”) or even politicians being replaced by gas-expelling aliens, but it’s rarely as outspoken against the status quo as in The Doctor Falls.
While not the actual bowing-out of Capaldi’s Twelfth Doctor (that honour comes at Christmas, in a meeting with David Bradley as the First Doctor), this episode served as a superb summation of his incarnation – fiery, humane and yet always inhuman – and also neatly wrapped up the arc for Pearl Mackie’s Bill.
Much of the episode ran at an exceptional pace, narrative and emotional drive running hand in hand to deliver an astonishing gut punch. The scenes between the Cyber-transformed Bill (as close to Cronenbergian body-horror as the family show can possibly get) and The Doctor were heart-rendingly written and performed, this was a terrifying fate for a companion and a warning to all those who travel with the Time Lord.
And if the final ten minutes seemed to wallow a little, it’s tough to argue that this wasn’t earned or deserved. For the children watching, Bill’s eventual fate was all-important for a show which ultimately needs to be aspirational and inspirational.
Steven Moffat, director Rachel Talalay and the Doctor Who crew seemed determined to send this much-improved season off with a bang, an emotional wallop and, by adding the zest of a sharp, humanist comment on the real world, something to truly value.