Is There Life On Mars…? Watch The Watchmen Trailer Now!

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Okay, cards on the table, I am fully vibed for Damon Lindelof’s new Watchmen series for HBO. Watch this trailer (just dropped at San Diego Comic Con) and you should be too…

That final shot! Wow! Hands up who’s excited for the return of Dr. Manhattan?

I mean, what’s not to love here? Definitely (and thankfully) not another run through of Alan Moore and Dave Gibbon’s iconic comic book series (Zack Snyder already gave us a perfectly good and faithful film in 2009).

Instead, seemingly a direct sequel and highly intriguing take on the world of masks and vigilantes posited in the original story, everything about this screams class: from the cast to the music – provided by Trent Reznor and Atticus Ross.

Here’s the official synopsis to further whet your appetite:

“Watchmen takes place in an alternative, contemporary reality in the United States, in which masked vigilantes became outlawed due to their violent methods. Despite this, some gather around in order to start a revolution while others are going out to stop it before it is too late, as a greatly wide question levitates above them all; who watches the Watchmen?”

No release date has been given yet, though rumours persist it’ll be before the end of 2019.

I trust you’ll be watching the Watchmen with me…

Your Dream Or Nightmare Just Came True: HBO Make Watchmen TV Series

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Prepare to scream with delight or grind your teeth in furious indignation: HBO announced today that their Watchmen TV series is a go, following recent production of a pilot episode.

To further find your bliss/fuel your anger, writer/producer Damon Lindelof has warned not to expect another direct adaptation likeZack Snyder’s incredibly faithful 2009 movie. Lindelof wrote on Instagram that his version is the “New Testament” to the original’s “Old Testament”. HBO also released the following logline via Indiewire:

“Set in an alternate history where “superheroes” are treated as outlaws, “Watchmen” embraces the nostalgia of the original groundbreaking graphic novel while attempting to break new ground of its own.”

Lindelof has also said of the show:

“This story will be set in the world its creators painstakingly built…but in the tradition of the work that inspired it, this new story must be original. It has to vibrate with the seismic unpredictability of its own tectonic plates. It must ask new questions and explore the world through a fresh lens. Most importantly, it must be contemporary. The Old Testament was specific to the Eighties of Reagan and Thatcher and Gorbachev. Ours needs to resonate with the frequency of Trump and May and Putin and the horse that he rides around on, shirtless. And speaking of Horsemen, The End of the World is off the table…which means the heroes and villains–as if the two are distinguishable–are playing for different stakes entirely. Some of the characters will be unknown. New faces. New masks to cover them. We also intend to revisit the past century of Costumed Adventuring through a surprising yet familiar set of eyes…and it is here we will be taking our greatest risks.”

The show is sure to raise the ire of many fans of Watchmen, who think the Alan Moore & Dave Gibbons’ story should not be continued (both for moral reasons – as Moore notoriously has disowned anything produced by DC or Warner Bros beyond their original work – and creative reasons – seeing the graphic novel’s story as sacrosanct), and Lindelof’s CV is also filled with divisive productions (Prometheus and Lost among them).

Personally I’m cautiously intrigued by this and with a cast headed up by Tom Mison, Jeremy Irons, Regina King, Don Johnson, Tim Blake Nelson, Dylan Schombing, Lily Rose Smith, Adelynn Spoon, Yahya Abdul-Mateen II, Louis Gossett Jr., Adelaide Clemens, Frances Fisher, Jacob Ming-Trent and Andrew Howard, this promises to be, if nothing else, a major talking point when it hits HBO in 2019.

Who Watches The Watchmen… Again?

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The news today that HBO have ordered a pilot for a new series of Watchmen, based on the comic book and graphic novel by Alan Moore and Dave Gibbons, comes with a whole bunch of raised eyebrows.

The first question to be asked is whether or not the world needs another adaptation (if indeed that’s what this will be, rather than a continuation or expansion) of the material so soon after Zack Snyder’s somewhat underrated 2009 film (flawed but definitely with its heart in the right place and with a rather elegant solution to the climax)?

The second question concerns the creative in charge of this new iteration. Damon Lindelof arrives with a whole lot of baggage, not all of it boding well. While his show The Leftovers has garnered many fans and a great deal of acclaim, he was also partly responsible for the complete mess that was Lost and also for large chunks of the script for Ridley Scott’s Prometheus, which was chock full of irritating characters doing and saying stupid things. In other words, a complete mess. Again.

So the thought of Lindelof taking the comic book that Alan Moore describes as “inherently unfilmable” definitely comes with caveats. We can only hope to get a show from The Leftovers Lindelof, rather than the Prometheus Lindelof.

Allowing that this baby is going ahead regardless of (or in spite of) its creators’ blessings (Moore has been in dispute over creative ownership of Watchmen for decades), a TV show could certainly allow the concept some breathing room, possibly giving time to the Tales of The Black Freighter comic-within-a-comic that was exised from Snyder’s film. It could also, if we’re really lucky, look at the nature of storytelling in a fresh way from the approach taken in the comic and adapt that for the filmic medium.

I’ll certainly be watching this one as it progresses.